Image Langage, by Félicia Atkinson

Image Langage

by Félicia Atkinson

supported by

wejazzrecords Amazing album on a great label. On a world of its own.

more...

	/

Streaming + Download

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Purchasable with gift card

Download available in 24-bit/48kHz.

€9 EUR or more
Record/Vinyl + Digital Album
• 2xLPs
• Black pressing of 900 copies
• Heavyweight reverse-board inner and outer sleeves.

Includes unlimited streaming of Image Langage via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 24-bit/48kHz.

ships out within 7 days

edition of 900

Purchasable with gift card

€24 EUR or more
CD
Compact Disc (CD) + Digital Album
• Glassmastered CD
• Heavyweight inner and outer sleeves.

Includes unlimited streaming of Image Langage via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 24-bit/48kHz.

Sold Out

	1.	La Brume 05:38
	2.	The Lake is Speaking 11:25
	3.	The House That Agnes Built 02:56
	4.	Our Tides 10:15
	5.	Image Langage 03:55
	6.	Les Dunes 11:05
	7.	Becoming a Stone 06:20
	8.	Pieces of Sylvia 07:07
	9.	The World is Full of Abandoned Meanings 04:34

about

Image Langage

Opening the window, I look at the light, it connects me to something more vast.

Felicia Atkinson’s music always puts the listener somewhere in particular. There are two categories of place that are important to Image Language: the house and the landscape. Inside and outside, different ways of orienting a body towards the world. They are in dialogue, insofar as in the places Atkinson made this record—Leman Lake, during a residency at La Becque in Switzerland, and at her home on the wild coast of Normandy—the landscape is what is waiting for you when you leave the house, and vice-versa. Each threatens—or is it offers, kindly, even promises?—to dissolve the other. Recognizing the normalization of home studios these days, she revisited twentieth-century women artists who variously chose, and were chosen by, their homes as a place to work: the desert retreats of Agnes Martin and Georgia O’Keefe, the life and death of Sylvia Plath. Building a record is like building a house: a structure in which one can encounter oneself, each room a song with its own function in the project of everyday life.

At times listening to Image Langage is immediate, something like visiting a house by the sea, sharing the same ground, being invited to witness Atkinson’s acts of seeing, hearing, and reading in a sonic double of the places they occurred. In an aching moment of clarity in “The Lake is Speaking,” a pair of voices emerge out of the primordial murk of piano and organ, accompanying the listener to the edge of a reflective pool that makes a mirror of the cosmos. “I open my feet to fresh dirt, and the wet grass. I hold your hand. You hold his hand. In the distance without any distance. The comets, the stars.” At other times, listening to Image Language is more like being in a theater, the composition a tangle of flickering forms and media that illuminate as best they can the darkness from which we experience it. On “Pieces of Sylvia,” a noirish orchestra drones and clatters beneath and around a montage of vocal images, stretching the listener across time, space, subjectivities. Atkinson says that Image Language is like the fake title of a fake Godard film. There is indeed something cinematic about Atkinson’s work—not cinematic in the sense that it sounds like the score for someone else’s film, but cinematic in the sense that it produces its own images and language and narratives, a kind of deliberate, dimensional world-building in sound.

Image Langage is built from instruments recorded as if field recordings, sound-images of instruments conjured from a keyboard, instruments Atkinson treats like characters, what she calls “a fantasy of an orchestra that doesn’t exist.” And then, speaking of Godard, there are the monologues, operating as both experimental-cinematic device and a literary style of narration. Voice can be a writerly anchor or a wisp of a textural presence. Atkinson’s capacious and slippery speech plunges into and out of the compositional depths, shifting shapes, channeling the voices of any number of beings, subjectivities, or elements of her surroundings—not unlike her midi keyboard, able to speak as a vast array of instruments.

Image Langage is an environmental record, in the vastest sense of the world. It is about getting lost in places imagined and real; it registers, too, the dizzying feeling of moving between such sites. It puts forth a concept of self that is hopelessly entangled with the rest of the world, born of both the ache of distance and the warmth of proximity.

— Thea Ballard, 02.2022

credits

released June 24, 2022

All music: Félicia Atkinson
Mastering: Stephan Mathieu
Artwork: Aidan Koch
Design: Bartolomé Sanson

Shelter Press / La Becque Editions
2022

license

subtotal
taxes calculated at checkout

about

Félicia Atkinson France

BOOKING
regina@frontporchproductions.org

Félicia Atkinson is a French musician and artist. Her musical work is released by Shelter Press and published by Mute Song,

contact / help

Contact Félicia Atkinson

Streaming and
Download help

Redeem code

Report this album or account

If you like Félicia Atkinson, you may also like:

Living Torch
by KALI MALONE

supported by 181 fans who also own “Image Langage”

profound and organic ambient drone. besides that Im impressed by kalis broadness again k9
go to album
everything perfect is already here
by claire rousay

supported by 159 fans who also own “Image Langage”

It's Thanksgiving I've been asked to make Mashed Potatoes. I think I’ll honor my Ukranian ancestry by doing them deconstructed Perogie style … there will be dill. Which some will not like … which then makes me think I could put the dill on the side, but then maybe I just shouldn’t concern myself with what to do to make The ‘dish’ acceptable to everyone; and rather, just make the ‘dish’ the expression of me that it’s suppose to be. magoski
go to album
Does Spring Hide Its Joy
by Kali Malone (featuring Stephen O’Malley & Lucy Railton)

supported by 113 fans who also own “Image Langage”

I was just listening to this album and painting on Aseprite some logo for a project, and it really took a spin for the better. Thanks Malone, O'Malley & Railton :) SoupStand
go to album
Pink Warm Belly Of A Dying Sun
by Pink Warm Belly Of A Dying Sun

A moody experimental record that pairs spoken word with lush beds of synths, “Pink Warm Belly Of A Dying Sun” is both moody and evocative. Bandcamp New & Notable Nov 20, 2024
go to album
ambiente de rua
by dronedeus

featured on Bandcamp Radio Sep 19, 2023
go to album
Corner Sure
by jobfit

This release merges spoken word and electronica and features playful, jungle-tinged rhythms. Bandcamp New & Notable Jul 17, 2020
go to album
Everywhere at the end of time
by The Caretaker

supported by 111 fans who also own “Image Langage”

one of the most haunting works of music ever produced ethantstanger
go to album

Image Langage

by Félicia Atkinson

Digital Album Streaming + Download

Buy Digital Album €9 EUR or more

Send as Gift

2xLPs (Black) Record/Vinyl + Digital Album

Buy Vinyl €24 EUR or more

Send as Gift

CD Compact Disc (CD) + Digital Album

Sold Out

Share / Embed

about

credits

license

tags

Tags

Shopping cart

about

discography

contact / help

Streaming + Download

€9 EUR or more

Record/Vinyl + Digital Album

€24 EUR or more

CD
Compact Disc (CD) + Digital Album