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Antonio Rodà
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- affiliation: University of Padova, Italy
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2020 – today
- 2024
- [j22]Raul Masu, Nicolo Merendino
, Antonio Rodà, Luca Turchet
Sustainable Internet of Musical Things: Strategies to Account for Environmental and Social Sustainability in Network-Based Interactive Music Systems. IEEE Access 12: 62818-62833 (2024) - [j21]Nicolo Merendino, Antonio Rodà, Raul Masu:
"Below 58 BPM," involving real-time monitoring and self-medication practices in music performance through IoT technology. Frontiers Comput. Sci. 6 (2024) - [c43]Alessandro Russo, Andrea Franceschini, Antonio Rodà, Sergio Canazza:
Virtual recreation of an interactive multimedia art installation from 1977. AVICH@AVI 2024 - [c42]Andrea Franceschini, Antonio Rodà:
Learn to Play: Lessons Learned Developing Video Games for Entertainment and Education. CoG 2024: 1-4 - [c41]Elisa Silene Panozzo, Mela Bettega, Antonio Rodà, Nicolo Merendino:
Prototyping a Sustainable GUI for an IoMusT Project: A Reflection on Adopting Sustainable Practices. IS2 2024: 1-10 - 2023
- [j20]Filippo Carnovalini
A rhythm-aware serious game for social interaction. Multim. Tools Appl. 82(3): 4749-4771 (2023) - [j19]Tiziana Battistin
Co-designed mini-games for children with visual impairment: a pilot study on their usability. Multim. Tools Appl. 82(4): 5291-5313 (2023) - [j18]Pierluigi Bontempi
Research in Computational Expressive Music Performance and Popular Music Production: A Potential Field of Application? Multimodal Technol. Interact. 7(2): 15 (2023) - [c40]Silvana Badaloni, Antonio Rodà, Martino Scagnet:
An Italian Dataset for the Analysis of Gender Stereotypes in Textual Documents. BEWARE@AI*IA 2023: 73-78 - [c39]Nicolo Merendino
Poster - Noiseboard Project: Using Sensors and Long-Range Wireless Communication For Musical Augmentation of Skateboarding. CHItaly 2023: 37:1-37:3 - [c38]Filippo Carnovalini
Interactive Generation of Musical Corpora for Piano Education: Opportunities and Open Challenges. CSEDU (1) 2023: 407-412 - [c37]Andrea Franceschini
Play to Learn: from Serious Games to just Games. GoodIT 2023: 117-127 - [c36]Nicolo Merendino, Giacomo Lepri, Antonio Rodà, Raul Masu:
Redesigning the Chowndolo: a Reflection-on-action Analysis to Identify Sustainable Strategies for NIMEs Design. NIME 2023 - 2022
- [c35]Silvana Badaloni, Antonio Rodà:
Gender Knowledge and Artificial Intelligence (short paper). BEWARE@AI*IA 2022: 107-112 - [i4]Filippo Carnovalini
A Real-Time Tempo and Meter Tracking System for Rhythmic Improvis. CoRR abs/2208.14717 (2022) - [i3]Filippo Carnovalini
A New Corpus for Computational Music Research and A Novel Method for Musical Structure Analysis. CoRR abs/2208.14747 (2022) - [i2]Filippo Carnovalini
A Musical Serious Game for Social Interaction through Augmented Rhythmic Improvisation. CoRR abs/2208.14748 (2022) - [i1]Filippo Carnovalini
Harmonization and Evaluation; Tweaking the Parameters on Human Listeners. CoRR abs/2208.14750 (2022) - 2021
- [c34]Nicolo Merendino, Antonio Rodà:
Defining an open source CAD workflow for experimental music and media arts. ARTECH 2021: 68:1-68:6 - [c33]Niccolò Pretto
A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes. Audio Mostly Conference 2021: 224-231 - [c32]Filippo Carnovalini
A New Corpus for Computational Music Research andA Novel Method for Musical Structure Analysis. Audio Mostly Conference 2021: 264-267 - [c31]Filippo Carnovalini
Musical Structure Analysis and Generation Through Abstraction Trees. CMMR 2021: 282-300 - [c30]Antonio Rodà, Riccardo Luise, Nadir Dalla Pozza, Alberto Padoan, Andrea Cucinotta, Gaia Turra, Silvia Trentin:
