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Simon Holland
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2020 – today
- 2022
- [c50]Noam Lederman, Simon Holland, Paul Mulholland:
An agent for creative development in drum kit playing. PPIG 2022: 88-90 - [e3]Simon Holland, Marian Petre, Luke Church, Mariana Marasoiu:
Proceedings of the 33rd Annual Workshop of the Psychology of Programming Interest Group, PPIG 2022, The Open University, Milton Keynes, UK & Online, September 5-9, 2022. Psychology of Programming Interest Group 2022 [contents] - 2021
- [c49]Noam Lederman, Simon Holland, Paul Mulholland:
A principled approach to the development of drum improvisation skills through interaction with a conversational agent: A design study with professional drummers. PPIG 2021 - 2020
- [c48]Noam Lederman, Simon Holland, Paul Mulholland:
A principled approach to the development of drum improvisation skills through interaction with a conversational agent. PPIG 2020
2010 – 2019
- 2019
- [j8]Tom Mudd, Simon Holland
, Paul Mulholland:
The Role of Nonlinear Dynamics in Musicians' Interactions with Digital and Acoustic Musical Instruments. Comput. Music. J. 43(4): 25-40 (2019) - [j7]Tom Mudd, Simon Holland
Nonlinear dynamical processes in musical interactions: Investigating the role of nonlinear dynamics in supporting surprise and exploration in interactions with digital musical instruments. Int. J. Hum. Comput. Stud. 128: 27-40 (2019) - [c47]Matt Bellingham, Simon Holland, Paul Mulholland:
Toward meaningful algorithmic music-making for non-programmers. PPIG 2019 - [p9]Simon Holland
Understanding Music Interaction, and Why It Matters. New Directions in Music and Human-Computer Interaction 2019: 1-20 - [p8]Oliver Hödl
TMAP Design Cards for Technology-Mediated Audience Participation in Live Music. New Directions in Music and Human-Computer Interaction 2019: 41-59 - [p7]Simon Holland
Machine Learning, Music and Creativity: An Interview with Rebecca Fiebrink. New Directions in Music and Human-Computer Interaction 2019: 259-267 - [e2]Simon Holland
New Directions in Music and Human-Computer Interaction. Springer 2019, ISBN 978-3-319-92068-9 [contents] - 2018
- [c46]Dmitri S. Katz
Data, Data Everywhere, and Still Too Hard to Link: Insights from User Interactions with Diabetes Apps. CHI 2018: 503 - [c45]Dmitri S. Katz
Designing for Diabetes Decision Support Systems with Fluid Contextual Reasoning. CHI 2018: 625 - [c44]Joseph Corneli, Simon Holland
Patterns of Design. EuroPLoP 2018: 22:1-22:11 - [c43]Matt Bellingham, Simon Holland, Paul Mulholland:
Choosers: The design and evaluation of a visual algorithmic music composition language for non-programmers. PPIG 2018 - 2017
- [c42]Federico Visi, Theodoros Georgiou
Assessing the Accuracy of an Algorithm for the Estimation of Spatial Gait Parameters Using Inertial Measurement Units: Application to Healthy Subject and Hemiparetic Stroke Survivor. MOCO 2017: 5:1-5:7 - [c41]Marilena Daquino, Enrico Daga, Mathieu d'Aquin, Aldo Gangemi, Simon Holland, Robin C. Laney, Albert Meroño-Peñuela, Paul Mulholland:
Characterizing the Landscape of Musical Data on the Web: state of the art and challenges. WHiSe@ISWC 2017: 57-68 - 2016
- [c40]Theodoros Georgiou, Simon Holland, Janet van der Linden:
Rhythmic Haptic Cueing for Gait Rehabilitation of Neautological Conditions. BCS HCI 2016 - [c39]Simon Holland
Music and HCI. CHI Extended Abstracts 2016: 3339-3346 - [c38]Dmitri S. Katz, Nick Dalton, Simon Holland, Aisling Ann O'Kane
Questioning the Reflection Paradigm for Diabetes Mobile Apps. eHealth 360° 2016: 315-326 - [c37]Theodoros Georgiou
Questioning Classic Patient Classification Techniques in Gait Rehabilitation: Insights from Wearable Haptic Technology. eHealth 360° 2016: 327-339 - [c36]Dmitri S. Katz
