more from
Planet Trip Records

through blood, like kin

by Ella Haber

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card
    Download available in 24-bit/48kHz.

      $10 AUD  or more

     

  • Record/Vinyl + Digital Album

    ** SECOND PRESSING ON PINK TRANSPARENT VINYL DUE TO POPULAR DEMAND - PRE-ORDER NOW FOR JAN 30 RELEASE **

    'through blood, like kin' by Ella Haber shines brightly like a lighthouse, illuminating the possibilities of who we could be and how we could live. Steeped in vulnerability and resolve, the Sydney-based Australian singer-songwriter and multi-instrumentalist explodes love into something more expansive than the fairytale narratives of nuclear romance we are confined to. Redrawing the boundaries of her heart, she finds herself revelling in the in-between; in the vast interconnected network of kin that holds us all, and in those connections that blur the boundaries we know.

    The result is a coming-of-age story spoken from her lips to our ears. Between delicate guitars, spare, hip-hugging rhythms and lush horns, strings and gospel-slanted group backing vocals, Haber sings in regal melodies and hushed, intimate observations, rendering deeply personal moments with the colour, detail and universal heft of a stained glass tableau. Created over five years on the unceded lands of the Gadigal, Wangal, Wurundjeri and Dharawal people with well-loved producer Yianni Adams and a powerhouse ensemble of Australian instrumentalists, 'through blood, like kin' confirms Haber’s status as one of Australia’s finest new generation songwriters.

    Opening with the delicate ambient soul sensibilities of... more
    credits
    released October 31, 2025

    Written and recorded over five years on the unceded lands of the Gadigal, Wangal, Wurundjeri and Dharawal people. Always was and always will be Aboriginal land.

    Vocals & Keys - Ella Haber
    Guitars - Yianni Adams
    Drums - Alex Coad
    Bass - Yianni Adams (tracks 1 & 4), Henry Jenkins (track 2), Arne Utiger (tracks 3, 5, 7, 9, 10)
    Congas - Feña Coloma
    Horns - Sarah Purdon, Ned Olive, Anthony Rositano (tracks 2, 3, 4, 5, 9, 10); Harry Tompsett, Sarah Purdon, Lucas Trevisan (tracks 2 & 7)
    Strings - Freya Schack-Arnott & Dora Maria (tracks 1 & 10)
    Choir - Ellen Mara, Allegra Eve, Cinta Ruggieri (tracks 4 & 5)

    All songs written by Ella Haber.
    'Interstice’ string arrangement by Novak Manojlovic.
    All other instruments played and arranged by Ella Haber & Yianni Adams. Rhythm section recorded by Shaun Gaida at Rancho Relaxo Studio in Austinmer.
    Additional drums and horns recorded by Henry Jenkins at Hopestreet Studios in Brunswick (tracks 2, 4 & 7).
    Vocals, strings, horns and upright piano recorded by David Akerman at Golden Retriever Studios in Marrickville (tracks 2, 3 & 9).
    All other production recorded at Yianni’s home studio in Marrickville. Edited by Yianni Adams. Mixed by Henry Jenkins. Mastered by Nick Herrera. Cover photography by Jack Moran. Cover design by Sean Bates.

    There are innumerable people to thank for this mammoth body of work, but above all gratitude goes to Yianni Adams for creating and inhabiting this musical world since the day we met.

    Includes unlimited streaming of through blood, like kin via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/48kHz.
    ... more
    shipping out on or around January 31, 2026
    edition of 100 
    Purchasable with gift card

      $50 AUD or more 

     

  • Limited Edition Vinyl
    Record/Vinyl + Digital Album

    12" vinyl housed in full-colour jacket. Featuring a double-sided lyric insert.

    All copies of the limited edition album will also receive a digital download of the album once released.

    Includes unlimited streaming of through blood, like kin via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/48kHz.

    Sold Out

  • The Ella Haber Vinyl Catalogue – 3×LP Collection
    Record/Vinyl + Digital Album

    Triple vinyl bundle of the Ella Haber catalogue. Only 15 bundles available.
    All three chapters of Ella Haber’s journey — grab the full trilogy on wax.

    A collection of 3x 12" limited edition heavyweight vinyl, including:
    - through blood, like kin (2025 - Planet Trip Records)
    - Moments Between Dreams (2024 - Soul Has No Tempo)
    - Clay (2019 - Soul Has No Tempo).

    through blood, like kin and Moments Between Dreams both include a double-sided lyric insert.

