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Takashi X. Fujisawa
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2020 – today
- 2024
- [j2]Natasha Y. S. Kawata
, Shota Nishitani
Brain structures and functional connectivity in neglected children with no other types of maltreatment. NeuroImage 292: 120589 (2024)
2010 – 2019
- 2013
- [c8]Masato Konishi, Kensuke Tobitani, Kenji Katahira, Yasuhiro Azuma, Noriko Nagata
Estimation of subjective age based on the facial images of others: experimental verification of a younger identity caused by the effect of delusions of the accumulated memory of a known face. FCV 2013: 67-73 - 2012
- [c7]Takayuki Shimotomai, Takashi Omori, Eriko Aiba, Takashi X. Fujisawa, Noriko Nagata
Mapping model from chord to color. SCIS&ISIS 2012: 121-124 - [c6]Eriko Aiba, Kensuke Tobitani, Takayuki Shimotomai, Mitsuaki Tani, Noriko Nagata
Chord character evaluation model based on harmoniousness: Application to music mood visualization interface. SCIS&ISIS 2012: 131-135
2000 – 2009
- 2009
- [c5]Naoto Nakahara, Koji Miyazaki, Hajime Sakamoto, Takashi X. Fujisawa, Noriko Nagata
Dance Motion Control of a Humanoid Robot Based on Real-Time Tempo Tracking from Musical Audio Signals. ICEC 2009: 36-47 - [c4]Yasuhiro Azuma, Mayuka Nishimoto, Naoyuki Miyamoto, Takashi X. Fujisawa, Noriko Nagata
A Comparative Assessment of One's Own Age from Facial Images of Others: Two Case Studies for the Americans and the Japanese. SMC 2009: 639-644 - 2008
- [c3]Mayuka Nishimoto, Yasuhiro Azuma, Naoyuki Miyamoto, Takashi X. Fujisawa, Noriko Nagata
Subjective age estimation using speech sounds: Comparison with facial images. SMC 2008: 1900-1904 - [c2]Tomomi Sangenya, Takashi X. Fujisawa, Noriko Nagata
Creation of a sound-image scale - Quantification of the images of chord progressions with impression evaluation used -. SMC 2008: 1905-1909 - 2006
- [j1]Norman D. Cook, Takashi X. Fujisawa, Kazuaki Takami:
Evaluation of the affective valence of speech using pitch substructure. IEEE Trans. Speech Audio Process. 14(1): 142-151 (2006) - 2004
- [c1]Takashi X. Fujisawa, Norman D. Cook:
Identifying emotion in speech prosody using acoustical cues of harmony. INTERSPEECH 2004: 1333-1336
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