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Florent Berthaut
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2020 – today
- 2024
- [c37]Esther Gruy
, Florent Berthaut
Musical Drawing in 2D and 3D: Dimensions and Perspectives. Audio Mostly Conference 2024: 181-188 - 2023
- [b2]Florent Berthaut:
Revealing Interactions : Expression and Exploration in Mixed and Virtual Reality. (Interactions Révélées : Expression et Exploration en Réalité Mixte et Virtuelle). University of Lille, France, 2023 - [j5]Vincent Reynaert
The effect of hands synchronicity on users perceived arms Fatigue in Virtual reality environment. Int. J. Hum. Comput. Stud. 178: 103092 (2023) - [c36]Detjon Brahimaj
Cross-modal interaction of stereoscopy, surface deformation and tactile feedback on the perception of texture roughness in an active touch condition: Interaction intermodale de la stéréoscopie, de la déformation de surface et de la retour tactile sur la perception de la rugosité de la texture dans un état tactile actif. IHM 2023: 6:1-6:12 - 2022
- [c35]Cagan Arslan, Florent Berthaut
Vibrating shapes : Design and evolution of a spatial augmented reality interface for actuated instruments. NIME 2022 - [c34]Florent Berthaut
The Effect of Visualisation Level and Situational Visibility in Co-located Digital Musical Ensembles. NIME 2022 - 2021
- [j4]Olivier Capra, Florent Berthaut, Laurent Grisoni:
Levels of Detail in Visual Augmentation for Novice and Expert Audiences. Comput. Music. J. 44(2-3): 92-107 (2021) - [c33]Vincent Reynaert
The Effect of Rhythm in Mid-air Gestures on the User Experience in Virtual Reality. INTERACT (3) 2021: 182-191 - [c32]Florent Berthaut:
Musical Exploration of Volumetric Textures in Mixed and Virtual Reality. NIME 2021 - [c31]Vincent Reynaert
The Effect of Control-Display Ratio on User Experience in Immersive Virtual Musical Instruments. NIME 2021 - [c30]Fatma Ben Guefrech, Florent Berthaut
Revealable Volume Displays: 3D Exploration of Mixed-Reality Public Exhibitions. VR 2021: 31-39 - 2020
- [c29]Olivier Capra, Florent Berthaut
Have a SEAT on Stage: Restoring Trust with Spectator Experience Augmentation Techniques. Conference on Designing Interactive Systems 2020: 695-707 - [c28]Maxime Dariosecq, Patricia Plénacoste, Florent Berthaut, Anis Kaci, Frédéric Giraud:
Investigating the Semantic Perceptual Space of Synthetic Textures on an Ultrasonic based Haptic Tablet. VISIGRAPP (2: HUCAPP) 2020: 45-52 - [c27]Olivier Capra, Florent Berthaut, Laurent Grisoni:
All You Need Is LOD : Levels of Detail in Visual Augmentations for the Audience. NIME 2020: 67-72 - [c26]Florent Berthaut, Luke Dahl:
Adapting & Openness: Dynamics of Collaboration Interfaces for Heterogeneous Digital Orchestras. NIME 2020: 77-82 - [c25]Olivier Capra, Florent Berthaut, Laurent Grisoni:
A Taxonomy of Spectator Experience Augmentation Techniques. NIME 2020: 327-330
2010 – 2019
- 2018
- [c24]Cagan Arslan, Florent Berthaut, Jean Martinet, Ioan Marius Bilasco, Laurent Grisoni:
The Phone with the Flow: Combining Touch + Optical Flow in Mobile Instruments. NIME 2018: 148-151 - 2017
- [c23]Farzan Kalantari, Florent Berthaut, Laurent Grisoni:
Enriching Musical Interaction on Tactile Feedback Surfaces with Programmable Friction. CMMR 2017: 387-401 - [c22]Luke Dahl, Florent Berthaut, Antoine Nau, Patricia Plénacoste:
bf-pd: Enabling Mediated Communication and Cooperation in Improvised Digital Orchestras. CMMR 2017: 454-467 - [c21]Olivier Capra, Florent Berthaut, Laurent Grisoni:
Toward Augmented Familiarity of the Audience with Digital Musical Instruments. CMMR 2017: 558-573 - [c20]Florent Berthaut, Cagan Arslan, Laurent Grisoni:
Revgest: augmenting gestural musical instruments with revealed virtual objects. NIME 2017: 180-185 - 2016
- [j3]Florent Berthaut
Spatial Interfaces and Interactive 3D Environments for Immersive Musical Performances. IEEE Computer Graphics and Applications 36(5): 82-87 (2016) - [c19]Florent Berthaut
ControllAR: Appropriation of Visual Feedback on Control Surfaces. ISS 2016: 271-277 - [c18]Alex J. Jones
ControllAR: Appropriation of Visual Feedback on Control Surfaces. ISS 2016: 465-468 - 2015
- [j2]Florent Berthaut
Interaction musicale mumérique. Recréer les signaux du contrôle. Traitement du Signal 32(4): 345-363 (2015) - [c17]Florent Berthaut
BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras. CMMR 2015: 153-166 - [c16]Florent Berthaut, Diego Martínez Plasencia, Martin Hachet, Sriram Subramanian:
Reflets: combining and revealing spaces for musical performances. NIME 2015: 116-120 - [c15]Peter D. Bennett, Jarrod Knibbe, Florent Berthaut, Kirsten Cater:
Resonant bits: controlling digital musical instruments with resonance and the ideomotor effect. NIME 2015: 176-177 - [c14]Florent Berthaut, David Coyle, James W. Moore, Hannah Limerick:
Liveness through the lens of agency and causality. NIME 2015: 382-386 - [c13]Florent Berthaut, Deepak Ranjan Sahoo, Jess McIntosh, Diptesh Das, Sriram Subramanian
Dynamir: Optical Manipulations Using Dynamic Mirror Brushes. ITS 2015: 55-58 - 2014
- [c12]Florent Berthaut, Jarrod Knibbe:
Wubbles: A Collaborative Ephemeral Musical Instrument. NIME 2014: 499-500 - [c11]Diego Martínez Plasencia
Through the combining glass. UIST 2014: 341-350 - [c10]Florent Berthaut
Scenography of immersive virtual musical instruments. SIVE@VR 2014: 19-24 - 2013
- [c9]David Janin, Florent Berthaut
The T-calculus: towards a structured programing of (musical) time and space. FARM@ICFP 2013: 23-34 - [c8]Florent Berthaut, Mark T. Marshall, Sriram Subramanian, Martin Hachet:
Rouages: Revealing the Mechanisms of Digital Musical Instruments to the Audience. NIME 2013: 164-169 - 2012
- [j1]Florent Berthaut
Advanced Synchronization of Audio or Symbolic Musical Patterns: an Algebraic Approach. Int. J. Semantic Comput. 6(4): 409-428 (2012) - [c7]Florent Berthaut:
Poster: Beyond the Tunnels: Advanced 3D graphical modulation. 3DUI 2012: 139-140 - [c6]Florent Berthaut
Advanced Synchronization of Audio or Symbolic Musical Patterns: An Algebraic Approach. ICSC 2012: 302-309 - 2011
- [c5]Florent Berthaut, Haruhiro Katayose, Hironori Wakama, Naoyuki Totani, Yuichi Sato:
First Person Shooters as Collaborative Multiprocess Instruments. NIME 2011: 44-47 - 2010
- [b1]Florent Berthaut
Construction, manipulation et visualisation de processus sonores dans des environnements virtuels immersifs pour la performance musicale. University of Bordeaux, France, 2010 - [c4]Florent Berthaut, Martin Hachet, Myriam Desainte-Catherine:
Piivert: Percussion-based interaction for immersive virtual environments. 3DUI 2010: 15-18 - [c3]Florent Berthaut, Myriam Desainte-Catherine, Martin Hachet:
Combining Audiovisual Mappings For 3D Musical Interaction. ICMC 2010 - [c2]Florent Berthaut, Myriam Desainte-Catherine, Martin Hachet:
DRILE: An Immersive Environment for Hierarchical Live-Looping. NIME 2010: 192-197
2000 – 2009
- 2009
- [c1]Martin Hachet, Arash Kian, Florent Berthaut, Jean-Sébastien Franco, Myriam Desainte-Catherine:
Opportunistic Music. EGVE/ICAT/EuroVR 2009: 45-51
Coauthor Index
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last updated on 2024-10-09 20:28 CEST by the dblp team
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