Focusing on the representation of fantastic and horror territories, this volume delves into the different faces of personified fears, but more specifically into the current tendency to diversify these forms of ideation through the reality and everydayness of the terrifying and imagined event.
This work aims to be a place of analysis and creation through research and dissemination. From cinema, video games, education and, in general, all the arts involved in its processes, we reveal a continuous dialogue both in the revision of what has happened and in current narrative trends. The evolution and applications of the fantasy and horror genre stimulate an increasingly broad and complex creative panorama, with innovative contributions and hybridisations, but also with a retrospective view.
C’est L’autre Qui Est Vieux: Old Age as a Source of Abjection and Otherness in Paco Plaza’s La Abuela
págs. 21-36
Corporeality in Elderly Women and Art House Horror. Towards a: Categorization of Certain Modern Gorgons
págs. 37-48
From Gothic Romance to Plantation Horror: Spatial Dynamics, White Manors and Black Zombies in Jordan Peele’s Get Out
págs. 49-68
págs. 69-82
págs. 83-94
págs. 95-108
Science fiction: Critical and Creative Cognition of The World to Come
Cynthia Bagouss, Nathalie Bonnarde, Grégory Lo Monaco, Thomas Arciszewski
págs. 109-122
págs. 124-135
págs. 137-151
págs. 153-161
págs. 163-175
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