Neowise

Yesterday, on an excursion to a place called Grassy Hollow where Carl and I headed for some much-needed nature, I read an article on the worldwide webs about the enormous hardship of our migrant workers, how they are bearing the brunt of the pandemic, even as they pick the food we eat, pluck the chickens we roast, slaughter and package the meat we barbecue. I won't regale you with the statistics, but it's gross. This country is foul.

How do we unhook from this culture?

This morning, I lay in bed thinking over-thinking wondering lamenting the usual morning fare. Professional basketball players are housed in what's being called the "Disney bubble," quarantined together with their families, at Disney hotels, kept safe and fed and tested constantly for the virus even as they are getting ready to finish the season of basketball that was so abruptly stopped and that fans so desperately await.

Do can will basketball players play without anyone watching? 

Does a tree make a sound when it falls if no one is there?

I'm reading an article in the newest New Yorker by Lawrence Wright titled "Crossroads." The subtitle is "A scholar of the plague thinks that pandemics wreak havoc -- and open minds." The scholar is Gianna Pomata, a retired professor at the Institute of the History of Medicine, at Johns Hopkins University who has returned to her hometown, the old city of Bologna, Italy. She compares Covid-19 to the bubonic plague of the 14th century -- "not in the number of dead people but in terms of shaking up the way people think." She says, "The Black Death really marks the end of the Middle Ages and the beginning of something else." We know that something else was the Renaissance. Pomata also says, "Chroniclers of the plague describe the crumbling of the family. At the same time, human beings are creative. They react to this perceived moral decay by creating new institutions." She's less optimistic about what's going on in our country, a country that she loves, where she lived in and worked for over thirty years. "What I see right now in the United States is that the pandemic has not led to new creative thinking but, on the contrary, has strengthened all the worst, most stereotypical, and irrational ways of thinking. I'm very sorry for the state of your country, which seems to be in the grip of a horrible attack of unreason. I'm sorry because I love it, and have received so much from it."

I just can't help thinking about the migrant workers picking my fruit and the basketball giants in their bubble. I can't stop thinking about those who are both ignoring the necessary actions we need to take and those who want to "get back to normal" or "learn to live with it." I am aware of the absurdity and privilege of my own lamentation.

Again, how do we unhook from this culture? Maybe you don't want to. Tell me why?

After wandering around Grassy Hollow, Carl and I drove to La Cañada to try to see the comet in the northwestern sky. We parked on a street called Sleepy Hollow and walked up a dirt trail to a peak that looked out over the entire Los Angeles basin. We watched the sun go down in orange flame, a thin crescent moon rise, the lights of the downtown skyline appear out of a thin haze and then the Big Dipper. There, Carl said, just to the left of the ladle. I saw only a very faint smudge, my night blindness preventing any real recognition.  There was the comet, so aptly named Neowise, just barely visible to the naked eye, a cosmic snowball made of ice, rock and dust. I read that there are about 13 million Olympic swimming pools of water in Comet Neowise, that it's nearly 3 miles long and travels about 40 miles per second. When asked what she wanted to do when the pandemic was over, Gianna Pomata said that she longed to see her mother who lives in Sardinia. She wanted to swim there again. "Older people need exercise," she said. "I don't spend time at the beach gossiping with friends. I don't even take the sun. I just go immediately into the sea."

On Carl's super-camera, Neowise was a green blur with a fuzzy tail, 70 million miles away from the Earth where we stood.

I am grateful for my life. For life. I marvel and mark my own insignificance in this world. And I love the world and its people. But how do we unhook from this culture beyond going out into hollows and onto peaks to bask in and gaze at its mystery?


Here's a poem:

For the Sake of Strangers

No matter what the grief, its weight,
we are obliged to carry it.
We rise and gather momentum, the dull strength
that pushes us through crowds.
And then the young boy gives me directions
so avidly. A woman holds the glass door open,
waiting patiently for my empty body to pass through.
All day it continues, each kindness
reaching toward another—a stranger
singing to no one as I pass on the path, trees
offering their blossoms, a child
who lifts his almond eyes and smiles.
Somehow they always find me, seem even
to be waiting, determined to keep me
from myself, from the thing that calls to me
as it must have once called to them—
this temptation to step off the edge
and fall weightless, away from the world.

