Jain sculptures or Jain idols are the images depicting Tirthankaras (teaching gods). These images are worshiped by the followers of Jainism. The sculpture can depict any of the twenty-four tirthankaras with images depicting Parshvanatha, Rishabhanatha, or Mahāvīra being more popular. Jain sculptures are an example of Jain art.[1][2] There is a long history of construction of Jain sculptures. Early examples include Lohanipur Torsos which has been regarded to be from the Maurya period,[3] and images from the Kushan period from Mathura.[4]

Murti of Mahavira at his birthplace, Kshatriyakund (Śvetāmbara tradition), in Bihar

Iconography

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Image depicting Suparshvanatha, the seventh tirthankara of present half cycle of time

The Jain idols are males depicted in both sitting and standing postures.[5] The tīrthaṅkaras are represented either Padmasana (seated in yoga posture) or standing in the Kayotsarga posture.[6] Parshvanatha statues are usually depicted with a snake crown on head, Bahubali statues are usually depicted covered with creepers.[7] However, there are a few differences in Digambara and Śvetāmbara depiction of idols.[5] Digambara images are naked without any beautification whereas Śvetāmbara ones are clothed and decorated with temporary ornaments.[5]

Jivantasvami

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The Jivantasvami images represent Lord Mahavira (and in some cases other Tirthankaras) as a prince, with a crown and ornaments. The Jina is represented as standing in the kayotsarga pose.[8][9]

 
Jivantasvami image of a Tirthankara carved on Torana in Mahavira Jain temple, Osian

Ancient sculptures

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Gopachal rock-cut Jain monuments (14-15th CE) are images of Jain Tirthankaras carved in the Gopachal Hill, Gwalior in the state of Madhya Pradesh.[10][11]

Bronzes

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Rishabhadeva, Bronze from Chausa, Bihar

Various bronze idols of tirthankaras have been discovered in different states. Akota Bronzes and Vasantgarh hoard of Gujarat; Hansi hoard of Haryana, Chausa hoard and Aluara bronzes from Bihar.

In Tamil Nadu

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Sculpture depicting Tirthankara Parshvanatha, Thirakoil, Tamil Nadu

Jainism spread here and there all over Tamil Nadu during Sangam Age. One of the Tamil literature, called Paripadal (பரிபாடல்), probably belongs to 3rd century, mentions that there were propelling statues sculptured in stone for different deities in the temple of God Murugan in Thirupparankundram. One among them was Jain statue. Others are Kaaman-Rathi (the deities of Love), Deity Indra (the king of so-called Heavenly people according to Indian mythology), Agaligai (wife of Saint Gaudham), and Buddha.

Kalugumalai Jain Beds near Madurai belongs to one century latter is to be compared with Thirpparankunram Jain sculpture. In addition a propelling stone statue of a Jain monk mentioned in Tamil literature is also present. Cave inscriptions in Brahmi script of Chera kings in Pugalur probably one century earlier to that of the literature we have taken to our consideration, names some of the Jain Monks vs Yatrur Senkayapan, Pittan, Kotran. Pittan and Kotran are the chieftains of Tamil Nadu also mentioned in Tamil literature more or less to the same period.

In museums

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Lohanipur torso found in a central Division of Patna, ancient Pataliputra, dates back to 3rd century BCE.[12] Some of the oldest Jain sculptures excaved at Kankali Tila are in the Government Museum, Mathura.[13] Many Jain sculptures are kept in Government Museum, Chennai.[14][15]

The oldest Jain sculpture in the Metropolitan Museum of Art in New York is of the Siddha Bahubali.[16]

Jain vs Buddhist iconography

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A Buddhist image can be in one of several mudras. However the Jain tirthankara images can only be in one of the two format. In Padmasana, the statues of a Jina and a Buddha can be similar. The Buddha statue has folds of the cloth on the upperbody, with cloth behind the left arm, where as the Jina statue is without clothes, unless it is a Shwetambara image which shows "kandora" folds.

Chronological Gallery: Kayotsarga Statues

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Chronological Gallery: Padmasana Statues

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Colossal statues

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See also

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Notes

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  1. ^ "Jainism". 22 March 2011.
  2. ^ Asia Society: The Collection In Context
  3. ^ Indian Sculpture: Circa 500 B.C.-A.D. 700, Volume 1 of Indian Sculpture: A Catalogue of the Los Angeles County Museum of Art, Pratapaditya Pal, Los Angeles County Museum of Art, University of California Press, 1986 p. 22
  4. ^ Dalal, Roshen (18 April 2014). The Religions of India: A Concise Guide to Nine Major Faiths. Penguin UK. ISBN 9788184753967. Retrieved 15 January 2018 – via Google Books.
  5. ^ a b c Cort 2010.
  6. ^ Zimmer 1953, p. 209-210.
  7. ^ Pereira 1977, p. 9.
  8. ^ Shah 1995, p. 15.
  9. ^ Shah 1987, p. 35.
  10. ^ worldvisitguide.com
  11. ^ Jain sculptures in Gwalior - Abiyoyo
  12. ^ Olivelle 2006, p. 399.
  13. ^ Das 1980, p. 171.
  14. ^ "Government Museum Chennai". Archived from the original on 12 January 2015. Retrieved 13 January 2015.
  15. ^ "Government Museum Chennai". Archived from the original on 12 January 2015. Retrieved 13 January 2015.
  16. ^ "Jain Siddha Bahubali, Entwined with Forest Vines". The Met’s Heilbrunn Timeline of Art History.

References

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  • Guy, John. “Jain Sculpture.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. online (January 2012)