"Moved by a Memory": Bernard Malamud's literary landscape : introduction
págs. 3-14
The beard makes the man: Bernard Malamud's A New Life
págs. 17-30
"I shit my death": from the provedential to the excremental in The Fixer
págs. 31-44
págs. 45-51
págs. 52-70
Unbound and un-bodied: Reading race in Malamud's The Tenants
págs. 70-86
Midrash memory, and "Miracles or Near Miracles": Bernard Malamud's all-too-human project
págs. 89-106
págs. 109-115
págs. 119-134
"What's in a name?": Aptronyms and archetypes in Bernard Malamud's The Assistant and The Fixer
págs. 135-150
Fixing Bernard Malamud's The Fixer through translation: From El Hombre de Kiev (1967) to El Reparador (2011)
págs. 151-170
Dostoevsky, Lawrence, Malamud: Malamud's heroes, facing the twin rejection of identity and sensuality
Rémi Astruc, Alan Astro (trad.)
págs. 171-182
Writing on the edge of doom: Theological reflections on Bernard Malamud's God's Grace
págs. 183-193
págs. 197-209
Malamud's short fiction: Angels and specters
págs. 210-230
Bernard Malamud's and John Updike's art stories: The act of creation in "Still Life" and "Leaves"
págs. 231-243
págs. 244-263
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