Dorianne Laux (1994)

Portals

I took 24 hours and left with Carl on Sunday morning for Ventura and a boat that took us to Santa Rosa Island, one of the remote, uninhabited Channel Islands. We spent the morning looking at whales and dolphins and the wide-open Pacific, the water choppy and sky overhead gray and moody. It took over two hours to get to the island, but once we were there, the skies opened up blue and we wandered around the fields and explored the deserted buildings of the ranch that had once displaced the native Americans who made the island their home. It was very beautiful.

No one lives on the island anymore, but some people brave its isolation and camp, and there are volunteers who stay to lead tours. Carl and I avoided the few people who had gotten off the boat and made our way alone down to a beach that might as well have been in some tropical paradise, such was its wildness and solitude.

I lay in the sand and read and dozed and we ate a bit of the food that we'd brought -- turkey, crackers, cheese, grapes and plums.

I tried to let everything go, everything.

to be grateful for love and companionship
for whales
for the ocean
for the souls that were banished from this place
for the sand and the breeze that bends
the poppies
for the wide world that still holds us up

the deep world

Mexico

Two mornings now the cactus wren has woken me, but I'm not complaining because it's Mexican. I'm in Mexico. It's hard to believe that the creature making such a ruckus is a bird, and I haven't actually seen it but imagine it to be chunky and grossly sociable. There's a hardscrabble beauty to everything around here in Baja. Yesterday, I took a walk alone toward the ocean, my footsteps the only sound on the sandy path, and the crash of surf only anticipated. An enormous ridge of sand rises at the end of the path, and you have to wind around a long narrow tide pool, edged with grasses and cacti before you climb up and over the ridge to the deserted beach below, the roar (waves crashing) meeting you. I hadn't yet gotten there, gotten to the point where the sound meets you, when I saw in the distance a pack of dogs, maybe five, come up over the far ridge on the other side of the pool. At first I fancied coyotes, then contemplated wolves and settled on dogs, their ears dark v's, spaces between them and wondered where they were going and whether they were wild and what would I do (dumb, non-dog loving American) if attacked and would anyone hear me if the roar of the Pacific was not yet discernible from bird calls much less screams. The dogs were so in the distance, but I could have sworn that they saw me, that they scattered over the dune, scattered toward me, so I stopped and turned around and walked back, quickly, trying not to look back over my shoulder. Over my head, high up in the sky and then past my line of vision flew a long streak of a bird, black-edged and elegant and alone.

A great frigate, the Bird Photographer told me later.

Frigatebirds can stay up in the air for two months without ever touching the ground.

I'm not sure what I want to say about this, how my mind conjures both threat and wonder but it does and it does again no matter the place.


RIP W.S. Merwin

The Solstice

They say the sun will come back
at midnight
after all
my one love

but we know how the minutes
fly out into
the dark trees
and vanish

like the great 'ohias and the honey creepers
and we know how the weeks
walk into the
shadows at midday

at the thought of the months I reach for your
hand
it is not something
one is supposed
to say

we watch the red birds in the morning
we hope for the quiet
daytime together
the year turns into air

but we are together in the whole night
with the sun still going away
and the year
coming back

photo by Carl Jackson

@cbjfoto 

"also, that you have enough"

I went to an extraordinary exhibit at LACMA this afternoon with a few close friends.

Did you know that Chagall designed costumes for operas and ballets?

Honestly, this was one of the most extraordinary art exhibits I've ever seen -- just a few rooms of drawings, paintings and sketches and probably around twenty costumes, but each one practically gave me a case of Stendhal Syndrome. Do you know about Stendhal Syndrome? I saw someone fall down as if dead right by Michelangelo's David in the Accademia in Florence back in the last century. It's a thing, really. Look it up or click on the link I just gave you. Granted, I was feeling strung out when I decided to run over to the museum and join my friends. It's just everything lately -- and I'm doing weird stuff since I turned 54, like losing things and leaving my debit card at the post office. Like my mother always said, "I'm glad my head is connected to my neck, because otherwise it would have spun off." Chagall's joy and wonder in music and color and fabric and beauty and whimsy leaped out of every piece and just filled me with joy again.

