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Mathieu Barthet
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2020 – today
- 2024
- [c59]Wenqian Cui, Pedro Sarmento, Mathieu Barthet:
MoodLoopGP: Generating Emotion-Conditioned Loop Tablature Music with Multi-granular Features. EvoMUSART 2024: 97-113 - [i14]Wenqian Cui, Pedro Sarmento, Mathieu Barthet
:
MoodLoopGP: Generating Emotion-Conditioned Loop Tablature Music with Multi-Granular Features. CoRR abs/2401.12656 (2024) - [i13]Pedro Sarmento, Jackson Loth, Mathieu Barthet:
Between the AI and Me: Analysing Listeners' Perspectives on AI- and Human-Composed Progressive Metal Music. CoRR abs/2407.21615 (2024) - 2023
- [j10]Simin Yang
Do You Hear What I Hear? Computer 56(12): 4-6 (2023) - [j9]Thomas Deacon
"It's cleaner, definitely": Collaborative Process in Audio Production. Comput. Support. Cooperative Work. 32(3): 475-505 (2023) - [j8]Simin Yang
Examining Emotion Perception Agreement in Live Music Performance. IEEE Trans. Affect. Comput. 14(2): 1442-1460 (2023) - [j7]Miguel Ceriani, Fabio Viola, Sasa Rudan, Francesco Antoniazzi, Mathieu Barthet
Semantic integration of audio content providers through the Audio Commons Ontology. J. Web Semant. 77: 100787 (2023) - [c58]Tyler Howard McIntosh
Affective Conditional Modifiers in Adaptive Video Game Music. Audio Mostly Conference 2023: 17-23 - [c57]Thomas Deacon
Invoke: A Collaborative Virtual Reality Tool for Spatial Audio Production Using Voice-Based Trajectory Sketching. Audio Mostly Conference 2023: 161-168 - [c56]Lily E. Montague
Collaboration on the Tracks: Ethnographically-Informed Design for Computer-Assisted Music Collaboration between Producers and Performers. Creativity & Cognition 2023: 391-392 - [c55]Sara Adkins, Pedro Sarmento
LooperGP: A Loopable Sequence Model for Live Coding Performance Using GuitarPro Tablature. EvoMUSART@EvoStar 2023: 3-19 - [c54]Pedro Sarmento
GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with Transformers. EvoMUSART@EvoStar 2023: 260-275 - [c53]Yann Frachi
Affective gaming using adaptive speed controlled by biofeedback. ICMI Companion 2023: 238-246 - [c52]Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet:
Real-Time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar. ISMIR 2023: 121-128 - [c51]Max Graf
Reducing Sensing Errors in a Mixed Reality Musical Instrument. VRST 2023: 72:1-72:2 - [i12]Pedro Sarmento, Adarsh Kumar, Yu-Hua Chen, CJ Carr, Zack Zukowski, Mathieu Barthet
GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with Transformers. CoRR abs/2302.05393 (2023) - [i11]Sebastian Löbbers, Mathieu Barthet
AI as mediator between composers, sound designers, and creative media producers. CoRR abs/2303.01457 (2023) - [i10]Sara Adkins, Pedro Sarmento, Mathieu Barthet
LooperGP: A Loopable Sequence Model for Live Coding Performance using GuitarPro Tablature. CoRR abs/2303.01665 (2023) - [i9]Pedro Sarmento, Adarsh Kumar, Dekun Xie, CJ Carr, Zack Zukowski, Mathieu Barthet:
ShredGP: Guitarist Style-Conditioned Tablature Generation. CoRR abs/2307.05324 (2023) - [i8]Jackson Loth, Pedro Sarmento, CJ Carr, Zack Zukowski, Mathieu Barthet:
ProgGP: From GuitarPro Tablature Neural Generation To Progressive Metal Production. CoRR abs/2307.05328 (2023) - [i7]Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet:
Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar. CoRR abs/2307.07426 (2023) - [i6]Max Graf, Mathieu Barthet:
Combining Vision and EMG-Based Hand Tracking for Extended Reality Musical Instruments. CoRR abs/2307.10203 (2023) - [i5]Giovanni Bindi, Nils Demerlé, Rodrigo Diaz, David Genova, Aliénor Golvet, Ben Hayes, Jiawen Huang, Lele Liu, Vincent Martos, Sarah Nabi, Teresa Pelinski, Lenny Renault
AI (r)evolution - where are we heading? Thoughts about the future of music and sound technologies in the era of deep learning. CoRR abs/2310.18320 (2023) - 2022
- [c50]Yann Frachi, Takuya Takahashi, Feiqi Wang, Mathieu Barthet
Design of Emotion-Driven Game Interaction Using Biosignals. HCI (33) 2022: 160-179 - [c49]Takuya Takahashi, Mathieu Barthet:
Emotion-driven Harmonisation And Tempo Arrangement of Melodies Using Transfer Learning. ISMIR 2022: 741-748 - [c48]Max Graf, Mathieu Barthet
Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural Control. NIME 2022 - 2021
- [c47]Pedro Sarmento, Adarsh Kumar, CJ Carr, Zack Zukowski, Mathieu Barthet, Yi-Hsuan Yang:
DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence Models. ISMIR 2021: 610-617 - [c46]Andrea Martelloni, Andrew McPherson, Mathieu Barthet
Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design. NIME 2021 - [i4]Max Graf, Harold Chijioke Opara, Mathieu Barthet:
An Audio-Driven System For Real-Time Music Visualisation. CoRR abs/2106.10134 (2021) - [i3]Sebastian Löbbers, Mathieu Barthet, György Fazekas:
Sketching sounds: an exploratory study on sound-shape associations. CoRR abs/2107.07360 (2021) - [i2]Pedro Sarmento, Adarsh Kumar, CJ Carr, Zack Zukowski, Mathieu Barthet, Yi-Hsuan Yang:
DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence Models. CoRR abs/2107.14653 (2021) - 2020
- [c45]Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet:
Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study. NIME 2020: 440-445 - [i1]Pedro Sarmento
Musical Smart City: Perspectives on Ubiquitous Sonification. CoRR abs/2006.12305 (2020)
2010 – 2019
- 2019
- [j6]Luca Turchet
Co-Design of Musical Haptic Wearables for Electronic Music Performer's Communication. IEEE Trans. Hum. Mach. Syst. 49(2): 183-193 (2019) - [c44]Fred Bruford, Mathieu Barthet
Modelling Musical Similarity for Drum Patterns: A Perceptual Evaluation. Audio Mostly Conference 2019: 131-138 - [c43]Gary Bromham, David Moffat
The Impact of Audio Effects Processing on the Perception of Brightness and Warmth. Audio Mostly Conference 2019: 183-190 - [c42]Luca Turchet
Haptification of performer's control gestures in live electronic music performance. Audio Mostly Conference 2019: 244-247 - [c41]Thomas Deacon
Shaping Sounds: The Role of Gesture in Collaborative Spatial Music Composition. Creativity & Cognition 2019: 121-132 - [c40]Fred Bruford, Mathieu Barthet, SKoT McDonald, Mark B. Sandler:
Groove Explorer: An Intelligent Visual Interface for Drum Loop Library Navigation. IUI Workshops 2019 - 2018
- [j5]Luca Turchet
Internet of Musical Things: Vision and Challenges. IEEE Access 6: 61994-62017 (2018) - [j4]Luca Turchet
Real-Time Hit Classification in a Smart Cajón. Frontiers ICT 5: 16 (2018) - [c39]Anna Xambó
Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective. Audio Mostly Conference 2018: 30:1-30:7 - [c38]Luca Turchet