    Includes unlimited streaming of through blood, like kin via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/48kHz.

    Sold Out

1.
I’m here because of the loves that I have known Head clear in the skin that I have grown, I put down all my weapons Five years since the clay split, and I can feel the change Spent time kicking doors in, wondering where I have been And I sang all there is to sing To build myself up and get through some stuff To be free of the sting And I fell in love with my best friends Redrew myself in kin that would last, not love that would end I cried out for love abstracted from bone and stretched over skin Now these unchartered loves, they flow through my blood, they flow through kin
2.
When those who love you leave When there are no words to speak When pain is bittersweet Play your song For all the restless nights For all the joy inside For when the flame ignites Just play your song And I’d be lying if I said I always kept it true Yeah all this pressure for success can change your point of view When all our pain is packaged up People writing songs just to stay on top I feel we’re watching something sacred turn from gold into dust So don’t let it die We’ll have nothing left to sing about if we trade it in for chips So don’t let it die Let it consume you, let it move you, let it squeeze you it its grip Just don’t let it die When all there is grief It climbs from underneath There’s marching in the street Just play your song When you choose the way to light When you lose the will to fight Or when you’re aching for the answers When you’ve taken all your chances Just play your song And I’ve been feeling something different when I hit the keys Every word and every note is soaked with silent grief It’s like I’m pleading with you both, won’t you help me find my way back home Out of the darkness, I can hear you, saying please just play that song I feel the pain as we age This world is darker every day Joy turns to flame in our mouths All that once held now falls I turned to you before I knew That the day I lose myself is when I’ve lost you You are the best of what we’ve built, you are the memory of our longing Our longing Our yearning Our longing Our burning
3.
the day 04:14
Had to give the news today They always said that it’d feel this way I could barely move, my brain Is taking me back to the day Empathy removed, as soon as I had said the words Your rationale, with tears, it blurred You had the wound, cut, returned And I held the knife, that’s what’s worse And I hate to see you breaking down I know the pain I once have drowned I tend to look until I’ve found The ones that lift you up, they bring you down It’s just better this way It’s just better this way
4.
I woke up beside you and I tried to find you I know how your mind works, but I can’t see through you My lips can still taste the smoke on yours, it lingered as I leaned in for more I had never met a man that I adored like I held in my arms that night Where did all the years go don’t take the memories with you I’ll write it on the back of my eyes I’ll hold the corpse ‘til it turns blue I am in my bedroom that we built together Hearts full of hope we’d end up together All the joy we breathed in those years together, I can’t let go Of your hand in mine, who’ll speak first now that we’re out of time Our love was always in water I want to flow with the current now the cracks are dry I don’t want to say that it’s true, cut off my blood in you Walk down the hallway of our time, and close the door to our room I don’t want to say that it’s true But we both know that we are tired So let’s find the peace in the quiet Lay down, my love, in the silence So don’t close up on me Together we can grieve Hold my hand I’ll walk you there To set each other free
5.
kawai 04:15
I’ve been thinking of how to show my face to you Hiding always seems easier than folding in back to you But here I am naked and sheepish at your door, will you answer me Because when I’m before you, my skin’s laid bare and I learn things I’m not prepared to So take this long due plea as my apology You live in the first house I ever knew (still know the way back) Dressed in black, and white as the snow You watched as I grew, beside you So many nights, aching to just escape my head and you were the only asylum You showed me how to stand upright And you gave me all the keys so I could finally find some release You held me with no bias and you let me journey beneath But I’m losing the fight with time As I grow older you fall behind And I gave you all of my mind But you never had your reply My friends tell me I should come by I don’t listen and I don’t know why But in the resonance of your rhyme I think I’m scared of what I could find But I’m glad I came here tonight You don’t blame me for taking time You only hold me as I write the lines And you’re still dressed up in black & white When I hear you I start to cry You don’t have words, so I give you mine With all the ways you know my mind there is nothing that I can hide The ways you know my mind There is nothing that I could hide And when I hear your voice I start to cry But you don’t have words So I give you mine
