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The Tron Theatre is located in the corner of Trongate and Chisholm Street. This location was formerly the Tron Kirk, which had started as the Collegiate Church of Our Lady and St. Anne in the Trongate area of Glasgow, Scotland. The Tron Steeple still stands adjacent to the theatre.
Address | 63 Trongate Glasgow Scotland |
---|---|
Owner | Tron Theatre Ltd. |
Type | End on |
Capacity | 230 (Main Auditorium) 50 (Changing House Studio Theatre) |
Construction | |
Opened | 1981 |
Rebuilt | 1999 |
Architect | James Adam RMJM |
The Tron Theatre building is home to the Tron Theatre Company, and is a producing house for contemporary theatrical work, also functioning as a receiving house for a visiting programme of theatre, comedy, and music from Scotland, the UK, and abroad. Its Education and Outreach department offers a range of activities, from drama workshops for children and young people, to creative writing for adults and professional development opportunities for theatre students and practitioners.
History
The present day Tron Theatre Company, based in the Trongate, started life as the Glasgow Theatre Club in 1978, established by Joe Gerber, Tom Laurie, Tom McGrath and Linda Haase, at times using the Close Theatre which was part of the Citizens' Theatre in Gorbals. After the fire affecting that venue, the Club in 1980 took over the almost derelict Tron Kirk, which had been built for the Church of Scotland in 1795, designed by James Adams.,[1][2][3] Adams had been the co-designer of the very new Royal Infirmary and a few years later designed the city's Assembly Rooms in Ingram Street.
The theatre opened its doors on 10 May 1981, and two days later the first season of short plays opened with a production of Eine Kleine Nacht Musik, directed by Ida Schuster-Berkeley, in the Victorian Bar.
An earlier, separate manifestation was RF Pollock's short-lived Tron Theatre Club which was active from 1929-1932. Pollock's vision was to develop a distinct Scottish style of acting using principles similar to those developed by Konstantin Stanislavski. One of the company's achievements was a production of Ibsen's The Master Builder. Actor Duncan Macrae began his career with Pollock's Tron Theatre Club. The amateur group dispersed in 1932, splitting into three new separate groups. These included the Curtain Theatre and the Dumbarton People's Theatre.
Artistic legacy
Under the Artistic leadership of Michael Boyd (1986 to 1996), artists including Alan Cumming, Forbes Masson, Peter Mullan, Craig Ferguson and Siobhan Redmond, as well as musician Craig Armstrong emerged from the company.
In 2000, the Tron Theatre Company presented two world premieres of plays by Scottish writers: "Our Bad Magnet" by Douglas Maxwell and "Further than the Furthest Thing" by Zinnie Harris. "Further than the Furthest Thing," directed by Irina Brown, was a co-production between the Tron Theatre Company and the Royal National Theatre. The production premiered at the Edinburgh International Fringe Festival 2000 to universal critical acclaim, winning four major awards before a London run at the National Theatre, a subsequent transfer to the Tricycle Theatre, London and a tour of South Africa.
In 2002, Neil Murray was appointed Director of the Tron, serving as Artistic Producer for the Company. Shows produced by the Tron in this period include Iain Heggie's "Love Freaks," "Possible Worlds" by John Mighton (as the centrepiece of the Canadian Six Stages Festival), Forbes Masson's "Jack and the Beanstalk" and "Cinderella" and Chris Hannan's "Shining Souls" in a co-production with v.amp productions which was awarded Best Production in the Critics Awards for Theatre In Scotland in 2003.
Previous productions include the world premiere of David Greig's "San Diego" (2004 EIF,) Anthony Neilson's "The Wonderful World of Dissocia" in 2004, this time in a collaboration with EIF and the Theatre Royal, Plymouth. "The Wonderful World of Dissocia" subsequently went on to win 5 out of 10 awards in the 2005 Critics' Awards for Theatre in Scotland. The production was also revived in 2007 in conjunction with the National Theatre of Scotland, touring the UK including performances at the Royal Court Theatre, London.
Murray left in 2005, to take up the post of Executive Director of the National Theatre of Scotland, and between May 2005 and May 2006 the post of Director was held by Ali Curran, formerly of the Peacock Theatre at the Abbey Theatre in Dublin. The Tron produced three new works during this time: the premiere of "Ubu the King," a co-production with Dundee Repertory Theatre, the Barbican, Old Vic and Bite:05, adapted by David Greig and directed by Dominic Hill; the European premiere of John Mighton's latest work, "Half Life" co-produced with Perth Theatre and Canadian based Necessary Angel; and its annual Christmas panto, written by Forbes Masson, "Weans in the Wood." From 2006 until 2008 Gregory Thompson was Artistic Director and the tron produced "The Patriot" by Grae Cleugh,[4] "Antigone"[5] and co-produced "The Wall" by D C Jackson with Borderline Theatre Company.[6]
In April 2008 the Tron appointed a new Director Andy Arnold, previously founder of the Arches Theatre Company. Productions since 2008 have included The Drawer Boy, Monaciallo (Naples Theatre Festival, A Slow Air by David Harrower (London and New York), Sea and land and Sky - new play by Abigail Docherty, Edwin Morgan's Dreams and Other Nightmares - new play by Liz Lochhead, a new adaptation by John Byrne of Three Sisters, and the UK and Irish stage premiere of James Joyce's Ulysses adapted by Dermot Bolger and touring to Belfast, Dublin and Cork - named best production of 2012 by The List magazine.
The Tron Theatre has two notable contemporary sculptures that were added to the exterior of the theatre as part of its lottery funded refurbishment in 1999. The sculptures are of a large golden cherub and of a skull. The works are by artist Kenny Hunter.[7]
Paranormal activity
The Tron Theatre has an extensive repertoire of ghost stories, most of which stem from its infamous 'haunted' boiler room. There have been reports made by a number of ghost hunting companies that claim to have heard wailing, and to have 'sensed' a girl with a missing hand, a young boy, and a worker who was supposedly murdered in the room. They also claimed that their equipment's battery power decreased extremely quickly whilst inside the room. None of these claims has been verified by anybody outside of these companies, nor by the theatre themselves.[citation needed]
References
- ^ Old Tron Steeple (Glasgow University Library, Special Collections, Wylie Collection), The Glasgow Story
- ^ The Building, Tron Theatre
- ^ "Dictionary of Scottish Architects - DSA Architect Biography Report (September 1, 2022, 4:37 am)".
- ^ "The Stage / Reviews / The Patriot". Retrieved 10 June 2021.
- ^ "Antigone, Tron Theatre, Glasgow". HeraldScotland. Retrieved 10 June 2021.
- ^ "The Wall, Tron Theatre, Glasgow". HeraldScotland. Retrieved 10 June 2021.
- ^ "Glasgow Merchant City Public Art Trail". Archived from the original on 19 July 2013. Retrieved 2 December 2013.