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Christopher Ariza
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2010 – 2019
- 2012
- [c13]Christopher Ariza:
The Dual-Analog Gamepad as a Practical Platform for Live Electronics Instrument and Interface Design. NIME 2012 - 2011
- [j4]Christopher Ariza:
Two Pioneering Projects from the Early History of Computer-Aided Algorithmic Composition. Comput. Music. J. 35(3): 40-56 (2011) - [c12]Christopher Ariza, Michael Scott Cuthbert:
The music21 Stream: A New Object Model for Representing, Filtering, and Transforming Symbolic Musical Structures. ICMC 2011 - [c11]Christopher Ariza, Michael Scott Cuthbert:
Analytical and Compositional Applications of a Network-Based Scale Model in music21. ICMC 2011 - [c10]Michael Scott Cuthbert, Christopher Ariza, Lisa Friedland:
Feature Extraction and Machine Learning on Symbolic Music using the music21 Toolkit. ISMIR 2011: 387-392 - [c9]Charles Dierbach, Harry Hochheiser, Samuel Collins
, Gerald J. Jerome
, Christopher Ariza, Tina Kelleher, William Kleinsasser, Josh Dehlinger
, Siddharth Kaza:
A model for piloting pathways for computational thinking in a general education curriculum. SIGCSE 2011: 257-262 - 2010
- [c8]Christopher Ariza, Michael Scott Cuthbert:
Modeling Beats, Accents, Beams, And Time Signatures Hierarchically With Music21 Meter Objects. ICMC 2010 - [c7]Michael Scott Cuthbert, Christopher Ariza:
Music21: A Toolkit for Computer-Aided Musicology and Symbolic Music Data. ISMIR 2010: 637-642
2000 – 2009
- 2009
- [j3]Christopher Ariza:
The Interrogator as Critic: The Turing Test and the Evaluation of Generative Music Systems. Comput. Music. J. 33(2): 48-70 (2009) - [c6]Christopher Ariza:
Sonifying Sieves: Synthesis and Signal Processing Applications of the Xenakis Sieve with Python and Csound. ICMC 2009 - 2007
- [j2]Christopher Ariza:
Automata Bending: Applications of Dynamic Mutation and Dynamic Rules in Modular One-Dimensional Cellular Automata. Comput. Music. J. 31(1): 29-49 (2007) - [c5]Christopher Ariza:
Serial RSS sound Installation as Open Work: the Babelcast. ICMC 2007 - 2005
- [j1]Christopher Ariza:
The Xenakis Sieve as Object: A New Model and a Complete Implementation. Comput. Music. J. 29(2): 40-60 (2005) - [c4]Christopher Ariza:
Navigating the Landscape of Computer Aided Algorithmic Composition Systems: a Definition, seven Descriptors, and a Lexicon of Systems and Research. ICMC 2005 - 2004
- [c3]Christopher Ariza:
An Object-Oriented Model of the Xenakis Sieve for Algorithmic Pitch, Rhythm, and Parameter Generation. ICMC 2004 - 2003
- [c2]Christopher Ariza:
Ornament as Data Structure: An Algorithmic Model based on Micro-Rhythms of Csángó Laments and Funeral Music. ICMC 2003 - 2002
- [c1]Christopher Ariza:
Prokaryotic Groove: Rhythmic Cycles as Real-Value Encoded Genetic Algorithms. ICMC 2002
Coauthor Index
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