Co-designed mini-games for children with severe visual impairment. GoodIT 2021: 175-179 - [c29]Filippo Carnovalini, Nicholas Harley, Steven T. Homer, Antonio Rodà, Geraint A. Wiggins:
Meta-Evaluating Quantitative Internal Evaluation: A Practical Approach for Developers. ICCC 2021: 213-217 - 2020
- [j17]Filippo Carnovalini
Computational Creativity and Music Generation Systems: An Introduction to the State of the Art. Frontiers Artif. Intell. 3: 14 (2020) - [c28]Zezhou Sun, Antonio Rodà, Emily Whiting
3D Virtual Reconstruction and Sound Simulation of an Ancient Roman Brass Musical Instrument. HCI (35) 2020: 267-280 - [c27]Vincenzo Norman Vitale
Acoustic Experiences for Cultural Heritage Sites: A Pilot Experiment on Spontaneous Visitors' Interest. HCI (35) 2020: 300-311
2010 – 2019
- 2019
- [j16]Antonio Origlia
FANTASIA: a framework for advanced natural tools and applications in social, interactive approaches. Multim. Tools Appl. 78(10): 13613-13648 (2019) - [j15]Edoardo Micheloni
Playing to play: a piano-based user interface for music education video-games. Multim. Tools Appl. 78(10): 13713-13730 (2019) - [c26]Filippo Carnovalini
A Real-Time Tempo and Meter Tracking System for Rhythmic Improvisation. Audio Mostly Conference 2019: 24-31 - [c25]Filippo Carnovalini
A Musical Serious Game for Social Interaction through Augmented Rhythmic Improvisation. GOODTECHS 2019: 130-135 - [c24]Giulio Pitteri, Edoardo Micheloni, Antonio Rodà, Carlo Fantozzi
Listen By Looking: a mobile application for augmented fruition of live music and interactive learning. GOODTECHS 2019: 136-141 - 2018
- [j14]Marcella Mandanici
Inclusive sound and music serious games in a large-scale responsive environment. Br. J. Educ. Technol. 49(4): 620-635 (2018) - [j13]Marcella Mandanici, Antonio Rodà, Marco Ricca:
The Task of Walking Straight as an Interactive Serious Game for Blind Children. EAI Endorsed Trans. Serious Games 5(16): e4 (2018) - [c23]Federico Simonetta
Symbolic Music Similarity through a Graph-Based Representation. Audio Mostly Conference 2018: 26:1-26:7 - [c22]Antonio Origlia
Evaluating a multi-avatar game for speech therapy applications. GOODTECHS 2018: 190-195 - 2017
- [j12]Luca Turchet
Emotion Rendering in Auditory Simulations of Imagined Walking Styles. IEEE Trans. Affect. Comput. 8(2): 241-253 (2017) - [j11]Luca Turchet
Emotion Rendering in Plantar Vibro-Tactile Simulations of Imagined Walking Styles. IEEE Trans. Affect. Comput. 8(3): 340-354 (2017) - [c21]Antonio Origlia, Piero Cosi, Antonio Rodà, Claudio Zmarich:
A Dialogue-based Software Architecture for Gamified Discrimination Tests. GHITALY@CHItaly 2017 - [c20]Marcella Mandanici
Following the Cuckoo Sound: A Responsive Floor to Train Blind Children to Avoid Veering. GOODTECHS 2017: 11-20 - 2016
- [j10]Marcella Mandanici
The Harmonic Walk: An Interactive Physical Environment to Learn Tonal Melody Accompaniment. Adv. Multim. 2016: 4027164:1-4027164:16 (2016) - 2015
- [j9]Sergio Canazza
CaRo 2.0: An Interactive System for Expressive Music Rendering. Adv. Hum. Comput. Interact. 2015: 850474:1-850474:13 (2015) - [c19]Marcella Mandanici
A conceptual framework for motion based music applications. SIVE@VR 2015: 9-13 - 2014
- [j8]Antonio Rodà, Sergio Canazza, Giovanni De Poli
Clustering Affective Qualities of Classical Music: Beyond the Valence-Arousal Plane. IEEE Trans. Affect. Comput. 5(4): 364-376 (2014) - [j7]Giovanni De Poli
The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts. ACM Trans. Appl. Percept. 11(4): 22:1-22:20 (2014) - [c18]Marcella Mandanici, Antonio Rodà, Sergio Canazza:
The "Harmonic Walk": an Interactive Educational Environment to Discover Musical Chords. ICMC 2014 - [c17]Maddalena Murari, Antonio Rodà, Osvaldo Da Pos, Sergio Canazza, Giovanni De Poli, Marta Sandri:
How blue is Mozart? Non verbal sensory scales for describing music qualities. ICMC 2014 - [c16]Emery Schubert, Giovanni De Poli, Antonio Rodà, Sergio Canazza:
Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same? ICMC 2014 - 2013
- [j6]Federica Bressan
The Safeguard of Audio Collections: A Computer Science Based Approach to Quality Control - The Case of the Sound Archive of the Arena di Verona. Adv. Multim. 2013: 276354:1-276354:14 (2013) - [j5]Giulio Rosati
On the Role of Auditory Feedback in Robot-Assisted Movement Training after Stroke: Review of the Literature. Comput. Intell. Neurosci. 2013: 586138:1-586138:15 (2013) - [j4]Serena Zanolla, Sergio Canazza, Antonio Rodà, Antonio Camurri
Entertaining listening by means of the Stanza Logo-Motoria: an Interactive Multimodal Environment. Entertain. Comput. 4(3): 213-220 (2013) - [c15]Federica Bressan
Interactive Multimedia Installations: Towards a Model for Preservation. ArtsIT 2013: 81-88 - 2011
- [c14]Daniele Salvati
Multiple acoustic sources localization using incident Signal Power comparison. AVSS 2011: 77-82 - [c13]Antonio Rodà, Christian Micheloni
Tracking sound sources by means of HMM. AVSS 2011: 83-88 - [c12]Ingrid Visentini, Antonio Rodà, Sergio Canazza, Lauro Snidaro
Audio-Video Analysis of Musical Expressive Intentions. ICIAP (2) 2011: 219-228 - [c11]Serena Zanolla, Antonio Rodà, Filippo Romano, Francesco Scattolin, Gian Luca Foresti, Sergio Canazza, Corrado Canepa, Paolo Coletta, Gualtiero Volpe
Teaching by Means of a Technologically Augmented Environment: The Stanza Logo-Motoria. INTETAIN 2011: 231-235 - 2010
- [j3]Antonio Rodà:
Perceptual tests and feature extraction: Toward a novel methodology for the assessment of the digitization of old ethnic music records. Signal Process. 90(4): 1000-1007 (2010) - [c10]Marco Cristani, Anna Pesarin, Carlo Drioli, Vittorio Murino
Toward an automatically generated soundtrack from low-level cross-modal correlations for automotive scenarios. ACM Multimedia 2010: 551-560
2000 – 2009
- 2009
- [c9]Nicola Orio, Antonio Rodà:
A Measure of Melodic Similarity based on a Graph Representation of the Music Structure. ISMIR 2009: 543-548 - 2004
- [j2]Sergio Canazza, Giovanni De Poli
Modeling and control of expressiveness in music performance. Proc. IEEE 92(4): 686-701 (2004) - 2002
- [c8]Sergio Canazza, Giovanni De Poli, Antonio Rodà, Giulio Soleni, Patrick Zanon:
Real Time Analysis of Expressive Contents in Piano Performances. ICMC 2002 - 2001
- [c7]Sergio Canazza, Alvise Vidolin, Giovanni De Poli
Expressive Morphing for Interactive Performance of Musical Scores. WEDELMUSIC 2001: 116-122 - 2000
- [j1]Sergio Canazza, Giovanni De Poli
Audio Morphing Different Expressive Intentions for Multimedia Systems. IEEE Multim. 7(3): 79-83 (2000) - [c6]Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Federico Zamperini:
Real-Time Morphing Among Different Expressive Intentions in Audio Playback. ICMC 2000
1990 – 1999
- 1999
- [c5]Sergio Canazza, Giovanni De Poli, Riccardo Di Federico, Carlo Drioli, Antonio Rodà:
Expressive Processing of Audio and MIDI Performances in Real Time. ICMC 1999 - [c4]Sergio Canazza, Antonio Rodà, Nicola Orio:
A Parametric Model of Expressiveness in Musical Performance Based on Perceptual and Acoustic Analysis. ICMC 1999 - [c3]Sergio Canazza, Giovanni De Poli
Adding Expressiveness to Musical Messages. ICMCS, Vol. 2 1999: 518-523 - [c2]Antonio Rodà, Sergio Canazza:
Adding Expressiveness in Musical Performance in Real Time. ICMCS, Vol. 2 1999: 1026-1027 - 1997
- [c1]Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin:
Analysis by synthesis of the expressive intentions in musical performance. ICMC 1997
Coauthor Index
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last updated on 2024-10-25 20:15 CEST by the dblp team
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