Jamming with a Smart Mandolin and Freesound-based Accompaniment. FRUCT 2018: 375-381 - [c37]Luca Turchet
Towards a Semantic Architecture for the Internet of Musical Things. FRUCT 2018: 382-390 - [c36]Luca Turchet, Mathieu Barthet:
Demo of interactions between a performer playing a Smart Mandolin and audience members using Musical Haptic Wearables. NIME 2018: 82-83 - [c35]Ariane de Souza Stolfi, Miguel Ceriani, Luca Turchet, Mathieu Barthet:
Playsound.space: Inclusive Free Music Improvisations Using Audio Commons. NIME 2018: 228-233 - [c34]Anna Weisling, Anna Xambó
Surveying the Compositional and Performance Practices of Audiovisual Practitioners. NIME 2018: 344-345 - [c33]Anna Xambó
Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases. NIME 2018: 364-369 - [c32]Fabio Viola, Ariane Stolfi, Alessia Milo, Miguel Ceriani, Mathieu Barthet
Playsound.space: enhancing a live music performance tool with semantic recommendations. SAAM@ISWC 2018: 46-53 - [c31]Sophie Skach
Embodied Interactions with E-Textiles and the Internet of Sounds for Performing Arts. TEI 2018: 80-87 - 2017
- [j3]Yongmeng Wu, Leshao Zhang, Nick Bryan-Kinns, Mathieu Barthet
Open Symphony: Creative Participation for Audiences of Live Music Performances. IEEE Multim. 24(1): 48-62 (2017) - [c30]Callum Goddard, Mathieu Barthet
Designing Computationally Creative Musical Performance Systems. Audio Mostly Conference 2017: 3:1-3:8 - [c29]Anand Subramaniam, Mathieu Barthet
Mood Visualiser: Augmented Music Visualisation Gauging Audience Arousal. Audio Mostly Conference 2017: 5:1-5:8 - [c28]Dorien Herremans
IMMA-Emo: A Multimodal Interface for Visualising Score- and Audio-synchronised Emotion Annotations. Audio Mostly Conference 2017: 11:1-11:8 - [c27]Ariane Stolfi, Mathieu Barthet
Open Band: A Platform for Collective Sound Dialogues. Audio Mostly Conference 2017: 25:1-25:8 - [c26]Ireti Olowe, Mick Grierson
User Requirements for Live Sound Visualization System Using Multitrack Audio. Audio Mostly Conference 2017: 40:1-40:8 - [c25]Jon Pigrem, Mathieu Barthet
Datascaping: Data Sonification as a Narrative Device in Soundscape Composition. Audio Mostly Conference 2017: 43:1-43:8 - [c24]Ireti Olowe, Mathieu Barthet
FEATUR.UX.AV: A Live Sound Visualization System Using Multitrack Audio. Audio Mostly Conference 2017: 53:1-53:5 - [e2]György Fazekas, Mathieu Barthet, Tony Stockman:
Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences, London, United Kingdom, August 23 - 26, 2017. ACM 2017, ISBN 978-1-4503-5373-1 [contents] - 2016
- [j2]Pasi Saari, György Fazekas, Tuomas Eerola
Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood Annotation. IEEE Trans. Affect. Comput. 7(2): 122-135 (2016) - [c23]Kate Hayes, Mathieu Barthet
A Participatory Live Music Performance with the Open Symphony System. CHI Extended Abstracts 2016: 313-316 - [c22]Thomas Deacon
User Experience in an Interactive Music Virtual Reality System: An Exploratory Study. CMMR 2016: 192-216 - [c21]Leshao Zhang, Yongmeng Wu, Mathieu Barthet:
A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use Case. NIME 2016: 170-175 - [c20]Ireti Olowe, Giulio Moro, Mathieu Barthet:
residUUm: user mapping and performance strategies for multilayered live audiovisual generation. NIME 2016: 271-276 - 2015
- [c19]Mathieu Barthet
Moodplay: an interactive mood-based musical experience. Audio Mostly Conference 2015: 3:1-3:8 - 2014