And then there's the natural world. I'm reading an extraordinary book about landscape and words. The first chapter is called The Word-Hoard. Don't you love that? The book is called Landmarks by Robert MacFarlane. It, like Chagall's costumes and drawings, is joyous. Here are the first two sentences:

This is a book about the power of language - strong style, single words - to shape our sense of place. It is a field guide to literature I love, and it is a word-hoard of the astonishing lexis for landscape that exists in the comprision of islands, rivers, strands, fells, lochs, cities, towns, corries, hedgerows, fields and edgelands uneasily known as Britain and Ireland.

I don't know how many of ya'll out there are lovers of word-hoards, but get thee to this book if you are at all simpatico.

Check out that bamboo that lines the pathways to part of LACMA! That's natural!

Here's a close-up:

Is that not wild?

Why am I asking rhetorical questions?

The universe is abundant.

Here's a poem:


What You Missed That Day You Were Absent from Fourth Grade


Mrs. Nelson explained how to stand still and listen
to the wind, how to find meaning in pumping gas,

how peeling potatoes can be a form of prayer. She took
questions on how not to feel lost in the dark.

After lunch she distributed worksheets
that covered ways to remember your grandfather’s

voice. Then the class discussed falling asleep
without feeling you had forgotten to do something else—

something important—and how to believe
the house you wake in is your home. This prompted

Mrs. Nelson to draw a chalkboard diagram detailing
how to chant the Psalms during cigarette breaks,

and how not to squirm for sound when your own thoughts
are all you hear; also, that you have enough.

The English lesson was that I am
is a complete sentence.

And just before the afternoon bell, she made the math equation
look easy. The one that proves that hundreds of questions,

and feeling cold, and all those nights spent looking
for whatever it was you lost, and one person

add up to something.

Brad Aaron Modlin
(lifted from an OnBeing newsletter)













P.S. If I disappear from these parts, it's because I stole the dress that The Queen of the Night wore in The Magic Flute that's in that first photo. I'm going to get married in it and retire somewhere south of the Disunited States. Don't tell anyone.

Hand-Outs

photo by Carl Jackson

Over the weekend I went with The Bird Photographer to Point Fermin near San Pedro to watch the peregrine falcons feed their fledglings. Like I said in a post I wrote for Cerebral Palsy Foundation last month, I wasn't aware of the incredible variety of birds that are among us nor their fascinating habits, until I started hanging with him.  The picture above is what's called an "aerial transfer" from the male to the female. That's a small bird, I believe, that the male has just caught. He heads back to the nest with that in his talons, the female flies out with not a little ruckus, he drops the prey in the air, and the female catches it mid-air and takes it back to the nest. It's insane except it's not. It's nature.

I don't feel like extending the metaphor, but I'm nothing if not an endless weaver of the metaphorical. Think precision, ruckus, prey, nourishment, nature, nurture, violence.

I'm struggling to deal with Sophie's new normal that might not be normal. She isn't having many seizures as the CBD seems to be really helping with those, but her general well-being isn't so great. I have no idea what's going on, and if I hadn't been doing this for so long, I would be up all night trying to figure it out. Figure it out. There's no figuring out, sometimes.

If something can be done about the situation, what need is there for dejection?And if nothing can be done about it, what use is there for being dejected?

Shantideva, 8th century Buddhist master 

It's weird to be conscious of and actually feel the enormity of the task at hand and the accompanying fatigue. I'm struck by how everything is the same, by how we're constantly learning and unlearning and re-learning.

The personal is political, isn't it? Isn't it?

I feel, still, great anxiety and even greater anger when I think about our government and the man we're supposed to call President. What a piece of shit. It looks like the country's "budget" will be balanced on the backs of the sick, the poor and the disabled. Hundreds of billions of dollars handed from one oligarchy to another so that the masses can build the weapons of war that will be used to destroy the masses in other countries. What a load of bullshit. I think it's safe to say that the funds Sophie receives from the government, procured through an aerial transfer that is much like the peregrines' pictured above, are not a sure thing. Whether the cuts come or not, the fact that they're argued about by those in power, the fact that we must continually justify them, fight for them,  beg for them is cause for a sort of irrevocable anxiety that ripples out of the body, my body and into the air.




