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Lonce L. Wyse
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2020 – today
- 2024
- [j11]Purnima Kamath
, Chitralekha Gupta
Example-Based Framework for Perceptually Guided Audio Texture Generation. IEEE ACM Trans. Audio Speech Lang. Process. 32: 2555-2565 (2024) - 2023
- [c43]Chitralekha Gupta, Purnima Kamath, Yize Wei, Zhuoyao Li, Suranga Nanayakkara, Lonce Wyse:
Towards Controllable Audio Texture Morphing. ICASSP 2023: 1-5 - [c42]Purnima Kamath
Evaluating Descriptive Quality of AI-Generated Audio Using Image-Schemas. IUI 2023: 621-632 - [i12]Chitralekha Gupta, Purnima Kamath, Yize Wei, Zhuoyao Li, Suranga Nanayakkara, Lonce Wyse:
Towards Controllable Audio Texture Morphing. CoRR abs/2304.11648 (2023) - [i11]Purnima Kamath, Chitralekha Gupta, Lonce Wyse, Suranga Nanayakkara:
Example-Based Framework for Perceptually Guided Audio Texture Generation. CoRR abs/2308.11859 (2023) - 2022
- [c41]Lonce Wyse
Sound Model Factory: An Integrated System Architecture for Generative Audio Modelling. EvoMUSART 2022: 308-322 - [c40]Chitralekha Gupta, Yize Wei, Zequn Gong, Purnima Kamath, Zhuoyao Li, Lonce Wyse:
Parameter Sensitivity of Deep-Feature based Evaluation Metrics for Audio Textures. ISMIR 2022: 462-468 - [c39]Lonce Wyse, Prashanth Thattai Ravikumar:
Syntex: parametric audio texture datasets for conditional training of instrumental interfaces. NIME 2022 - [i10]Lonce Wyse, Purnima Kamath, Chitralekha Gupta:
Sound Model Factory: An Integrated System Architecture for Generative Audio Modelling. CoRR abs/2206.13085 (2022) - [i9]Chitralekha Gupta, Yize Wei, Zequn Gong, Purnima Kamath, Zhuoyao Li, Lonce Wyse:
Parameter Sensitivity of Deep-Feature based Evaluation Metrics for Audio Textures. CoRR abs/2208.10743 (2022) - 2021
- [i8]Chitralekha Gupta, Purnima Kamath, Lonce Wyse:
Signal Representations for Synthesizing Audio Textures with Generative Adversarial Networks. CoRR abs/2103.07390 (2021) - 2020
- [j10]Muhammad Huzaifah bin Md Shahrin
Applying visual domain style transfer and texture synthesis techniques to audio: insights and challenges. Neural Comput. Appl. 32(4): 1051-1065 (2020) - [i7]Muhammad Huzaifah, Lonce Wyse:
Deep generative models for musical audio synthesis. CoRR abs/2006.06426 (2020) - [i6]Muhammad Huzaifah, Lonce Wyse:
MTCRNN: A multi-scale RNN for directed audio texture synthesis. CoRR abs/2011.12596 (2020)
2010 – 2019
- 2019
- [c38]Lonce Wyse:
Mechanisms of Artistic Creativity in Deep Learning Neural Networks. ICCC 2019: 116-123 - [c37]Prashanth Thattai Ravikumar, Lonce Wyse:
MASSE: A System for Music Action Selection Through State Evaluation. ICCC 2019: 132-139 - [i5]Muhammad Huzaifah, Lonce Wyse:
Applying Visual Domain Style Transfer and Texture Synthesis Techniques to Audio - Insights and Challenges. CoRR abs/1901.10240 (2019) - [i4]Lonce Wyse, Muhammad Huzaifah:
Conditioning a Recurrent Neural Network to synthesize musical instrument transients. CoRR abs/1903.10703 (2019) - [i3]Lonce Wyse:
Mechanisms of Artistic Creativity in Deep Learning Neural Networks. CoRR abs/1907.00321 (2019) - 2018
- [j9]Stefano Fasciani, Lonce Wyse:
