Showing posts with label regency. Show all posts
Showing posts with label regency. Show all posts

9/11/2019

Charlotte Henry's new release, A Rogue Not Taken

Join me today in welcoming RITA® award-winning author Charlotte Henry!


An Accomplished Woman
by Charlotte Henry

In Pride and Prejudice, Caroline Bingley famously defines an accomplished woman:

“… no one can be really esteemed accomplished who does not greatly surpass what is usually met with. A woman must have a thorough knowledge of music, singing, drawing, dancing, and the modern languages, to deserve the word; and besides all this, she must possess a certain something in her air and manner of walking, the tone of her voice, her address and expressions, or the word will be but half deserved.”

“All this she must possess,” added Darcy, “and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading.”

Jane Austen might have been describing the expectations of womanhood during her lifetime, but Lizzie Bennet seems to doubt Miss Bingley’s list could be achieved by any mere mortal. The definition of accomplished changes with time and a woman’s circumstances. What of a poor woman in Regency England? What she considered accomplished probably looked very different—keeping a tidy house, managing a tiny budget, and if she could, being able to read enough to entertain and inform herself and to write well enough to correspond with those she cared about. Even today, many opportunities to learn such things as art, music, and languages are no longer found in the home, but are transferred to schools (if students are lucky).

Rogues of St. Just trilogy

In The Rogue Not Taken, the second book of the Rogues of St. Just trilogy, my heroine Rowena Penrose is getting tired of people referring to her as “the accomplished one,” as though her sisters were not and she herself has nothing more to offer than the ability to entertain. The sisters are only one generation removed from the clay pits of Cornwall, so their father has been rigorous in seeing that they are brought up to be gentlewomen. With one sister a painter and the other an amateur sculptor, all of the girls have their talents, but Rowena wants her reputation in the parish to include more.

In her mind, an accomplished woman doesn’t merely entertain others. She must have other qualities, more than her address or her air. Qualities such as compassion, powers of observation, and an ability to make decisions quickly in the service of others. Don’t you think that an accomplished woman looks, in fact, far more like Anne Elliot in Persuasion than like Caroline Bingley? As for my Rowena, her real talent is in the herb garden, making cures for their tenants and anyone else in need. She’s learning from an old herbwoman with a dodgy reputation, which means she has to be discreet about her mentor. I had a little fun with expectations when I revealed the herbwoman’s true identity, forcing the hero to acknowledge that he has to appreciate people for who they are, not who they seem to be—and that includes Rowena.

What do we expect from a modern woman, I wonder? What do we consider accomplishments, or do we even think of them in those terms? For instance, I learned to sew when I was five, was cooking my own breakfast and making my own clothes by ten, babysitting the neighbors’ children by twelve, and taking the train to another city to visit by fifteen. To my family, these kinds of accomplishments were normal. (I never could master the washing machine, though, and to this day wonder why they don’t all look the same so you can figure them out!) Piano lessons were a luxury, but in my parents’ minds, music was a necessity; art not so much. So I didn’t begin to learn to paint until I was in my fifties. But while I think self-expression and a good education can round out a character and give it direction, people still can develop those extra qualities that are not so much observed, as felt by others. Care and compassion. A sense of humor that doesn’t depend on someone else’s humiliation. A world view that values the bus driver or the auto mechanic as much as the professor (spoken as the daughter and sister of auto mechanics).

And unlike in fairy tales, where the angelic heroine is given everything she wishes for simply because she’s angelic, an accomplished woman is happy to work out her own ambitions, sharing what she learns and how she grows with the people around her. In the expression of her talents and her personality, she can make the world a better place. And in that, I think, no matter the size of our sphere of influence, we all have the ability to be accomplished women!

Charlotte Henry - author photoCharlotte Henry is the author of 24 novels published by Harlequin, Warner, and Hachette, and a dozen more published by Moonshell Books, Inc., her own independent press. She writes the Rogues of St. Just series of Regency romances, and as Shelley Adina, writes the Magnificent Devices series of steampunk adventure. She holds an MFA in Writing Popular Fiction, and is currently at work on a PhD in Creative Writing at Lancaster University in the UK. She won the Romance Writers of America RITA Award® for Best Inspirational Novel in 2005, and was a finalist in 2006. She appeared in the 2016 documentary film Love Between the Covers, is a popular speaker and convention panelist, and has been a guest on many podcasts, including Worldshapers and Realm of Books. When she’s not writing, you can find Charlotte sewing historical dresses, traveling for research, reading, or enjoying the garden with her flock of rescued chickens.


5/25/2016

Six Fun Secrets about EXILE FOR DREAMERS

The Get Lost Crew is ecstatic to have Kathleen Baldwin return to share about her newest release. 

Book Two of the Stranje House Series

In the Regency era, young ladies were expected to dress in soft pastels and purr politely like weak kittens.

Not Tess Aubreyson, the main character of EXILE FOR DREAMERS. She doesn’t do the expected. Every morning before the sun comes up, she runs.