6.
7.
We fly on a carpet through soundwaves and end up alone in a far place There’s no one but us in its hallways Lined with stardust sticking to my heart but how did all this start could it have been avoided I only wanted to make art when the hour is late and the lights dim there’s no-one on earth but me and him we travel through musical spacetimes and I confuse this pleasure as romance the blood is pumping thick now are you the thing of beauty or are you just a man Where do we go from here Where do we go from here I love you when I shouldn’t I love you when I don’t Will I ever see with sobriety What’s real away from our odyssey I’m trying to know if in our place Love as we know it takes different shape But how do I break your gaze Why does my skin feel so glazed In a dreamstate with you This is what I’ve always wanted To dive into space wide open You entered my life and I needed it Little did I know it would be this hard The blood is in my heart now We’re at the sticky centre Of where the loves I know unfold I’ll try to meet you in the middle of what we both see You’ll try to meet me in the middle of what we both need I’ll try my best to keep my head up while my words bleed Although I try I know the truth will never find peace So please may it set me free
8.
a quiet kind 03:42
Big thief stole my glance away from the green So golden from the sun’s rays So golden just like Mary must have been And when I looked back it was darker Like a forest and I thought that things sparkle when the light hits them Coz there’s a different kind of light in them It’s a quiet kind, a hidden kind, like laughing when you are alone And now the green is faded again, carved in to some fluorescent And I think that the sun is meeting it late And I see that green is patient like a heart broken waiting on the threshold of being okay ‘Cause there’s a different kind of light today It’s a quiet kind, a hidden kind, like laughing when you are alone And now the green is faded again Carved out by shaded stencils And I think that its rays are halved by a cloud And I wonder if another has ever wondered About the way it wanders on the grass like me Coz there’s a different kind of light in me It’s a quiet kind, a hidden kind, like laughing when you are alone
9.
ecstasy 05:17
The woman in white with cerulean eyes placed purple sweet on my tongue Eyes close in delight pleasure and fear collide she is my captain tonight She says I’m gonna take you to a place where the people shed their faces and indulge in isolation I say I can’t exist much longer vacant captain, fly me to escape she pulled the ripcord under I flew down into Ecstasy, with her denim black coat she was heaven to see Could have sank a ship cold way she licked the venti And even as the club rolled she was quiet mostly And in the moonlight she glowed she was hooked and heavy Said she didn’t even like what the club was playing So we stumbled outside with my shy heart thumping And I felt myself hung between bliss and blistering She’s driving us real late through the streets Is this thing on tonight? These nerves are permeating all my senses My premonitions are relentless I would follow this girl to the end of the world If it meant that this night wouldn’t end without her I’m swimming deep in her curls Where is she taking me? The danger is plain to see I’m losing myself in greed I want to feel good I want to feel good I want to feel it with you, baby The woman in white with cerulean eyes Placed purple sweet on my tongue She left me rolling, losing myself in her I’ll find my own way tonight
10.
interstice 05:00
This temperamental magnet has attracted me to you Like novacane I’m stacked against my poison overdue Written on my will is a cause of death procured to satisfy my own thrill I’m coming into view now, skin as suit and fears as ale I am coming into dreams now, can’t decipher what is real I’m a pendulum in swing from left to right I’ll kiss and then I’ll bite On earth and then in flight What will I want tonight How many times will my heart let me fall from friend to more I don’t care much for Eros But his wings falter near us He falls down from full clouds Casts his gaze ‘neath my own brow Love lays out on a flat plane Affect blurs through the dark space I draw lines slanted each ways I draw lines through the straight lanes Let me invent this love place Let me invent this love place I feel love in a few ways I don’t think that should feel strange Let me invent this love! Let me invent this love place I feel love in a few ways I don’t think that should feel strange I am coming into dreams now, can’t decipher what is real I’m a pendulum in swing from left to right I’ll kiss and then I’ll bite On earth and then in flight What will I want tonight