- [c18]Tillman Weyde
Big Data for Musicology. DLfM@JCDL 2014: 1-3 - [c17]Chris Baume, György Fazekas, Mathieu Barthet, David Marston, Mark B. Sandler:
Selection of Audio Features for Music Emotion Recognition Using Production Music. Semantic Audio 2014 - [c16]Sefki Kolozali, György Fazekas, Mathieu Barthet, Mark B. Sandler:
A Framework for Automatic Ontology Generation Based on Semantic Audio Analysis. Semantic Audio 2014 - [c15]Ting Lou, Mathieu Barthet, György Fazekas, Mark B. Sandler:
Evaluation and Improvement of the Mood Conductor Interactive System. Semantic Audio 2014 - 2013
- [j1]Sefki Kolozali, Mathieu Barthet
Automatic Ontology Generation for Musical Instruments Based on Audio Analysis. IEEE Trans. Speech Audio Process. 21(10): 2207-2220 (2013) - [c14]György Fazekas, Mathieu Barthet
Mood Conductor: Emotion-Driven Interactive Music Performance. ACII 2013: 726 - [c13]György Fazekas, Mathieu Barthet
Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework. CMMR 2013: 122-147 - [c12]György Fazekas, Mathieu Barthet
Demo paper: The BBC Desktop Jukebox music recommendation system: A large scale trial with professional users. ICME Workshops 2013: 1-2 - [c11]Pasi Saari, Mathieu Barthet
Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags. ICME Workshops 2013: 1-6 - [c10]Pasi Saari, Tuomas Eerola, György Fazekas, Mathieu Barthet, Olivier Lartillot, Mark B. Sandler:
The Role of Audio and Tags in Music Mood Prediction: A Study Using Semantic Layer Projection. ISMIR 2013: 201-206 - [c9]Mathieu Barthet, David Marston, Chris Baume, György Fazekas, Mark B. Sandler:
Design and Evaluation of Semantic Mood Models for Music Recommendation using Editorial Tags. ISMIR 2013: 421-426 - [e1]Mitsuko Aramaki, Mathieu Barthet
From Sounds to Music and Emotions - 9th International Symposium, CMMR 2012, London, UK, June 19-22, 2012, Revised Selected Papers. Lecture Notes in Computer Science 7900, Springer 2013, ISBN 978-3-642-41247-9 [contents] - 2012
- [c8]Mathieu Barthet
Music Emotion Recognition: From Content- to Context-Based Models. CMMR 2012: 228-252 - 2011
- [c7]Mathieu Barthet, Simon Dixon:
Ethnographic Observations of Musicologists at the British Library: Implications for Music Information Retrieval. ISMIR 2011: 353-358 - [c6]Sefki Kolozali, Mathieu Barthet, György Fazekas, Mark B. Sandler:
Knowledge Representation Issues in Musical Instrument Ontology Design. ISMIR 2011: 465-470 - 2010
- [c5]Mathieu Barthet
Speech/Music Discrimination in Audio Podcast Using Structural Segmentation and Timbre Recognition. CMMR 2010: 138-162 - [c4]Sefki Kolozali, Mathieu Barthet
Towards the Automatic Generation of a Semantic Web Ontology for Musical Instruments. SAMT 2010: 186-187
2000 – 2009
- 2007
- [c3]Mathieu Barthet
Improving Musical Expressiveness by Time-Varying Brightness Shaping. CMMR 2007: 313-336 - [c2]Mathieu Barthet, Philippe Depalle, Richard Kronland-Martinet, Sølvi Ystad:
The effect of Timbre in Clarinet Interpretation. ICMC 2007 - 2005
- [c1]Mathieu Barthet, Philippe Guillemain, Richard Kronland-Martinet, Sølvi Ystad:
On the Relative Influence of even and odd harmonics in Clarinet Timbre. ICMC 2005
Coauthor Index
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last updated on 2024-08-22 19:44 CEST by the dblp team
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