Tess can also throw a dagger better than most men, and she can scale a wall if the need arises, because Tess is one of the extraordinary young ladies in A SCHOOL FOR UNUSUAL GIRLS.

The Stranje House novels are about a handful of girls who didn’t fit into Regency England’s rigid high society – and a shrewd headmistress who is turning these gifted young ladies into spies in the war against Napoleon.

Kathleen Baldwin, spills Six Secrets about 
EXILE FOR DREAMERS

1.    1. Tess is fearless because she has to be. Her prophetic dreams would drive a weaker person to madness. Sadly, Tess doesn’t realize the depth of her inner strength. She’s afraid she’ll succumb to the same madness that took her mother’s life.

The book opens with Tess explaining why she runs:

“I run to escape my dreams. Dreams are my curse. Every night they haunt me, every morning I outrun them, and every evening they catch me again. One day they will devour my soul.
But not today.”

2. A fun secret about the Stranje House series as a whole is that producer, Ian Bryce, optioned it for film. He produced Saving Private Ryan, Spiderman, Transformers, Almost Famous, and many others. We are all thrilled and excited about that.

3. In my mind, Tess looks a lot like this actress, Ryan Newman, except Tess might look a little bit more rugged.

4. Tess communicates with animals using an old language that her mother taught her. That language is based on a version of almost forgotten ancient Welsh. I am part Welsh, but actually got the idea for this from an American Indian friend of mine, Kathy Redwing. Kathy and I worked on a dude ranch in Northern Arizona and she talked to our horses using her native language, which was Apache.

5. There are many dreams in the book, but several were edited out of the story. For instance, in an earlier version Tess and Napoleon share a dream sequence. In real life, Napoleon had a deep interest in dreams, and apparently had experienced meaningful dreams. He was obsessed with trying to decode their meanings. Supposedly, he had an ancient Egyptian oraculum that he consulted.

6. Obviously, dreams play prominently in the theme of EXILE FOR DREAMERS. Tess struggles with prophetic dreams. Sometimes they are literal, other times both she and the reader must work to decipher them. I created a new stamp to take with me to signings.

To celebrate the release of this latest book, I’ll be giving away a copy of EXILE FOR DREAMERS. Giveaway will end Monday, May 30th...so enter daily.

My Social links:
Website   Twitter @KatBaldwin   Facebook   Pinterest    Amazon   Google+ 
Sales links:
Amazon Hardback    Amazon eBook     Barnes& Noble     iBooks 

My Question for you is – have you ever had a dream that warned you of future events? Or one that helped you navigate some important aspect of your life? I’ll admit that I have.

9/02/2014

#GetLostInAStory 's guest is Elizabeth Essex on Desert Island Living #Regency #historical

Welcome to Get Lost in a Story and to our special guest, Elizabeth Essex!

         Elizabeth Essex is the award-winning author of the critically acclaimed Reckless Brides series of  historical romances for St. Martin’s Press. She is the award-winning author of the critically acclaimed Reckless Brides series of historical romances for St. Martin’s Press. Her books have been nominated for numerous awards, including the Gayle Wilson Award of Excellence, the Romantic Times Reviewers’ Choice Award, and RWA’s prestigious RITA Award, and have made Top-Ten lists from Romantic Times, The Romance Reviews and Affaire de Coeur Magazine, and Desert Isle Keeper status at All About Romance. Her fifth book, A BREATH OF SCANDAL, was awarded Best Historical in the Reader’s Crown 2013.
         When not rereading Jane Austen, mucking about in her garden, or simply messing about with boats, Elizabeth writes, and has done so for over twenty years. She graduated from Hollins College with a BA in Classics and Art History, and then earned her MA in Nautical Archaeology from Texas A&M University. While she loved the life of an underwater archaeologist, she has found her true calling writing historical romance full of passion, daring and adventure.

Vicki: Hi, Ms. Essex and welcome to Get Lost In a Story.
Elizabeth: Thanks, Vicki. I love visiting with the whole GLIAS crew here!

Vicki: You have taken your readers on some big adventures in your Reckless Brides series. Where are we going this time? 
Elizabeth: We are going to a deserted island in the South Pacific! How’s that for adventurous? Many readers may already know that long before I ever put pen to paper, or fingers to keyboard as a romance novelist, I was a nautical archaeologist—an underwater archaeologist who studied and excavated
shipwrecks. Blame it on late night readings of Robert Louis Stevenson’s Treasure Island and Kidnapped, or on too many National Geographic Jacques Cousteau specials as a kid, but I have long wanted to combine my archaeologist past with my romance novelist present by writing a shipwreck story. So with A SCANDAL TO REMEMBER I got to write a romantic adventure of shipwreck and survival. (Was their survival in doubt? This is a romance novel, after all. :) )

Vicki: How much of your own experience and background as an archaeologist ended up in the story? 
Elizabeth: A lot! One of the greatest pleasures in writing A SCANDAL TO REMEMBER, was that I not only got to depict the lethal drama of the shipwreck, but I also got to strand my hero and heroine alone together on a deserted South Pacific atoll. This was familiar territory for me, because I had spent many field seasons much the same way, in remote, inaccessible camps, or on uninhabited islands in various parts of the world.

