hodgepodgenoodlehead
Feeling the twang of this math-rockish, proggy introspection. Really feeling the twang, and loving it.
Favorite track: About Leaving.
Commitment is messy. After five releases that swayed between plaintive indie-punk and the pull of alt-country, Downhaul has finished their decision dance. PROOF, the Richmond-via-Greensboro quartet’s sophomore LP, definitively steps towards a sound tangled in the dense mystery of the South rather than trailing the anthemic reaches of their contemporaries. Commitment is messy, uneven, and difficult—but commitment is a clear choice. With PROOF, Downhaul has chosen to be without equals at all. It’s a distinction you can prove.
Vocalist Gordon Phillips (he/him) has always existed in his own lane, delivering lines with a sharp drawl that punctuates Downhaul’s repertoire of self-reconciliation. It’s here that the band—bassist/vocalist Patrick Davis (he/him), guitarist/keyboardist/vocalist Robbie Ludvigsen (he/him), and drummer/vocalist Andrew Seymour (he/him)—finally shapes the surroundings to match. PROOF was worked through twice in demos before it was brought to the studio, and moments like seven-minute opener “Bury,” with its hymn-like pacing and post-rock dribblings, benefitted from the extra tweaks. Even “Standing Water,” where Downhaul 2.0 tries to match its earlier indie-rock heights, feels sturdier and more lived-in despite any switchbacks Phillips rattles off with a sly smile. PROOF’s leaps forward in focus — coming through sharpest on the sweat-choked shine of “Circulation” and the fingerpicked sparseness of “The Ladder” — are met with returning producer Chris Teti’s (TWIABP, Fiddlehead) understanding of the band’s core ethos, tying tracks together with seamless and evocative transitions.
Downhaul’s a group aware of its own history. PROOF’s sauntering closer, “About Leaving,” takes its name from their 2017 EP, when Richmond basement shows crafted their swerving beginnings. Because of that internal knowledge, their compass keenly points to a clear future, where the naturalistic terror of growing older meets the pavement over which most of us learn to move on.
credits
released May 21, 2021
Andrew Seymour - drums, percussion, vocals
Patrick Davis - bass guitar, vocals
Robbie Ludvigsen - electric guitar, acoustic guitar, keyboards, programming, vocals
Gordon Phillips - vocals, baritone guitar
Evan King - vocals on The Ladder
Maxwell Stern - lap steel on Bury, The Ladder, Interlude, About Leaving
Produced and engineered by Chris Teti at The Headroom in Philadelphia, Pennsylvania
Mixed by Chris Teti at Silver Bullet Studios in Burlington, Connecticut
Mastered by Alan Douches at West West Side Music in Hudson Valley, New York
The 2020's has some excellent screamo albums and this one sticks out with the versatile genre bending of the Florida screamo scene mixed with a very midwest delivery.... 10/10 will scare the shit out of you and make elitists shit thier pants if you torture them long enough sourjay
Incredibly cathartic listen for me and I resonated with this album personally. Elicited a lot of emotions from me in a way that no other album has. Thank you Parannoul. spontaneouscollapse
Prathloons' latest combines the melancholy of legacy slowcore acts with the poetic, emotional touch of contemporary acts like Big Thief. Bandcamp New & Notable Sep 23, 2025
Track for track you will be hard pressed to find much better out there. If I am ever bestowed the gift and ability to make music one day. I would want a lot of it to sound like this.
What I'm saying is this fucking rips, It slaps. It goes hard. I like it. SophiaReveiller