Italy-Spain in the Renaissance: model, active reception, reaction, and rejection
págs. 7-25
Valencia: reflections on Art in a Mediterranean metropolis of the Fifteenth Century
págs. 26-43
The road between Vélez Blanco and Murcia in the early Sixteenth Century: a Southern crossroad and the Italo-Spanish dialogue
págs. 44-61
Donatello, Michelangelo, or Titian: notes on replicating and rereading images in Sixteenth-Century Hispanic sculpture
págs. 62-72
págs. 73-89
The “Apocalipsis de San Amadeo” from Renaissance Italy to viceregal America: veiling and revealing visual arcana
págs. 90-104
The reception and translation of Vasari as a painter: the "Concezione di Nostra Donna" outside Italy
págs. 105-122
From Rome to Seville, then to Lima, and back to Seville: an Italian model and two Crucifixions by Juan Martínez Montañés
págs. 123-142
Three pistils, three nails: the passion flower and the debate on the iconography of the Crucifixion in Early Seventeenth-Century Spain
págs. 143-160
Neapolitan sculpture in the Hispanic world: circulation and reception
págs. 161-183
© 2001-2025 Fundación Dialnet · Todos los derechos reservados