págs. 305-311
págs. 3-12
págs. 13-20
A Lantern Slide Journey:: 127 Years in Just Five Minutes
págs. 23-26
Visiting the European Neighbours:: Geographical Slide Sets of the Projektion für Alle Series
págs. 29-38
The Magic Lantern at the Edge of Empire.: The Experience of Dissolving Views and Phantasmagoria in Colonial Australia
págs. 39-50
págs. 51-62
págs. 63-70
págs. 71-76
págs. 77-86
Euro-American Artefacts as Asian Heritage:: Lantern Slides of the China Inland Mission at Hong Kong Baptist University Library
págs. 89-102
págs. 103-110
págs. 111-118
págs. 121-130
Making Looking:: Lantern Slides at the British Association for the Advancement of Science, 1850–1920
págs. 131-144
“Nothing but Storytellers”:: From One Thousand Royal Geographical Society Lantern Slides to A Million Pictures
págs. 145-156
Science Becoming Popular:: Colour Slides, Colour Discs and Colour Tops
págs. 157-166
págs. 169-180
págs. 181-191
págs. 193-204
págs. 207-214
Back from the Shelves:: Exploring the Museu del Cinema’s Collection and Documents about the Magic Lantern in Catalonia
págs. 215-220
Experiences from Setting Up the Exhibition “Light!” The Magic Lantern and the Digital Image.: Complicity between the Nineteenth and Twenty-first Centuries
págs. 221-226
Creating a 3D Interactive Tool to Become a Lanternist.: The Cooperation between Museu del Cinema and CIFOG (Girona), an Educational Centre for Programming 3D Animation
págs. 227-229
The Keystone 600 Version 2.0:: Archival, Pedagogical and Creative Approaches to an Educational Lantern Series
págs. 231-240
The Eameses’ Slide Shows:: Rethinking Lecturing in the Mass Media Culture
págs. 243-250
Re-enactment and the Magic Lantern Performance:: Possessed by History
págs. 251-262
Dissolving Visions:: From Slide Adaptation to Artistic Appropriation in Magic Lantern Practices
págs. 263-274
The White Behind the Picture:: Toward a Media Archaeology of the Screen
págs. 277-304
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