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6th DLfM 2019: The Hague, The Netherlands

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David Rizo:
6th International Conference on Digital Libraries for Musicology, DLfM 2019, The Hague, The Netherlands, November 19, 2019. ACM 2019, ISBN 978-1-4503-7239-8
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David Lewis, David M. Weigl, Kevin R. Page:
Musicological Observations During Rehearsal and Performance: a Linked Data Digital Library for Annotations. 1-8
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  - conf/dlfm/ThomaeCF19
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Martha E. Thomae, Julie E. Cumming, Ichiro Fujinaga:
The Mensural Scoring-up Tool. 9-19
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Luca Andrea Ludovico, Adriano Baratè, Federico Simonetta, Davide Andrea Mauro:
On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format. 20-24

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Klaus Frieler, Dogac Basaran, Frank Höger, Hélène Camille Crayencour, Geoffroy Peeters, Simon Dixon:
Don't hide in the frames: Note- and pattern-based evaluation of automated melody extraction algorithms. 25-32
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Néstor Nápoles López, Claire Arthur, Ichiro Fujinaga:
Key-Finding Based on a Hidden Markov Model and Key Profiles. 33-37
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Antti Laaksonen, Kjell Lemström:
Transposition and time-warp invariant algorithm for detecting repeated patterns in polyphonic music. 38-42
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Kahyun Choi, J. Stephen Downie:
A Trend Analysis on Concreteness of Popular Song Lyrics. 43-52
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Peyman Heydarian, David Bainbridge:
Dastgàh Recognition in Iranian Music: Different Features and Optimized Parameters. 53-57

Applications

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Francesco Foscarin, Florent Jacquemard, Raphaël Fournier-S'niehotta:
A diff procedure for music score files. 58-64
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Tomasz Parkola, Magdalena Chudy, Ewa Lukasik, Jacek Jackowski, Ewa Kusmierek, Ewa Dahlig-Turek:
MIRELA - Music Information Research Environment with dLibrA. 65-69
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Mark Gotham:
Moments Musicaux. 70-78
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Matan Gover, Ichiro Fujinaga:
A notation-based query language for searching in symbolic music. 79-83
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David M. Weigl, Werner Goebl, Tim Crawford, Aggelos Gkiokas, Nicolás Felipe Gutiérrez Páez, Alastair Porter, Patricia Santos, Casper Karreman, Ingmar Vroomen, Cynthia C. S. Liem, Álvaro Sarasúa, Marcel van Tilburg:
Interweaving and Enriching Digital Music Collections for Scholarship, Performance, and Enjoyment. 84-88

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