Showing posts with label expressing motherhood. Show all posts
Showing posts with label expressing motherhood. Show all posts

Sunday, November 8, 2015

Making the Vague Bearable



I got up on that little stage and expressed my motherhood and then sat down and listened while other women expressed theirs, and then I and a few of my friends who had come went out for a drink and chatter and laughter. I had an elderflower gimlet and a few calamari and some french fries and lots of laughs. It was a good night.

I had some really good news today about a job -- a really good job that will help to -- well, not help, but rather -- sustain me. Negotiating is still in the works, so I'm not going to say much more, but it's a flexible job that will enable me to be here for my kids and particularly Sophie. I am beyond grateful, sort of hushed by the whole possibility. I guess I'll slip in here that I'm going through a big transition right now, a divorce, to be blunt. Is a blog really the place to say this? Perhaps not. Despite what you think you know of me, you must know that it's not all, and there are certain things about my life that I'm just not going to write about -- ever.

I will include a poem, though, because poetry makes the vague bearable.




Failing and Flying

Everyone forgets that Icarus also flew.
It's the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.

Jack Gilbert, from Refusing Heaven

Friday, November 6, 2015

Break My Leg




I'll be reading/performing this Saturday in Los Angeles for Expressing Motherhood, along with ten other women. We had a rehearsal on Monday, and I'm just honored to be in this group of talented, engaging, moving and hilarious women.

The show is sold out, but you can evidently watch it on Babble's Periscope, streaming live at 7:30, Holy Pacific Ocean Time. I'm actually first up (holy shit) and can't promise that I won't have a double chin, but I will promise to have a good time. Word is that the music I walk up on stage to is Motley Crue. Who knew? Oliver just screamed when I told him that I would dance up to the stage.

Lindsay Kavet, the creator of Expressing Motherhood, is a rockstar and either produces or helps to produce shows all over the country. Check out their website for announcements on submissions. She's also beautiful, has three adorable children and has supported me for years. This is my fourth time doing the show, and I can't over-state how great an experience it is --

Here's a link to the live-stream thing:

Expressing Motherhood on Periscope @babble


Sunday, May 24, 2015

Podcast for Expressing Motherhood



I had such a good time doing this podcast for my friend Lindsay Eller Kavet of Expressing Motherhood. It's always a little disconcerting to hear your voice -- do I really sound like that? -- but I'm definitely a talker, and I just love Lindsay and really admire how she supports creative women and mothers. Check out her site and consider submitting and doing one of her shows. Upcoming ones are in San Francisco and South Dakota.

Thanks, Lindsay, for this opportunity!

Listen here.



Thursday, October 17, 2013

Brain Surgery

Medieval Brain Surgery

I imagine that got your attention on a Thursday morning, and I hope the presentation/performance that I'll be doing this afternoon in Tarzana will get some as well. I have the distinct privilege of reading an essay I wrote some years ago to a group of nurses and medical personnel with other mothers in a sort of mini Expressing Motherhood show. Brain Surgery is one of the chapters in my Book That Isn't Yet a Book, and it describes my experience discussing her possible candidacy for brain surgery when she was a baby and just diagnosed with epilepsy. Despite the near twenty years that have passed since that discussion, my feelings about brain surgery are much the same, and while I am, admittedly, distinctly irrational about cutting out a part of someone's brain, believing it to be something that we will perhaps one day look upon as barbaric (as we do lobotomies, let's say, or bloodletting), I understand that the techniques are becoming more and more sophisticated and outcomes more positive. That being said, I'm grateful not to have to make that decision for Sophie and can, instead, stay squirming in philosophical enquiry about it.

Here's the first part of the essay -- given its length, I'll post the rest later this afternoon.

traveled across the country to Los Angeles to see Dr. S , a pediatric neurologist known as “the best of the best,” and when he examined Sophie she was still not a year old. He expressed his dismay at the relatively poor outlook for infantile spasms, a rare form of epilepsy that Sophie had recently been diagnosed with in New York City.  He recommended that we have a pre-surgical work-up. (Later, much later, when I had met many parents of children like Sophie, we would joke about this doctor and call him “Dr. Knife”). He wrote in his notes, which I still have in Sophie’s medical records file, that Sophie was “a bright baby of just under one year.” I loved the “bright” part, pulled the paper out often when I had gone back to New York. That one word sustained me, sometimes, when I thought I would go wild with uncertainty.
But after that visit with the esteemed neurologist of the west coast, when I put Sophie into her car seat in the white rental car that I would drive to the airport to catch our flight back to New York, we were on the road for less than ten minutes when she began to have what seemed like hundreds of very small jerking seizures. I was driving on unfamiliar roads, on the famous Los Angeles freeway, but I was driving with one eye looking in the rear-view mirror, my lips counting, “one, two, three, four….it’s alright Sophie, relax, twenty, come on Sophie, relax, fifty…” and so on until her tiny arms which were methodically straightening, then stiffening, then bending forward and her head bobbing and her mouth twitching, then grimacing, finally stopped and she collapsed forward, her head hanging over the five-point harness of the car seat. She had more seizures in that car ride than I had ever seen up to that point. With no explanation, and there never was one, I attributed the episode to her “bright” appraisal of the esteemed doctor and her listening in as we talked about her condition, her prospects, her brain and the possibility of surgery.  In other words, she knew at some level what was up and given the sensitivity of her brain, could only respond to such stress with seizures.
            Back in New York City I made an appointment with our neurologist to discuss the recent visit to Los Angeles. The day of the appointment, I didn’t have Sophie with me because of the seriousness of the matters being discussed. I had made a resolution after the incident in Los Angeles that I would try my hardest not to talk about her condition in front of her. A “cutting edge epileptologist” who looked to be about 35, Dr. N wore his blond hair with a distinct, vulnerable part down the side, crisply pressed khaki pants, a white button-down shirt with a bow-tie and shoes that I can only describe as Buster-Brown-like.
            “Mrs. Aquino, please come in,” the doctor stood at his door and beckoned to me. I was sitting in one of those curved metal chairs with stainless legs and flipping through an old Scientific American magazine. I put the magazine down and stood up abruptly, nervously and walked down the hall to his office.
            He had already seated himself behind an enormous desk covered with papers, stacks of journals and magazines and what appeared to be a child-sized replica of the human brain. The cauliflower folds looked tough and protective of the smooth pink surface beneath. The brain sat on a huge book, one of those diagnostic tomes that doctors flip through in the privacy of their offices, when they can’t be seen looking for information not easily recalled.
            “Sit down,” he said, motioning me to one of two armchairs angled toward one another and the imposing desk in front of them. I was alone, though, as Michael was at work, and I awkwardly pulled one chair out and then sat in the other.
            “So, what can I do for you today?” Dr. N. is an obviously intelligent man but sweet as well. He is thoughtful instead of arrogant, appears earnest and concerned. His face is placid, his eyes warm but they blink like a cartoon child’s. He is gracious, almost humble, and he asks questions in a manner that gives you the sense that you are making the decisions, not he. When I relayed to him the information that I had recently received from the acclaimed Dr. S in Los Angeles, Dr. N leaned forward and put his hands together, fingertip-to-fingertip, like a little tent. He leaned his chin on the top of the finger tent, blinked several times and listened intently. It seemed like what he heard was going into his head and then down through his fingers into that tent on his desk. Neurologists have so much power, you see, what with their delving into the human brain. After a year of dealing with them, I was painfully aware of that power and sensitive to inferences. I wanted to get in that tent.
            Dr. N is a good listener and rarely interrupts, so when I was finished, he let go of the finger tent pose and let out a long, “Hmmmmmm.”
            It was my turn to lean forward, which I did, restraining myself from placing my own hands on the desk in front of me. I willed them into my lap, to be still. I clenched my knees.

            “Well, let’s talk a little bit about brain surgery,” Dr. N began.

Monday, October 8, 2012

To my Expressing Motherhood friends


Last night was the last show of Expressing Motherhood, and while I'd grown a bit tired of my own story, I was sad to say good-bye to this beautiful group of women whose stories entertained and moved me so much over the past two weeks. I sat with many of them, none of whom I knew before this experience, and shared intimate stories of my life and theirs, a profound experience of community and commonality. Most of the other mothers were younger than I, some much younger with very young kids, and I was struck by how many of them professed anxiety about their children, about their worry for each of their futures. It made me reflect on my own experience raising Sophie, how consumed by worry I was when she was born and diagnosed and treated over the years, yet how that worry and anxiety finally succumbed, for the most part, to a sort of acceptance and resignation only tinged with true terror every now and then. As for Henry and Oliver, I don't remember ever being really worried about them beyond the trivial and certainly not in the way some of my fellow performers professed. I couldn't pinpoint how or when this happened, how suffering and anxiety and worry transform through surrender, and I wouldn't pretend to dole out advice on how to achieve this equanimity (after all, it was sort of imposed on me), but I thought of Pema Chodron's words:

