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18th ICMC 1992: San Jose, California, USA
- Proceedings of the 1992 International Computer Music Conference, ICMC 1992, San Jose, California, USA, October 14-18, 1992. Michigan Publishing 1992
- Max V. Mathews:
My View of the Future of Real-Time Computer Music. - James W. Beauchamp, Andrew Horner:
Extended Nonlinear Waveshaping Analysis/Synthesis Technique. - Daniel P. W. Ellis:
Timescale Modification and Wavelet Representations. - Philippe Guillemain, Richard Kronland-Martinet:
Additive Resynthesis of Sounds Using Continous Time-Frequency Analysis Techniques. - Bryan Holloway, Lippold Haken:
A Sinusoidal Synthesis Algorithm for Generating Transitions Between Notes. - Andrew Horner, James W. Beauchamp, Lippold Haken:
Wavetable and FM Matching Synthesis of Musical Instrument Tones. - Dana Massie, Virginia L. Stonick:
The Musical Intrigue of Pole-Zero Pairs. - Rupert C. Nieberle, Michael Warstat:
Implementation of An Analysis/Synthesis System on a DSPG56001 for General Purpose Sound Processing. - Dave Rossum:
Making Digital Filters Sound "Analog". - Gregory J. Sandell, William L. Martens:
Prototyping and Interpolation of Multiple Musical Timbres Using Principle Component-Based Synthesis. - Richard D. Ashley:
Modelling Ensemble Performance: Dynamic Just Intonation. - Peter Desain:
Can Computer Music Benefit from Cognitive Models of Rhythm Perception? - Keiji Hirata, Tatsuya Aoyagi:
Toward Inductive Learning of Jazz Harmony Theory. - David E. Jones:
Counterpoint Assistant. - Maskao Nishijima, Kazuyuki Watanabe:
Interactive Music Composer Based on Neural Networks. - Larry Polansky:
More on Morphological Mutation Functions: Recent Techniques and Developments. - Matt Smith, Simon Holland:
An AI Tool for the Analysis and Generation of Melodies. - Peter M. Todd:
A Connectionist System for Exploring Melody Space. - David Zicarelli:
Music Technology as a Form of Parasite. - Graziano Bertini, Paolo Carosi:
The Light Baton: A System for Conducting Computer Music Performance. - Brent Gillespie:
Dynamical Modeling of the Grand Piano Action. - Lippold Haken, Radi Abdullah, Mark Smart:
The Continuum: A Continuous Music Keyboard. - Tsutomu Harada, Akio Sato, Shuji Hashimoto, Sadamu Ohteru:
Real Time Control of 3D Sound Space by Gesture. - Randy C. Marchany, Joseph G. Tront:
A Programmable MIDI Instrument Controller Emulating a Hammer Dulcimer. - Emile Tobenfeld:
A System for Computer Assisted Gestural Improvisation. - Miguel Calzón:
A Program for the Reinterpretation of Musical Imput Structures. - Heinrich Taube:
Stella: Persistent Score Representation in Common Music. - Stephen Travis Pope:
The SmOKE Music Representation, Description Language, and Interchange Format. - Alex Bulis, Roy Almog, Moti Gerner, Uri Shimony:
Computerized Recognition of Hand-Written Musical Notes. - Glendon R. Diener:
A Visual Programming Environment for Music Notation. - Ichiro Fujinaga, Bo Alphonce, Bruce W. Pennycook, Glendon R. Diener:
Interactive Optical Music Recognition. - Toshiaki Matsushima:
Computerized Japanese Traditional Music Processing System. - Amnon Wolman, James Choi, Shahab Asgharzadeh, Jason Kahana:
Recognition of Handwritten Music Notation. - Orly Yadid-Pecht, Eliyahu Brutman, Lior Dvir, Moti Gerner, Uri Shimony:
RAMIT: Neural Network for Recognition of Musical Notes. - Philippe Depalle, Xavier Rodet:
A Physical Model of Lips and Trumpet. - Stanislaw Krupowicz, Bodgan Skalmierski:
Towards an Explanation of Shape of the Violin. - Timo I. Laakso, Vesa Välimäki, Matti Karjalainen, Unto K. Laine:
Real-Time Implementation Techniques for a Continuously Variable Digital Delay in Modeling Musical Instruments. - Denis Matignon, Philippe Depalle, Xavier Rodet:
State Space Models for Wind-Instrument Synthesis. - Andrea Paladin, Davide Rocchesso:
A Dispersive Resonator in Real Time on MARS Workstation. - Julius O. Smith III, Perry R. Cook:
The Second-Order Digital Waveguide Oscillator. - Scott A. Van Duyne, Julius O. Smith III:
Implementation of a Variable Pick-Up Point on a Waveguide String Model with FM/AM Applications. - Brian Belet:
Toward a Unification of Algorithmic Composition, Real-Time Software Synthesis, and Live Performance Interaction. - Simon Bolzinger:
DKompose: A Package for Interactive Composition in the Max Environment Adpated to teh Acoustic MIDI Disklavier Piano. - Phil Burk, Robert Marsanyi:
Iconic Programming for HMSL. - Mark Coniglio:
Introduction to the Interactor Language. - Roger B. Dannenberg, Clifford W. Mercer:
Real-Time Software Synthesis on Superscaler Architectures. - Adrian Freed:
New Tools for Rapid Prototyping of Music Sound Synthesis Algorithms and Control Strategies. - Miller S. Puckette, Cort Lippe:
Score Following in Practice. - David Rosenboom:
Parsing Real-Time Musical Imputs and Spontaneously Generating Musical Forms: Hierarchical Form Generator (HFG). - William Walker, Kurt J. Hebel, Salvatore Martirano, Carla A. Scaletti:
Improvisational Builder: Improvisation as Conversation. - Robin Barger:
Correlated Sound and Image in a Digital Medium. - Koji Kusu, Masaoki Ino, Donguk Shin, Shuji Hashimoto, Sadamu Ohteru:
Computer Noh System. - Howard Sandroff:
Realizing the Spacialization Processing of Dialogue Des L'ombre Double. - Marie-Hélène Serra:
Stochastic Music/Xenakis. - Jeff A. Bilmes:
A Model for Musical Rhythm. - Roberto Bresin, Giovanni De Poli, Alvise Vidolin:
Symbolic and Sub-Symbolic Rules Systems for Real-Time Score Performance. - Henkjan Honing:
Expresso, a Strong and Small Editor for Expression. - Brad Garton:
Virtual Performance Modelling. - Daniel V. Oppenheim:
Compositional Tools for Adding Expression to Music in DMIX. - David Rosenthal:
Intelligent Rhythm Tracking. - Donald Ruffcorn:
Livestep: Editing Step Quantized Music from Libraries of Live Performance. - Tim Anderson, Andy Hunt, Ross Kirk, P. McGilly, Richard Orton, Sean Watkinson:
From Score to Unit Generator: A Hierarchical View of MIDAS. - Lee Richard Boynton:
Music Programming in Scheme. - Richard Orton, Ross Kirk:
Tabula Vigilans. - Peter Otto, Rick Bidlack, Stephen Master:
MixNet: A Comprehensive Digital Audio Production System. - Carla A. Scaletti:
Polymorphic Transformations in Kyma. - Georges Bloch, Gérard Assayag, Olivier Warusfel, Jean-Pascal Jullien:
Spatializer: From Room Acoustics to Virtual Acoustics. - Jan Chomyszyn:
Loudness as a Cue in Distance Perception. - Gary S. Kendall:
Directional Sound Processing in Stereo Reproduction. - D. Gareth Loy, Daniel J. Freed:
The Frox Digital Audio System. - David A. Jaffe, Andrew Schloss:
The Making of "Widlife": Species of Interaction. - Perry R. Cook:
A Meta-Wind-Instrument Physical Model, and a Meta-Controller for Real-Time Performance Control. - Michael A. Lee, David Wessel:
Connectionist Models for Real-Time Control of Synthesis and COmpositional Algorithms. - Marcia L. Bauman:
The International Digital Electro-Acoustic Music Archive. - Richard Boulanger:
Making Music with Csound for the Macintosh. - Daniel Wyman, Jürgen Bräuninger:
Old World, New World, Third World Studios. - Alessandra de Vitis:
The Activities of CRM (Centro Ricerche Musicali). - Gerald Gabel, Jay Upchurch:
The Constance J. Upchurch Studio for Electro-Acoustical Music. - JoAnn Kuchera-Morin, Douglas Scott:
The Center for Computer Music Research and Composition. - Peter Lundén, Peter Rajka, Tamas Ungvary:
Studio Reort from the KACOR Multimedia Lab. - Peter Otto:
Studio Report: SUNY, Buffalo. - Gerard Pape, Jean-Michel Raczinski, Gerard Marino, Marie-Hélène Serra:
Musical Creation at Ateliers UPIC and CEMAMu. - Russell F. Pinkston:
The University of Texas Accelerando Project: An Update. - Richard Povall:
iEAR Studios: Studio Report. - John Rimmer, John Elmsly:
Studio Report: Compositional Studios, School of Music, University of Auckland, New Zealand. - David Rosenboom, Mark Coniglio, Morton Subotnick:
Center for Experiments in Art, Information and Technology (CEAIT): Studio Report. - Joel Ryan:
The STEIM Studio Report. - Uri Shimony, Moti Gerner, Shlomo Markel:
Studio Report: a New Icon Musical Notation System - TAL. - Wayne Slawson:
CSound Version of the Klatt Speech Synthesizer: A University of California Davis Studio Report. - Yu Ying:
Computer Music in China. - Paolo Andrenacci, Emmanuel Favreau, Nicola Larosa, Angelo Prestigiacomo, Claudio Rosati, Silvyane Sapir:
MARS: RT20M/EDIT20-Development Tools and Graphical User Interface for Sound Generation Board. - Fabio Armani, Lorenza Bizzarri, Emmanuel Favreau, Andrea Paladin:
MARS: DSP Environment and Applications. - Sergio Cavaliere, Giuseppe Di Giugno, Eugenio Guarino:
MARS: The X20 Device and SM100 Board. - Giuliano Palmieri, Silbyane Sapir:
MARS: Musical Applications. - Tim Anderson, Ross Kirk:
Electroacoustic Scoring with Phase-Vocoding Instruments Using the E-Scape Composition System. - John Bates:
MAX + UniSon - Interactive Control of a Digital Signal Multiprocessor. - Peter Beyls:
Dynamic Models for Musical Interaction in Virtual Reality. - Mark T. Bolas, Philip K. Stone:
Virtual Mutant Theremin. - Miles A. Marks, Nicolas L. Briggs:
Resource Utilisation for a Real-Time Instrument Design Language.
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