Read THIS.














* Peregrine falcons are the fastest animals on the earth and can reach speeds of 240 mph. At one point, due to the effects of the chemical DDT, they were on the endangered species list. The entire American peregrine falcon population experienced drastic declines due to the widespread use of the pesticide. It caused their eggshells to weaken and break and led the babies to die before hatching.Thanks to the Endangered Species Act, their numbers have soared. (source is U.S. Fish and Wildlife Service). The Endangered Species Act is currently under the chopping block for the Trump Administration.

R Egret

 I went to the most beautiful park in Orange County yesterday, walked around and took bunches of photos. Oliver rode his bike on the trails, disappearing into the grasses. The rain we had last month has turned everything green, and even the weeds and grasses were chest high. I watched that egret above stalk a lizard for a few minutes, its neck swaying in anticipation. I'm not sure it ever got it. R egret is what I felt. For all the moments gone, unaware.

Hawks were screaming in some kind of mating ritual, and a bunch of men on the other side of middle age were flying remote-controlled airplanes in an empty field. Men and their toys, is what I thought.  I prefer the hawk.

I was texting with a couple of friends today and all agreed that our general Sunday blues were even bluer. One friend suggested that it was the change in the weather, the weird onset of spring. Maybe it's the death of Chuck Berry, another friend suggested. Maybe it's just life in general these days, I think we all agreed.  I remembered the Edna St. Vincent Millay poem that I trundle out every April because it speaks so directly to the feeling, particularly that last line. I think I'll post it a little earlier in honor of climate change.

I do love my dark blue friends.

Spring

To what purpose, April, do you return again? 

Beauty is not enough. 

You can no longer quiet me with the redness 

Of little leaves opening stickily. 

I know what I know. 

The sun is hot on my neck as I observe 

The spikes of the crocus. 

The smell of the earth is good. 

It is apparent that there is no death. 

But what does that signify? 

Not only under ground are the brains of men 

Eaten by maggots. 

Life in itself 

Is nothing, 

An empty cup, a flight of uncarpeted stairs. 

It is not enough that yearly, down this hill, 

April 

Comes like an idiot, babbling and strewing flowers. 

Edna St. Vincent Millay

Restoration In Progress

I honestly have no idea how to catch up here and relay to you the glorious things I saw and did while up at Mammoth over the weekend through Tuesday.  I guess I'll just have to post some of my favorite photos -- these are a few of the ones I took on my iPhone, and none have any sort of editing or filter on them. I also used a Canon, but I have hundreds and hundreds of shots that I need to go through, so I'll leave you with these.

For all of you who say that "you'd miss the seasons" if you lived in California -- well -- we have the seasons.

Here's fall:

The shot below was taken just off the highway where we pulled over when we saw an enormous herd of sheep. Within moments, a real shepherd (I'm SERIOUS!) came whistling down a path with a real border collie who literally shepherded the sheep away from the fence and the highway and back into the field.

My favorite place was the aptly named "Convict Lake." I think the story goes that a group of convicts escaped from a Carson City prison and ran here. The lake is at well over 7,000 feet elevation and achingly beautiful. I hung out for a while while my photographer friends wandered about taking their spectacular pictures. I took off my socks and hiking boots at one point and waded into the icy water. I lay under the tallest trees and looked up to the end where the branches hit the sky. I have always loved to feel very, very small.

It rained hard and the winds howled one night and all the next day. That was exhilarating -- to feel the rain on my face, to feel chilled and wet and no longer parched.

I saw six rainbows, too.

I have a thing for trees that stand alone in vast empty spaces or along ridges. They speak of accommodation and a fierce loneliness.

It snowed, too, and while I'm not a fan of the white stuff, there was something exhilarating about moving from yellow to white in the space of an hour. The eastern Sierras are really just spectacular.

I could just post pictures all day, but really what I want to say is that I am so grateful to have the opportunity to travel in the great state of California, to be outside wandering around so many spectacular vistas and to be restored by friendship, love and the earth.

photographer: Carl Jackson