Whether we’re seeking inner peace or global peace or a combination of the two, the way to experience it is to build on the foundation of unconditional openness to all that arises. Peace isn’t an experience free of challenges, free of rough and smooth—it’s an experience that’s expansive enough to include all that arises without feeling threatened.
 I remembered that I had written about this before and thought I'd re-post it here, as a sort of homage to my new mother friends. Thank you, ladies for a wonderful two weekends, for the laughs and the ease and for being so brave to share your experiences both on and off the stage.

Is the ability to hold two opposing feelings and/or thoughts something that one is graced with or something that comes with time and experience and exposure? I don't know the answer, but I see it all the time in those who share the experience of caring for a child with disabilities or who have lost a child to illness. I can look at Sophie and grieve for the loss of "normalcy," but I can also exult in her being exactly the way she is. I can sorrow over the absurdity of changing a near-seventeen year old's diapers and marvel at the gift of intimacy that entails. My friend Jody's beautiful daughter Lueza suffered from severe cerebral palsy due to gross medical malpractice when she was born, and she died unexpectedly nearly a year ago at the age of sixteen, but Jody told me the other day that it was such an honor to have cared for her daughter so intimately for so many years. I'm not talking here about all that unconditional love blather, although trite expressions are trite for a reason. I'm heading toward an understanding of openness -- of what it means to be truly open to experience, to the relinquishment of false notions of power and control, to, dare I say it, Love. I wouldn't be able to live, one person might say, hearing of the death of someone's child.  I could never do what you do, another says, I just couldn't handle it. 

Contrary to what some might say, we're not given what we can handle. We're opening to handle what we're given.

Saturday, October 6, 2012

Moles and Beauty Marks


It's another Actor weekend, and last night's show was, once again, a blast. I told some friends that I'm having literal FUN when I do this show, and it might sound pathetic, but I can't remember the last time I had such a good time. Maybe it's because I'm hanging out with a bunch of women who I don't know and who don't know me -- it's a release of sorts. During the last six months, due to things unbloggable as well as the relentless grind of seizures, I've sort of morphed into my Italian grandmother who was known to walk around the house in her black house-dress with rolled-down support stockings, fingering her rosary beads and muttering pray that I die, pray that I die. I don't wear black all the time or stockings, and I sure don't finger rosary beads, but I've been on the edge of a constant whimper, if not a praying to die and I have the moles to prove it. With the show, I've lined up enough childcare to get away and have a glass of wine or my favorite beer each night with either the women in it or my beautiful friends who've come to support me. Last night, I sat in the car with my friend Jody for nearly an hour after the show talking and laughing about nearly everything under the sun, suffused with the warmth and horror of our shared experiences. Today I'll be running around with The Athletes (my sons), but later on I'll dress in my black shirt and pants, put on more makeup and drive to Burbank where I'll meet some friends for wine and dinner before getting back out on the stage and doing my reading. I do believe I've been replenished doing this performance, so perhaps on Monday, when it's all over, I'll stop whimpering and shout How lucky am I? And when I pluck the errant hair from my mole, I'll just be thankful that I have so many beauty marks.


I swear to you, there are divine things more beautiful than words can tell.
Walt Whitman

Monday, October 1, 2012

Now look what I have to deal with


That there man with the huge camera hanging at his side is a member of the paparazzi, and he was waiting for me to leave my yoga studio this morning. There were a couple of others with him, but they stepped back when I raised my camera. I was able to duck behind Russell Brand, though, and make a quick exit in my white Mazda. Russell's shiny black Range Rover served as a decoy, so I doubt there'll be any photos of me. I thought I had problems before, what with balancing the boys' athletic practices and games, sixth grade Math, Sophie's seizures and other shenanigans, The Husband, The Mistress, intellectual stimulation, and housework, but this Expressing Motherhood show and my resulting fame as an Actor has really thrown me for a loop. I hope I don't have to resort to drugs and alcohol like Russell evidently did before he found our yoga teacher and studio.

While I was Acting,



Me, backstage, preparing to "go on."



this piled up:


I can't believe they still expect me to do the laundry.