Vocal Control of Sound Synthesis Personalized by Unsupervised Machine Listening and Learning. Comput. Music. J. 42(1) (2018) - [c36]Qin Chen, Simon T. Perrault
Effect of temporality, physical activity and cognitive load on spatiotemporal vibrotactile pattern recognition. AVI 2018: 25:1-25:9 - [i2]Lonce Wyse:
Real-valued parametric conditioning of an RNN for interactive sound synthesis. CoRR abs/1805.10808 (2018) - 2017
- [c35]Suranga Nanayakkara, Thomas Schroepfer, Lonce L. Wyse, Aloysius Lian, Anusha I. Withana:
SonicSG: from floating to sounding pixels. AH 2017: 21 - [c34]Alex Mitchell
The Temporal Window: Explicit Representation of Future Actions in Improvisational Performances. Creativity & Cognition 2017: 28-38 - [c33]Alex Mitchell
The AntWriter Improvisational Writing System: Visualizing and Coordinating Upcoming Actions. ICIDS 2017: 336-340 - [i1]Lonce Wyse:
Audio Spectrogram Representations for Processing with Convolutional Neural Networks. CoRR abs/1706.09559 (2017) - 2015
- [c32]Gerald T. Beauregard, Mithila Harish, Lonce Wyse:
Single Pass Spectrogram Inversion. DSP 2015: 427-431 - 2014
- [c31]Lonce Wyse:
States of Diffusion for n+1 devices. ACM Multimedia 2014: 717-719 - [c30]Lonce Wyse:
Interactive Audio Web Development Workflow. ACM Multimedia 2014: 1065-1068 - 2013
- [j8]Lonce Wyse, Srikumar Subramanian:
The Viability of the Web Browser as a Computer Music Platform. Comput. Music. J. 37(4): 10-23 (2013) - [j7]Suranga Chandima Nanayakkara
Enhancing Musical Experience for the Hearing-Impaired Using Visual and Haptic Displays. Hum. Comput. Interact. 28(2): 115-160 (2013) - [c29]Lonce Wyse, Pallav Shinghal:
Sonicbard - Storytelling with Real-Time sound control, synthesis and Processing using Emerging Browser-Based Technologies. ICMC 2013 - [c28]Stefano Fasciani, Lonce Wyse:
A Self-Organizing Gesture Map for a Voice-Controlled Instrument Interface. NIME 2013: 507-512 - 2012
- [c27]Suranga Chandima Nanayakkara, Lonce Wyse, Elizabeth A. Taylor:
Effectiveness of the haptic chair in speech training. ASSETS 2012: 235-236 - [c26]Stefano Fasciani, Lonce Wyse:
Adapting General Purpose Interfaces to synthesis Engines using Unsupervised Dimensionality Reduction Techniques and inverse Mapping from Features to parameters. ICMC 2012 - [c25]Lonce Wyse, Srikumar Subramanian:
Foundations of Interactive sound Design for Traditional Storytelling. ICMC 2012 - [c24]Stefano Fasciani, Lonce Wyse:
A Voice Interface for Sound Generators: adaptive and automatic mapping of gestures to sound. NIME 2012 - [c23]Lonce Wyse, Suranga Nanayakkara, Paul J. Seekings, Sim Heng Ong, Elizabeth A. Taylor:
Palm-area sensitivity to vibrotactile stimuli above 1~kHz. NIME 2012 - [c22]Suranga Nanayakkara, Lonce Wyse, Elizabeth A. Taylor:
The haptic chair as a speech training aid for the deaf. OZCHI 2012: 405-410 - 2011
- [j6]Annett Schirmer
Perceptual and Conceptual Priming of Environmental Sounds. J. Cogn. Neurosci. 23(11): 3241-3253 (2011) - [c21]Sudarshan Balachandran, Lonce Wyse:
Computer Mediated Visual Communication in Live Musical Performance: What's the Score? ArtsIT 2011: 54-62 - [c20]Srikumar Subramanian, Lonce Wyse, Kevin McGee:
Modeling Speed Doubling in Carnatic Music. ICMC 2011 - [c19]Lonce Wyse, Keith Tan, Peter R. Kellock:
Representing and Automating Rhythmic Pattern Transformations. ICMC 2011 - [c18]Lonce Wyse, Norikazu Mitani, Suranga Nanayakkara:
The Effect of Visualizing Audio Targets in a Musical Listening and Performance Task. NIME 2011: 304-307 - [c17]Lonce Wyse, Suranga Nanayakkara, Norikazu Mitani:
Biases and interaction effects in gestural acquisition of auditory targets using a hand-held device. OZCHI 2011: 315-318 - 2010
- [c16]Naotoshi Osaka, Seongah Shin, Lonce Wyse:
Founding Of The Asia Computer Music Project. ICMC 2010 - [c15]Lonce Wyse, Nguyen Dinh Duy:
Instrumentalizing Synthesis Models. NIME 2010: 140-143 - [c14]Tim Robert Merritt
Who makes what sound?: supporting real-time musical improvisations of electroacoustic ensembles. OZCHI 2010: 112-119
2000 – 2009
- 2009
- [c13]Suranga Chandima Nanayakkara, Elizabeth A. Taylor, Lonce Wyse, Sim Heng Ong:
An enhanced musical experience for the deaf: design and evaluation of a music display and a haptic chair. CHI 2009: 337-346 - [c12]Lonce Wyse, Norikazu Mitani:
Bridges for Networked Musical Ensembles. ICMC 2009 - 2007
- [j5]Xinglei Zhu, Gerald Beauregard, Lonce L. Wyse:
Real-Time Signal Estimation From Modified Short-Time Fourier Transform Magnitude Spectra. IEEE Trans. Speech Audio Process. 15(5): 1645-1653 (2007) - [c11]Eitan Glinert, Lonce Wyse:
AudiOdyssey: an accessible video game for both sighted and non-sighted gamers. Future Play 2007: 251-252 - 2006
- [c10]Lonce Wyse:
Real-time synchronization of independently controlled phasors. ICMC 2006 - [c9]Xinglei Zhu, Gerald Beauregard, Lonce L. Wyse:
Real-Time Iterative Spectrum Inversion with Look-Ahead. ICME 2006: 229-232 - 2005
- [c8]Menaka Rajapakse, Lonce L. Wyse, Bertil Schmidt
Deriving Matrix of Peptide-MHC Interactions in Diabetic Mouse by Genetic Algorithm. IDEAL 2005: 440-447 - [c7]Menaka Rajapakse, Lonce L. Wyse:
Generic Audio Classification Using a Hybrid Model Based on GMMs and HMMs. MMM 2005: 53-58 - [c6]Lonce L. Wyse:
Generative Sound Models. MMM 2005: 370-377 - 2004
- [j4]Stephen Grossberg, Krishna K. Govindarajan, Lonce L. Wyse, Michael A. Cohen:
ARTSTREAM: a neural network model of auditory scene analysis and source segregation. Neural Networks 17(4): 511-536 (2004) - [c5]Lonce Wyse:
Contour Hierarchies, Tied Parameters, Sound Models and Music. ICMC 2004 - 2003
- [c4]Lonce Wyse:
A Sound Modeling and Synthesis System Designed for Maximum Usability. ICMC 2003 - [c3]Lonce Wyse, Ye Wang, Xinglei Zhu:
Application of a content-based percussive sound synthesizer to packet loss recovery in music streaming. ACM Multimedia 2003: 335-338 - [c2]Menaka Rajapakse, Lonce Wyse:
Face recognition with non-negative matrix factorization. VCIP 2003: 1838-1847
1990 – 1999
- 1999
- [j3]Lonce Wyse:
Editorial: Special Issue on Audio and Multimedia. Multim. Syst. 7(1): 1 (1999) - [j2]Lonce Wyse, Peter R. Kellock:
Embedding Interactive Sounds in Multimedia Applications. Multim. Syst. 7(1): 48-54 (1999) - 1997
- [c1]Lonce Wyse:
Flexible Sound Effects. ICMC 1997 - 1991
- [j1]Stephen Grossberg, Lonce L. Wyse:
A neural network architecture for figure-ground separation of connected scenic figures. Neural Networks 4(6): 723-742 (1991)
Coauthor Index
aka: Suranga Chandima Nanayakkara
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