Designing, developing, and evaluating the future internet of personal health. UbiComp Adjunct 2016: 1068-1073 - [c35]Theodoros Georgiou
Wearable haptic devices for post-stroke gait rehabilitation. UbiComp Adjunct 2016: 1114-1119 - 2015
- [c34]Tony Steffert, Simon Holland, Paul Mulholland, Nick Sheep Dalton, Aleksander Väljamäe:
Prototyping a method for the assessment of real-time EEG sonifications. ICAD 2015: 217-224 - [c33]Theodoros Georgiou
A blended user centred design study for wearable haptic gait rehabilitation following hemiparetic stroke. PervasiveHealth 2015: 72-79 - 2014
- [c32]Katie Wilkie, Simon Holland, Paul Mulholland:
Eliciting Domain Knowledge Using Conceptual Metaphors to Inform Interaction Design: A Case Study from Music Interaction. BCS HCI 2014 - [c31]Oliver Hödl
Experimence: Considerations for Composing a Rock Song for Interactive Audience Participation. ICMC 2014 - [c30]Tom Mudd, Simon Holland, Paul Mulholland, Nick Sheep Dalton:
Dynamical Interactions with Electronic Instruments. NIME 2014: 126-129 - [c29]Simon Holland, Rachel L. Wright
A gait rehabilitation pilot study using tactile cueing following hemiparetic stroke. PervasiveHealth 2014: 402-405 - [c28]Matt Bellingham, Simon Holland, Paul Mulholland:
A cognitive dimensions analysis of interaction design for algorithmic composition software. PPIG 2014: 18 - [c27]Simon Holland, Rachel L. Wright
A Pilot Study Using Tactile Cueing for Gait Rehabilitation Following Stroke. REHAB 2014: 222-233 - 2013
- [p6]Simon Holland, Katie Wilkie, Paul Mulholland, Allan Seago:
Music Interaction: Understanding Music and Human-Computer Interaction. Music and Human-Computer Interaction 2013: 1-28 - [p5]Anders J. Bouwer, Simon Holland, Mat Dalgleish:
The Haptic Bracelets: Learning Multi-Limb Rhythm Skills from Haptic Stimuli While Reading. Music and Human-Computer Interaction 2013: 101-122 - [p4]Anders J. Bouwer, Simon Holland, Mat Dalgleish:
Song Walker Harmony Space: Embodied Interaction Design for Complex Musical Skills. Music and Human-Computer Interaction 2013: 207-221 - [p3]Katie Wilkie, Simon Holland, Paul Mulholland:
Towards a Participatory Approach for Interaction Design Based on Conceptual Metaphor Theory: A Case Study from Music Interaction. Music and Human-Computer Interaction 2013: 259-270 - [e1]Simon Holland, Katie Wilkie, Paul Mulholland, Allan Seago:
Music and Human-Computer Interaction. Springer Series on Cultural Computing, Springer 2013, ISBN 978-1-4471-2989-9 [contents] - 2012
- [j6]Anthony Prechtl, Andrew J. Milne
A MIDI Sequencer That Widens Access to the Compositional Possibilities of Novel Tunings. Comput. Music. J. 36(1): 42-54 (2012) - [c26]Nick Sheep Dalton
Kolab: appropriation & improvisation in mobile tangible collaborative interaction. Conference on Designing Interactive Systems 2012: 21-24 - 2011
- [c25]Andrew J. Milne
Scratching the Scale Labyrinth. MCM 2011: 180-195 - [c24]Andrew J. Milne, Anna Xambó
Hex Player - A Virtual Musical Controller. NIME 2011: 244-247 - [p2]Simon Holland, Katie Wilkie, Anders J. Bouwer, Mat Dalgleish, Paul Mulholland:
Whole Body Interaction in Abstract Domains. Whole Body Interaction 2011: 19-34 - 2010
- [j5]Katie Wilkie, Simon Holland, Paul Mulholland:
What Can the Language of Musicians Tell Us about Music Interaction Design? Comput. Music. J. 34(4): 34-48 (2010) - [c23]Simon Holland, Anders J. Bouwer, Mathew Dalgelish, Topi M. Hurtig:
Feeling the beat where it counts: fostering multi-limb rhythm skills with the haptic drum kit. TEI 2010: 21-28
2000 – 2009
- 2009
- [j4]Arturo Nakasone, Helmut Prendinger, Simon Holland, Piet Hut, Jun Makino, Ken Miura:
AstroSim: Collaborative Visualization of an Astrophysics Simulation in Second Life. IEEE Computer Graphics and Applications 29(5): 69-81 (2009) - [c22]Katie Wilkie, Simon Holland, Paul Mulholland:
Evaluating musical software using conceptual metaphors. BCS HCI 2009: 232-237 - [c21]Simon Holland, Paul Marshall
Running up Blueberry Hill: prototyping whole body interaction in harmony space. TEI 2009: 93-98 - 2007
- [j3]Patrick Hill, Simon Holland, Robin C. Laney
An Introduction to Aspect-Oriented Music Representation. Comput. Music. J. 31(4): 47-58 (2007) - 2006
- [c20]Patrick Hill, Simon Holland, Robin C. Laney
Symmetric composition of musical concerns. AOSD 2006: 226-236 - 2004
- [c19]Simon Holland:
A First Empirical Study of Direct Combination in a Ubiquitous Environment. BCS HCI 2004: 229-247 - [c18]Simon Holland, Robert Day, Grégory Leplâtre, Alistair D. N. Edwards:
Mobile HCI and Sound. Mobile HCI 2004: 527-528 - [c17]Simon Holland:
Reflective composition: the declarative composition of roles to unify objects, roles, and aspects. OOPSLA Companion 2004: 224-225 - 2002
- [j2]Simon Holland, David R. Morse, Henrik Gedenryd:
AudioGPS: Spatial Audio Navigation with a Minimal Attention Interface. Pers. Ubiquitous Comput. 6(4): 253-259 (2002) - [c16]Simon Holland, David R. Morse, Henrik Gedenryd:
Direct Combination: A New User Interaction. Mobile HCI 2002: 108-122 - 2000
- [p1]Simon Holland:
Artificial Intelligence in Music Education: A Critical Review. Readings in Music and Artificial Intelligence 2000: 239-274
1990 – 1999
- 1999
- [c15]Simon Holland
Direct Combination. CHI 1999: 262-269 - [c14]Mark Woodman, Robert Griffiths, Malcolm Macgregor, Simon Holland
Exploiting Smalltalk Modules in a Customizable Programming Environment. ICSE 1999: 65-74 - [c13]Mark Woodman, Robert Griffiths, Malcolm Macgregor, Simon Holland:
OU LearningWorks: A Customized Programming Environment for Smalltalk Modules. ICSE 1999: 638-641 - [c12]Robert Griffiths, Mark Woodman, Simon Holland
Separable UI Architectures in Teaching Object Technology. TOOLS (30) 1999: 290-299 - [c11]Mark Woodman, Robert Griffiths, Simon Holland
Employing Object Technology to Expose Fundamental Object Concepts. TOOLS (29) 1999: 371-383 - 1997
- [c10]Simon Holland
Avoiding object misconceptions. SIGCSE 1997: 131-134 - [c9]Mark Woodman, Robert Griffiths, Simon Holland
The object shop - Using CD-ROM multimedia to introduce object concepts. SIGCSE 1997: 345-349 - 1996
- [c8]Mark Woodman, Simon Holland
From software user to software author: an initial pedagogy for introductory object-oriented computing. ITiCSE 1996: 60-62 - [c7]Mark Woodman, Gordon Davies, Simon Holland
The joy of software - starting with objects. SIGCSE 1996: 88-92 - 1994
- [c6]Simon Holland:
Teaching Computer Science at the OU. PPIG 1994: 15 - 1993
- [c5]Simon Holland
Learning About Harmony with Harmony Space: An Overview. Music Education: An Artificial Intelligence Approach 1993: 24-40 - [c4]Matt Smith
MOTIVE: The Development of an AI Tool for Beginning Melody Composers. Music Education: An Artificial Intelligence Approach 1993: 41-55 - 1992
- [j1]Simon Holland
Beauty and the beast: New approaches to teaching computing for humanities students at the University of Aberdeen. Comput. Humanit. 26(4): 267-274 (1992) - [c3]Matt Smith, Simon Holland:
An AI Tool for the Analysis and Generation of Melodies. ICMC 1992 - [c2]Simon Holland:
Visual programming & visualisation of program execution in Prolog. PPIG (1) 1992: 7
1980 – 1989
- 1987
- [c1]Simon Holland:
New Cognitive Theories of Harmony Applied to Direct Manipulation Tools for Novices. ICMC 1987
Coauthor Index
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last updated on 2024-08-05 20:24 CEST by the dblp team
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