Vicki: Oh my, Ms. Essex! Being in a remote camp sounds a tad dangerous. Your heroine, Jane Burke, must be very intrepid! 
Elizabeth: Jane is a lot more intrepid that I ever was—after all I had some modern conveniences, like a satellite phone for emergencies, and an entire crew to keep me safe and fed—my hero and heroine have only themselves. In A SCANDAL TO REMEMBER, Jane Burke is a conchologist, a bluestocking scientist in a time when women scientists were not the norm. She succeeds against the disapproval of both her family and society because she simply does her job better than anyone else. It was really fun to try to create a heroine who was a lot like the archaeologist I used to be—determined and really well-prepared. I had Jane spend hours and hours planning out the details of her field project, and carefully packing her fragile equipment for transport, because that is exactly what I used to do—plan excavations and purchase equipment, repair mosquito netting and seal tarpaulins, test and ship scuba equipment for an entire camp full of working archaeologists and students for the long May to September field season.

But the thing that I really have in common with Jane Burke is that I thought that working in my chosen field on a remote island was the best job in the whole wide world, and the most fun imaginable!

Vicki: And obviously, you translated all your wonderful experiences into your books. Tell us about your hero. Is he another of your Royal Navy officers?
Elizabeth: You know me so well, Vicki. He is! Lieutenant Charles Dance is a character who made his first appearance in the Reckless Bride’s world as a midshipman in the first book of the series, ALMOST A SCANDAL. Now, in A SCANDAL TO REMEMBER he is in charge of the run-down ship that will take an expedition of the Royal Philosophical Society, including our bluestocking lady scientist, Miss Jane Burke, to the Islands of the South Pacific. Unfortunately for our hero, nothing, with the exception of the surprisingly lovely Miss Burke, goes right. Storm, sabotage and shipwreck ensue!


A wee excerpt:
         Dance awoke to the terrifying feeling that he was alone. Empty and depleted.
         Jane was gone.
         The clawing pressure building in his chest might have felt like panic, if he allowed it to be. He lurched to his feet, only to find himself unsteady. He raised his hand to shield his eyes from the glare of the watery gray sunlight.
         The yellowish cast to the western sky that had obscured the sun for days still made him feel uneasy. He’d been at sea for more years than he liked to count, and sailed the Pacific twice before, and he’d never seen the like.
         But the truth of the matter was that his unease was not due to the strange weather, but from the fact that Jane Burke, who had clung to him as tenaciously as one of her precious barnacles for uncounted nights, was gone.
         She was nowhere nearby. She was not within his sight.
         “Jane.” He staggered toward the boat, hoping that she had taken shelter within its familiar confines. But the pinnace was empty. More than empty—items were missing. The line that had been the main sheet, controlling the sail, was gone, as were many of the tightly packed supplies. “Jane!” he bellowed.
         That was panic, cracking his voice wide open like a boarding ax.
         “Dance!”
         Dance turned a full circle to see her running—tearing up the beach at him as if a tribe of spinster-scientist-eating cannibals were after her.
         No. There were no cannibals.
         And she was smiling.
         She was running toward him as if she hadn’t just spent however many days it had been in a small boat in the middle of the Pacific Ocean. Her feet were bare in the sand. He could see her small toes, and her white, white ankles and shins where she had tied her skirts up to keep them out of the water. Her hair was streaming loose on the breeze.
         Everything that had heretofore seemed so buttoned up and battened down was coming gloriously undone. The drawn, coughing girl of the boat was gone, and left this glowing creature in her place.
         When she reached him she held out her hand and offered him a handful of shells, as if she were giving him rubies and pearls, or manna from heaven. Or better yet, carpentry tools with which he might fix the broken boat.
         He looked again at the contents of her outstretched palm. Shells. But she was beaming at him as if she were ecstatically happy.
         Happy. Shipwrecked only God knew where in the middle of the ocean.
         “It’s unbelievable.” She was breathless with her joy. “You won’t believe what I found. Tridacna gigas. Giant bivalves. Clams as big as a breadbasket.” She spread her arms to indicate the monstrous size. “And more than that. A Venus comb murex, Murex pecten, and another murex, I think, but that I’ve never seen before but it’s definitely a gastropod mollusk with a very wide operculum. And this whelk of the Triton type that I’ve never seen anywhere but is definitely some sort of Cabestana. Oh, Dance. It’s—”
         Dance thought her face would split in two with the width of her smile.
         And then she hurtled herself into his arms, wrapping her arms around his back, and sighing into his chest. “Oh, Dance. It’s heaven.”
         Heaven. Impossible.

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Elizabeth: What about you? Do you think you could survive on an uninhabited island with a group of people? Or how about with just your one and only? Would the two of you, and your love  survive?