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Considering music production and culture management as an emerging digital ecosystem

Published: 28 October 2013 Publication History

Abstract

Digital music production processes trace a great amount of processes and objects. The important flow of these traces calls for a system to support their interpretation. We have studied and developed such a system in the digital music production context -- within the Gamelan research project -- towards musical object and process reconstitution. We present the results we obtained from combining trace engineering, knowledge modeling and knowledge engineering, based on the differential elaboration of a strongly-committed ontology, standard formats and common knowledge management tools. We conclude by discussing some hypotheses about trace-based knowledge management, digital music preservation and reconstitution, opening on to some considerations about artistic style and digital humanities aspects.

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Cited By

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  • (2021)The Meaning in "the Mix": Using Ethnography to Inform the Design of Intelligent Tools in the Context of Music ProductionProceedings of the 16th International Audio Mostly Conference10.1145/3478384.3478406(40-47)Online publication date: 1-Sep-2021
  • (2021)Placing AI in the Creative Industries: The Case for Intelligent Music ProductionHCI International 2021 - Posters10.1007/978-3-030-78635-9_72(562-572)Online publication date: 3-Jul-2021

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  1. Considering music production and culture management as an emerging digital ecosystem

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                          cover image ACM Other conferences
                          MEDES '13: Proceedings of the Fifth International Conference on Management of Emergent Digital EcoSystems
                          October 2013
                          358 pages
                          ISBN:9781450320047
                          DOI:10.1145/2536146
                          • Conference Chairs:
                          • Latif Ladid,
                          • Antonio Montes,
                          • General Chair:
                          • Peter A. Bruck,
                          • Program Chairs:
                          • Fernando Ferri,
                          • Richard Chbeir
                          Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

                          Sponsors

                          • LBBC: Luxembourg Brazil Business Council
                          • IPv6 Luxembourg Council: Luxembourg IPv6 Council
                          • Luxembourg Green Business Awards 2013: Luxembourg Green Business Awards 2013
                          • LUXINNOVATION: Agence Nationale pour la Promotion de l Innovation et de la Recherche
                          • Pro Newtech: Pro Newtech
                          • CTI: Centro de Tecnologia da Informação Renato Archer

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                          Association for Computing Machinery

                          New York, NY, United States

                          Publication History

                          Published: 28 October 2013

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                          Author Tags

                          1. digital humanities
                          2. digital music production
                          3. digital studio
                          4. knowledge management
                          5. reconstitution and preservation
                          6. style and creativity
                          7. trace engineering

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                          • Research-article

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                          MEDES '13
                          Sponsor:
                          • LBBC
                          • IPv6 Luxembourg Council
                          • Luxembourg Green Business Awards 2013
                          • LUXINNOVATION
                          • Pro Newtech
                          • CTI

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                          MEDES '13 Paper Acceptance Rate 56 of 122 submissions, 46%;
                          Overall Acceptance Rate 267 of 682 submissions, 39%

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                          Cited By

                          View all
                          • (2021)The Meaning in "the Mix": Using Ethnography to Inform the Design of Intelligent Tools in the Context of Music ProductionProceedings of the 16th International Audio Mostly Conference10.1145/3478384.3478406(40-47)Online publication date: 1-Sep-2021
                          • (2021)Placing AI in the Creative Industries: The Case for Intelligent Music ProductionHCI International 2021 - Posters10.1007/978-3-030-78635-9_72(562-572)Online publication date: 3-Jul-2021

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