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Andrew Horner
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- affiliation: Hong Kong University of Science and Technology
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2010 – 2019
- 2018
- [c56]Chun-Ming Au, Andrew Horner:
Music Production Mobile App with Voice-to-MIDI Feature. ICMC 2018 - [c55]Hiu Ting Chan, Ronald K. Mo, Chuck-Jee Chau, Andrew Horner:
The Emotional Characteristics of Section String Instruments with Different Pitch and Dynamics. ICMC 2018 - [c54]Bing Yen Chang, Andrew Horner:
The Effects of Pitch, Dynamics, and Vowel on the Emotional Characteristics of The Soprano Voice. ICMC 2018 - [c53]Yu Hong, Ronald K. Mo, Andrew Horner:
The Effects of Mode, Pitch, and Dynamics on Valence in Piano Scales and Chord Progressions. ICMC 2018 - [c52]Ronald K. Mo, Richard Hau Yue So, Andrew Horner:
Investigating How Convolution Reverberation Effects the Space of Instrument Emotional Characteristics. ICMC 2018 - [c51]Wing Lam Sin, Xiaojuan Ma, Andrew Horner:
The Emotional Characteristics of Rain Sound Effects. ICMC 2018 - 2017
- [c50]Bing Yen Chang, Andrew Horner:
A Real-Time Music Emotion Modulation System for Soundtracks. ICMC 2017 - [c49]Yu Hong, Chuck-Jee Chau, Andrew Horner:
Mode and Register Categorizations for Predicting Mood in Classical Piano Music2. ICMC 2017 - [c48]Yu Hong, Chuck-Jee Chau, Andrew Horner:
A Study of What Makes Calm and Sad Music So Difficult to Distinguish in Music Emotion Recognition. ICMC 2017 - [c47]Ronald K. Mo, Andrew Horner:
The Effects of Convolution Reverberation on the Emotional Characteristics. ICMC 2017 - [c46]Ronald K. Mo, Richard Hau Yue So, Andrew Horner:
How Does Parametric Reverberation Change the Space of Instrument Emotional Characteristics? ICMC 2017 - 2016
- [c45]Chuck-jee Chau, Andrew Horner:
The Emotional Characteristics of Mallet Percussion Instruments with Different Pitches and Mallet Hardness. ICMC 2016 - [c44]Samuel J. M. Gilburt, Chuck-jee Chau, Andrew Horner:
The Effects of Pitch and Dynamics on the Emotional Characteristics of Bowed String Instruments. ICMC 2016 - [c43]Ronald K. Mo, Ga Lam Choi, Chung Lee, Andrew Horner:
The Effects of MP3 Compression on Emotional Characteristics. ICMC 2016 - [c42]Ronald K. Mo, Bin Wu, Andrew Horner:
The Effects of Reverberation Time and Amount on the Emotional Characteristics. ICMC 2016 - 2015
- [c41]Chuck-jee Chau, Andrew Horner:
The Effects of Pitch and Dynamics on the Emotional Characteristics of Piano Sounds. ICMC 2015 - [c40]Chuck-jee Chau, Bin Wu, Andrew Horner:
The Effects of Early-Release on Emotion Characteristics and Timbre in Non-Sustaining Musical Instrument Tones. ICMC 2015 - 2014
- [c39]Chuck-jee Chau, Bin Wu, Andrew Horner:
Timbre Features and Music Emotion in Plucked String, Mallet Percussion, and Keyboard Tones. ICMC 2014 - [c38]Chung Lee, Andrew Horner:
Detection of Random Spectral Alterations of Sustained Musical Instrument Tones in Repeated Note Contexts. ICMC 2014 - [c37]Bin Wu, Andrew Horner, Chung Lee:
Musical Timbre and Emotion: The Identification of Salient Timbral Features in Sustained Musical Instrument Tones Equalized in Attack Time and Spectral Centroid. ICMC 2014 - [c36]Bin Wu, Andrew Horner, Chung Lee:
Emotional Predisposition of Musical Instrument Timbres with Static Spectra. ISMIR 2014: 253-258 - [c35]Bin Wu, Erheng Zhong, Ben Tan, Andrew Horner, Qiang Yang:
Crowdsourced time-sync video tagging using temporal and personalized topic modeling. KDD 2014: 721-730 - [c34]Wanyi Yang, Kang Cai, Bin Wu, Ying Wang, Xiaoou Chen, Deshun Yang, Andrew Horner:
Beatsens' Solution for MediaEval 2014 Emotion in Music Task. MediaEval 2014 - [c33]Bin Wu, Erheng Zhong, Andrew Horner, Qiang Yang:
Music Emotion Recognition by Multi-label Multi-layer Multi-instance Multi-view Learning. ACM Multimedia 2014: 117-126 - 2013
- [c32]Chung Lee, Andrew Horner, James W. Beauchamp, Lydia Ayers:
Discrimination of Sustained Musical Instrument tones resynthesized with piecewise-linear Approximation of harmonic amplitude envelopes. ICMC 2013 - [c31]Bin Wu, Simon Wun, Chung Lee, Andrew Horner:
Spectral Correlates in Emotion Labeling of Sustained Musical Instrument Tones. ISMIR 2013: 415-420 - [c30]Andrew Horner, Derek Hao Hu, Bin Wu, Qiang Yang, Erheng Zhong:
SMART: Semi-Supervised Music Emotion Recognition with Social Tagging. SDM 2013: 279-287 - 2011
- [j5]Richard Hau Yue So, N. M. Leung, Andrew Horner, Jonas Braasch, K. L. Leung:
Effects of Spectral Manipulation on Nonindividualized Head-Related Transfer Functions (HRTFs). Hum. Factors 53(3): 271-283 (2011) - 2010
- [c29]Lydia Ayers, Andrew Horner:
Synthesizing The Dynamic Spectra Of The Didgeridoo. ICMC 2010
2000 – 2009
- 2009
- [c28]Lydia Ayers, Andrew Horner:
Synthesizing Ghost Voices in Ghost Winds Talking. ICMC 2009 - 2007
- [c27]Martin Fröjd, Andrew Horner:
Fast sound Texture synthesis using Overlap-Add. ICMC 2007 - 2006
- [j4]Simon Lui, Andrew Horner, Lydia Ayers:
MIDI to SP-MIDI Transcoding Using Phrase Stealing. IEEE Multim. 13(2): 52-59 (2006) - [c26]Kevin J. Di Filippo, Andrew Horner, Eric Fung, Jenny Lim, Lydia Ayers:
AUTUMN: A General Pitch-Extraction Wave-to-MIDI Transcription System. ICMC 2006 - [c25]Simon Lui, Andrew Horner, Lydia Ayers:
An Intelligent SP-MIDI Polyphonic Reduction Algorithm. ICMC 2006 - [c24]Simon Wun, Andrew Horner:
ScalableWavetable Matching for Real-Time Polyphonic Synthesis. ICMC 2006 - 2005
- [c23]Lydia Ayers, Andrew Horner:
Synthesizing a Javanese Gong Ageng. ICMC 2005 - [c22]Simon Lui, Andrew Horner, Lydia Ayers:
Midi to SP-MIDI transcoding using Phrase Stealing. ICMC 2005 - [c21]Simon Wun, Andrew Horner, Lydia Ayers:
Extended Principal Components Analysis Matching with spectral Weighting for Wavetable synthesis. ICMC 2005 - 2004
- [c20]Andrew Horner, James W. Beauchamp, Richard Hau Yue So:
A Search for Best Error Metrics to Predict Discrimination of Original and Spectrally Altered Musical Instrument Sounds. ICMC 2004 - [c19]Simon Wun, Andrew Horner, Lydia Ayers:
A Comparison between Local Search and Genetic Algorithm Methods forWavetable Matching. ICMC 2004 - 2003
- [c18]Andrew Horner, James W. Beauchamp:
Discrimination of Sustained Musical Instrument Sounds Resynthesized with Randomly Altered Spectra. ICMC 2003 - [c17]Clifford So, Andrew Horner, Lydia Ayers:
Wavetable Matching of Pitched Inharmonic Instrument Tones. ICMC 2003 - [c16]Cheuk-Wai Wun, Andrew Horner, Lydia Ayers:
Perceptual Wavetable Matching for Synthesis of Musical Instrument Tones. ICMC 2003 - 2001
- [c15]Cheuk-Wai Wun, Andrew Horner, Lydia Ayers:
Perceptual Wavetable Matching for Synthesis of Musical Instrument Tones. ICMC 2001 - 2000
- [j3]Andrew Horner:
Low peak amplitudes for wavetable synthesis. IEEE Trans. Speech Audio Process. 8(4): 467-470 (2000)
1990 – 1999
- 1999
- [c14]Lydia Ayers, Andrew Horner:
Modeling the Woodstock Gamelan for Synthesis. ICMC 1999 - 1998
- [j2]Andrew Horner:
Nested modulator and feedback FM matching of instrument tones. IEEE Trans. Speech Audio Process. 6(4): 398-409 (1998) - [c13]Ngai-Man Cheung, Steven Trautmann, Andrew Horner:
Head-related transfer function modeling in 3-D sound systems with genetic algorithms. ICASSP 1998: 3529-3532 - 1997
- [c12]Andrew Horner, Lydia Ayers:
Modelling Chinese Musical Instruments in Csound. ICMC 1997 - 1996
- [c11]San-Kuen Chan, Jennifer Yuen, Andrew Horner:
Discrete Summation Synthesis and Hybrid Sampling-Wavetable Synthesis of Acoustic Instruments with Genetic Algorithms. ICMC 1996 - [c10]Andrew Horner, Lydia Ayers:
Cooking with Csound: Wavetable Synthesis Recipes for Woodwind and Brass Instruments. ICMC 1996 - [c9]David Rossiter, Andrew Horner:
Visualization and Manipulation of 3D Digital Waveguide Structures for Sound Experimentation. ICMC 1996 - 1995
- [j1]David Rossiter, George Baciu, Andrew Horner:
An investigation into the modelling of virtual objects with sound vibration properties. Virtual Real. 1(2): 117-121 (1995) - [c8]Andrew Horner, Lydia Ayers:
Harmonization of Musical Progressions with Genetic Algorithms. ICMC 1995 - [c7]Andrew Horner, Ngai-Man Cheung, James W. Beauchamp:
Genetic Algorithm Optimization of Additive Synthesis Envelope Breakpoints and Group Synthesis Parameters. ICMC 1995 - 1994
- [c6]Andrew Horner, James W. Beauchamp:
Synthesis of Trumpet Tones Using a Fixed Wavetable and a Centroid-Controlled Second Order Filter. ICMC 1994 - 1993
- [b1]Andrew Horner:
Spectral Matching of Musical Instrument Tones. University of Illinois Urbana-Champaign, USA, 1993 - [c5]Andrew Horner, James W. Beauchamp, Norman H. Packard:
Timbre Breeding. ICMC 1993 - 1992
- [c4]James W. Beauchamp, Andrew Horner:
Extended Nonlinear Waveshaping Analysis/Synthesis Technique. ICMC 1992 - [c3]Andrew Horner, James W. Beauchamp, Lippold Haken:
Wavetable and FM Matching Synthesis of Musical Instrument Tones. ICMC 1992 - 1991
- [c2]Andrew Horner, David E. Goldberg:
Genetic Algorithms and Computer-Assisted Music Composition. ICGA 1991: 437-441 - [c1]Andrew Horner, David E. Goldberg:
Genetic Algorithms and Computer-Assisted Music Composition. ICMC 1991
Coauthor Index
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