Friday, September 28, 2012

Right before the show




As per Ms. Moon, I wore eye make-up. I had my eyebrows waxed and my hair cut a tad bit. I wore one of my new bras and a  black shirt with a good neckline and decided that as long as people concentrated on my arched brows and decent cleavage, I would be good to go. In the photo above, my neck looks a bit crepey, but it's actually not so bad. The combination of Mediterranean ancestry and some extra pounds plumps out the skin -- one of the few benefits of carrying extra weight. I wore red heels and a blue, sparkly necklace. Oliver told me that the red shoes "didn't go," and I should "take them off." Henry told me that I looked great, so off I headed to The Banshee Theater in Burbank. I felt good going out there, a bit shaky and nauseous, but I heard some of my dearest friends in the audience, and their raucous laughter quelled my nervousness. All of the women who performed were excellent, and I'm actually excited to do it seven more times! I hope that if you're in the area or live nearby, you'll come out to see us. Go to expressingmotherhood.com for ticket information.

And thank you for the sweet texts -- that meant a lot to me!

Tuesday, September 25, 2012

Expressing Motherhood at the Banshee Theater in Burbank


Well, today I rehearsed with twelve other women for this weekend's upcoming Expressing Motherhood show, and it promises to be moving, hilarious, profane and sweet. I hope that if you live in the area, you'll go to the website and buy tickets. The show itself is a blast, but there are plenty of great places to eat in the Burbank neighborhood, so grab some of your friends and make it a night out! There will also be wonderful gift certificates and raffle prizes -- rumor has it that on the last Sunday there will be lots and lots of chocolate. Wine is available at the theater -- I'm debating whether to have a glass or not before I "go on." As for that -- well, yes, I'm terribly nervous. I'm second-guessing what I'll be reading; when I rehearsed today, it was too long, so I'm going to have to cut it down, and even though I know I have to, I hate to do so. I also don't know what I'm going to wear, whether the stage lights will make me look washed out and fat, whether my piece (which is sort of a fluff piece, frankly) will be funny -- you get the gist. Knowing that some of ya'll are out there, though, will be helpful, so if you decide to come, please drop me an email (elsophie AT gmail DOT com).

Buy tickets HERE.

Sunday, September 2, 2012

Expressing Motherhood



I think I've told ya'll about this show that I'm going to be appearing in late September and early October. It's called Expressing Motherhood and is made up of writers and performers, expressing-- you guessed it --  their motherhood. I participated once before, years ago, and am really excited to be doing so again. If you click on the Expressing Motherhood button on my sidebar, you can purchase tickets and experience the rollicking fun it's bound to be!

I was featured today on the Expressing Motherhood blog, so hop on over there, if you're so inclined. They've been interviewing the participants and posting interesting tidbits about the scene around the theater where we will be performing, so I hope you'll browse through, particularly if you're from southern California. If you're far, far away, know that Expressing Motherhood performs in other cities, too -- Boston, New York, etc. I encourage you to submit your own pieces and be a part of it!

Finally, thank you so much for sharing the Extreme Parenting Video Project on your blogs, your Facebook pages and with all your contacts. So far, it's received over 2500 hits on YouTube! I'm hoping that all families of children and young adults with special needs will feel the support and hope that each of you conveyed.


Thursday, August 2, 2012

Expressing Motherhood


I submitted a piece to Expressing Motherhood, a national play "consisting of people who write their own stories about motherhood and share them on stage," and it was accepted! I did this nearly five years ago when the group first started and am so honored to do it again! I hope that any of you who live in the southern California area will come to one of the performances in late September and early October. It's a great show -- lots of smart and funny entertainment -- maybe we can all go out afterward!


Thursday, January 15, 2009

Show Business


This weekend, I'm going to actually be READING a piece of mine for a SHOW called Expressing Motherhood. When I submitted an essay, I thought I was submitting something that would be performed by local actors. What I didn't realize was that I'm the local "actor.". I was too embarrassed to say, "No," and then too embarrassed to tell anyone about it.

But then I did. I told all my friends, thinking that it would actually be fun. And I learned that not everyone who is doing the show is an actor and not everyone is actually "performing." So, I'm reading this weekend at Electric Lodge in Venice.

There's more on the show, here, where it was featured this morning on Good Day LA.

At rehearsal the other night, we were told that there's going to be a reception area of sorts before the show begins and that alcohol is available. I'm not much of a drinker, but I plan on having a couple.

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