about

'through blood, like kin' by Ella Haber shines brightly like a lighthouse, illuminating the possibilities of who we could be and how we could live. Steeped in vulnerability and resolve, the Sydney-based Australian singer-songwriter and multi-instrumentalist explodes love into something more expansive than the fairytale narratives of nuclear romance we are confined to. Redrawing the boundaries of her heart, she finds herself revelling in the in-between; in the vast interconnected network of kin that holds us all, and in those connections that blur the boundaries we know.

The result is a coming-of-age story spoken from her lips to our ears. Between delicate guitars, spare, hip-hugging rhythms and lush horns, strings and gospel-slanted group backing vocals, Haber sings in regal melodies and hushed, intimate observations, rendering deeply personal moments with the colour, detail and universal heft of a stained glass tableau. Created over five years on the unceded lands of the Gadigal, Wangal, Wurundjeri and Dharawal people with well-loved producer Yianni Adams and a powerhouse ensemble of Australian instrumentalists, 'through blood, like kin' confirms Haber’s status as one of Australia’s finest new generation songwriters.

Opening with the delicate ambient soul sensibilities of the title track, 'through blood, like kin' unfurls into an antipodean melange of celestial jazz, folk, alternative soul and psychedelic R&B, locating Haber in the same traditions as Nina Simone, Joni Mitchell, Erykah Badu, Georgia Anne Muldrow, Sault, and Hiatus Kaiyote. On ‘don't let it die’, she reassesses her relationship with music, speaking honestly of the distortions that come from making art under capitalism and crying out to preserve the power of music for human storytelling. In the afterglow, she revisits bittersweet memories of loves past across ‘the day’ and ‘back of my eyes’, before returning to the profound, timeless connection she still feels with her childhood piano on ‘kawai’.

Over the second half of the album, she asks the listener 'Where do we go from here?' on 'marrickville pause', revelling in the profound, often complex bonds that can be forged between creative collaborators. As she reflects on the rush of following someone incandescent from the dancefloor to the ends of the earth on ‘ecstasy’, the album hurtles towards its closing moment on ‘Interstice’. Emerging from these storied threads, Haber arrives at her final, fervent declaration: “Let me invent this love!”

After releasing her debut EP, Clay, in 2019 through Soul Has No Tempo, the Meanjin/Brisbane label, which introduced Jordan Rakei, Tiana Khasi, and Miss Kaninna to the world, Haber performed at Gilles Peterson’s inaugural 'We Out Here' festival in Abbots Ripton, Cambridgeshire, before playing a headline showcase in London hosted by Jamz Supernova (BBC 1XTRA). Over the following years, she deepened her engagement in social and political activism and embarked on a PhD in Aboriginal Linguistics, all while sharing stages across Australia with Cymande, Alfa Mist, Emma-Jean Thackeray, Julien Dyne, Lord Echo (Aotearoa), Surprise Chef, Ngaiire, and CINTA. Ella released her second EP, 'Moments Between Dreams' in 2024 through Soul Has No Tempo.

'through blood, like kin' is Haber’s debut album and her first release through Planet Trip Records. Fittingly, it represents the beginning of a new phase. Having read the room, she has made the decision with us to step away from streaming for this release, embodying our shared ethos around community, connection, and readdressing the rapidly degrading value of art.

Vinyl and digital downloads will be available through Planet Trip Records from October 31st.

credits

released October 31, 2025

Written and recorded over five years on the unceded lands of the Gadigal, Wangal, Wurundjeri and Dharawal people. Always was and always will be Aboriginal land.

Vocals & Keys - Ella Haber
Guitars - Yianni Adams
Drums - Alex Coad
Bass - Yianni Adams (tracks 1 & 4), Henry Jenkins (track 2), Arne Utiger (tracks 3, 5, 7, 9, 10)
Congas - Feña Coloma
Horns - Sarah Purdon, Ned Olive, Anthony Rositano (tracks 2, 3, 4, 5, 9, 10); Harry Tompsett, Sarah Purdon, Lucas Trevisan (tracks 2 & 7)
Strings - Freya Schack-Arnott & Dora Maria (tracks 1 & 10)
Choir - Ellen Mara, Allegra Eve, Cinta Ruggieri (tracks 4 & 5)

All songs written by Ella Haber.
'Interstice’ string arrangement by Novak Manojlovic.
All other instruments played and arranged by Ella Haber & Yianni Adams. Rhythm section recorded by Shaun Gaida at Rancho Relaxo Studio in Austinmer.
Additional drums and horns recorded by Henry Jenkins at Hopestreet Studios in Brunswick (tracks 2, 4 & 7).
Vocals, strings, horns and upright piano recorded by David Akerman at Golden Retriever Studios in Marrickville (tracks 2, 3 & 9).
All other production recorded at Yianni’s home studio in Marrickville. Edited by Yianni Adams. Mixed by Henry Jenkins. Mastered by Nick Herrera. Cover photography by Jack Moran. Cover design by Sean Bates.

There are innumerable people to thank for this mammoth body of work, but above all gratitude goes to Yianni Adams for creating and inhabiting this musical world since the day we met.

license

all rights reserved

tags

about

Ella Haber Sydney, Australia

Sydney-based singer/songwriter.

contact / help

Contact Ella Haber

Streaming and
Download help

Redeem code

Report this album or account

Ella Haber recommends:

If you like Ella Haber, you may also like: