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Showing posts with label YouTube. Show all posts
Showing posts with label YouTube. Show all posts

Thursday, 17 October 2024

An ocean in which no oar is dipped

Following on from last time's post about getting started in the Vulcanverse, here's a guide to exactly that from the Book Wyrm channel on YouTube. Noah begins his adventures in Notus using The Hammer of the Sun, which has the advantage that most of the companions you can travel with are met there.

Noah promises further installments on his channel, so stay tuned. I'm just envious of his ultra-neat handwriting. If your own penmanship is less precise, or even if you're in too much of a hurry to hand-letter your own Adventure Sheet, you can download an all-purpose sheet for the series or one specifically for Notus.

Friday, 28 January 2022

More vulcanicity


Here's Jamie with yet more news about Vulcanverse. I can't even keep up with it. Crypto, NFTs, online card games, virtual land, user-modded stuff -- and somewhere in there is gamebooks. If you want to comment, you can do so right here.

Wednesday, 3 March 2021

True bluish light

Another YouTube outing for Heart of Ice? It's getting to be like buses. If you don't have time to sit and watch the whole playthrough, grab the podcast here. Or you could cut out the middle man, as Stan Laurel advises, and just read the book.

The only downside to all this flattering attention for my own favourite of my gamebooks is that it piles on the pressure for the forthcoming Vulcanverse series. Can Jamie and I make them even better, or must we resign ourselves to resting on our laurels? You'll be able to judge in a few months.

Wednesday, 3 February 2021

Time to decompress


There seems to be a buzz around the Critical IF gamebooks, and in particular Heart of Ice. Here's yet another rave review, this time on the Solo Adventures with Livi channel. You want spoilers? OK, it ends with, "Solidly a 10 out of 10."

You can't please everybody. One comment below Livi's video was "Let the buyer beware." Yikes! Well, actually that's always good advice when picking up any book. Another comment, this time about Fabled Lands, raises an interesting point. Kosteri X said: "I found the Fabled Lands demo devoid of any emotion and all the NPCs were lifeless words. [...] A few more adjectives can go a long way of painting a scene or motif. Most story writers for board games fail to put any effort into painting a picture."

The template Jamie and I used for writing Fabled Lands was Eric Goldberg's boardgame Tales of the Arabian Nights. The descriptions therein are economical but effective, allowing Mr Goldberg to fit hundreds of quests into the space most gamebooks use for one little dungeon. Since each Fabled Lands book has to cover an entire country and allow freedom of choice and almost unlimited play, we knew we couldn't write it the same way we did books like Down Among The Dead Men or The Renegade Lord. It's like the compressed vs decompressed storytelling in comics.

I'm thinking a lot about this at the moment because I'm trying to recapture that compressed idiom for the Vulcanverse gamebooks. They're like Fabled Lands in having an open-world structure and each book being set in an extensive region. But, conscious that some readers miss the strong character relationships you get in books like Heart of Ice, I'm using much more dialogue than in Fabled Lands. So the Vulcanverse books (which I talk a bit about here) will weigh in about 50% heavier than FL even if we can keep them down to around 750 entries each. Hopefully that will strike the right balance for all tastes. You'll be able to judge for yourself in just a few months.

Wednesday, 15 July 2020

Cold and gold


While we're on the subject of top-notch stories and freeform roleplaying (which are kind of themes of the month, in case you hadn't noticed) Jim "Grim" Desborough's Dragon Warriors sessions on YouTube are still going strong. He and his group are now onto the adventures from the Cold Fury scenario book, which I gather was the title of the reissued In From The Cold

Grim shows how to keep a game focussed, fun, exciting, inspired, and packed with atmosphere. The best sessions are the ones where he goes off piste from the published adventure and wings it. Also he's got a first-rate group of players. I do miss Bekka (one of the founder PCs), though; there was a great character dynamic there with Sir Alain. Still, the rest of the band are all fine fellows and watching them swashbuckle their way through Ellesland is as good as a TV show any day.

Friday, 12 October 2018

Jackanory for gamers



It's strange to find yourself a fan of something that's based on your own work, but I'm completely addicted to Guy Sclanders' gripping weekly playthroughs of Fabled Lands.

It's not just self-indulgence; the bits I enjoy most are Guy's unexpected characterizations (Sean Connery as Estragon the wizard, for instance) and his hilarious asides. Every show has several laugh-out-loud moments, which is more than you can say for a lot of TV comedy these days.

If you haven't yet had the pleasure, start from the beginning and be prepared to lose a few evenings to unbridled fun. Some of the episodes can be hard to find on YouTube, so here are the links:
And these bonus episodes, which were originally run live with the audience making the decisions (and, not always so successfully, rolling the dice...)

And how about that interactive adventure sheet by Michiel Helvensteijn, incorporating Anton Natarov's nifty online dice-rolling app?

Friday, 21 September 2018

I asked for ice, but this is ridiculous



I knew if I waited long enough Brexit would give me something to laugh about, and this video is worth the price of -- admission isn't the right word, I guess. The opposite.

If you've been curious about my and Jamie's new gamebook Can You Brexit Without Breaking Britain? now is your chance to try it out as a free online PDF. (Oh, and incidentally if you need to backtrack you can use Alt + left arrow in a PDF just like the Back button in a browser. That's for PCs. There are options for other devices but you don't need me to tell you about those; you've got the internet after all.)

Share the PDF if you like. This book took us a year to write and, although I'm aware most gamebook readers would rather we'd done something with goblins, I think it's kind of important. Possibly the most worthwhile book we've written, in fact. With just six months to go before the UK and the EU part company, we now just want as many people as possible to get the chance to play it. And don't be put off by the sheer mind-crushing horror of Britain's current political fubar. Can You Brexit? may not be quite as laugh-out-loud as the Titanic video, but we've done our best to inject it with plenty of humour along with all the informative stuff.

And the print book is still on sale for another six months if digital gaming just doesn't do it for you:



And finally, as the newscasters used to say, there's this too. Oh, I can see Brexit is going to usher in a whole new era of deliciously bitter satire:

Friday, 22 July 2016

All four Critical IF books reviewed



I came across this video by Marco Arnaudo in which he reviews the Critical IF books and, not being entirely indifferent to praise, I figured I'd post it here. My only quibble is that in the books you create your character by choosing four out of a list of twelve skills, not ten as stated in the video. You know me; there had to be one quibble.

Normally Mr Arnaudo reviews boardgames on his YouTube channel, but judging from the shelves there I'd say he appreciates a good book, so maybe he'll look at more gamebooks in future. And I see he's got Douglas Wolk's Reading Comics there. Good choice, sir.

And in case you haven't yet read Heart of Ice and you're swayed by the review (from 19m 45s in), don't let me stop you:



Meanwhile the rest of the Critical IF series can be found here.

Friday, 31 January 2014

Who is making the choice?

OK, this isn't a dig at either Heavy Rain (above) or The Birthday Party (below). These interactive videos on YouTube are just a bit of fun. But they do serve to illustrate a problem with interactive movies - to wit, that they are completely and calamitously unengaging.

Look at the Heavy Rain example. It's set up exactly like a scene in a movie. Our mental gears shift to prepare us for being told a story. And then suddenly it all freezes. The engrossing but fragile confection that is story evaporates, to be replaced by the uncomfortable angles of a puzzle. Snap out of it, you have to make a decision!

But as whom? We're not the protagonist. We're not the protagonist's confidant or conscience. We are, in fact, the viewer - or we were a moment ago. But now we're the author - quite a old-fashioned author, too, hopping between viewpoints - making the next plot decision. And in a moment we'll go back to being the viewer. How discombobulating - and exhausting.

Viewers and readers do not want to make up a story. They want to be told a story. The motivation that most compels our interest in fiction is wondering what happens next. Interactivity can play powerfully into this need. You can make the reader the hero, as in a traditional gamebook, in which case their decisions fit logically within the story. Another way is to make the interactivity about the reader's or viewer's relationship with characters.

What doesn't work is disconnecting us from events so that we float around in an oneiric state of immersion one moment, then have to wake up into a different persona - the rational, active self in which we analyse, ponder, sit forward and make a choice. That's interactivity for Vulcans. Let's have no more of it.


Saturday, 31 March 2012

Frankenstein book trailer


It's gone live! The
Frankenstein trailer, beautifully put together by awesome design/code maestros Inkle Studios, is now on YouTube. And in less than a month you can buy the book itself - for iPad, iPhone or iPod Touch. If you think you know "gamebooks", think again, 'cause this is a whole new species.

Thursday, 26 January 2012

The French connection


With French films creating such a stir at the moment, here's one that role-players are going to like. It stars Megara Entertainment's CEO Mikael Louys taking us on a guided tour of the French edition of the Fabled Lands RPG by Greywood Publishing.

You'll be able to buy it from Megara and the English edition is of course on sale on Amazon (UK and USA). Personally I have just enough French to order a beer and a steak, but Megara's full-color production is such a thing of beauty that I think I'll have to get a copy myself.

Meanwhile, sit back and enjoy the film. And be sure to full-screen it for maximum viewing pleasure.