From Tablecloth to Travel: A Handmade Top for Morocco

I have been sewing again with an old embroidered tablecloth. This one was not a family heirloom, but I must have bought it from a charity shop, I think. So long ago I can't remember where, and like lots of other pieces of fabric it has been tucked away in a box, awaiting its turn. 

 

For this project I have used my go-to pattern: the Ethel Ruffle Blouse, from Tiana's Closet. Once again I put seams down the centre front and back to give the top some symmetry. My favourite section is the back, and after all it is good to look stunning as you walk away. 

 

Again I had to use the last bits of my plain tablecloth for the bottom section, and have not put any gathers, as that is what my daughter prefered.

 

 

Same v-neck, and this time I made it without sleeves, and improvised some facing pieces to finish the armholes neatly. Below is a corner of the original tablecloth. 

The top is already in the post to my daughter, who is off on holiday to Morocco next week. I am hoping she may send me a photograph of herself wearing it, but that may not happen. 

And no, the fez perched on top of my dressmaking model isn't because of the Moroccan theme. It's lived there ever since a New Year’s Eve a few years back, when—after watching Squeeze on a Hootenanny—we thought it’d be hilarious to order a fez as our first act of the year. Possibly too much champagne was involved.

Embroidered Tablecloth Blouse

This is a project I've been thinking about for a long time. I have a collections of embroidered tablecloths - some inherited from my mother, and others I've picked up over the years. I've always planning to sew with them, but the idea of cutting into these precious fabrics - and possibly getting it wrong - kept holding me back.

At last, though, I have got sewing, and I'm really happy with the result. I used the Ethel Blouse pattern, which I had sewn a few weeks ago from some old curtain fabric. I particularly like this pattern, as no tricky buttonholes or zips.

I made a few alterations to accommodate the embroidery layout, and the limited amount of fabric I had. So there is now a central seam at the front and back panels. This meant I could position the embroidery symmetrically. I also decided not to gather the peplum. A few reasons for this: first, I didn't want the gathering to obscure the embroidery, which is the highlight of the piece; second, I really was short of fabric; and finally, a peplum apparently makes me look like I may be pregnant, according to my husband! Cheeky.

I was a little nervous about cutting into the embroidery. Might it come unravelled? But by carefully placing the pattern pieces, I managed to avoid cutting through most of the embroidered sections. And by french seaming throughout, I managed to enclose all the raw edges. I really do love a french seam. 

The sleeves were made from a second tablecloth, which I bought in a charity shop for £2. I did consider using a contrasting colour fabric, but in the end, I stuck with white to keep the blouse cohesive—and true to the tablecloth theme. I love the sleeve design in this pattern, so I was glad I could keep that detail.

I think my mum would be really pleased to see her embroidery given a new life like this. And now, after seeing my blouse, my daughter has asked me to make her a sleeveless version. Luckily, I have another tablecloth in mind that I think will be perfect.

1950s Curtain Fabric

 

I saw this fabric in a vintage sale in Tavistock Pannier Market recently. Original 1950s curtain fabric of barkcloth - cotton with a bit of texture.  I really liked it, but then I dithered! I am a bit of a ditherer sometimes. Not sure if 1950s would look right in our cottage. When I got home I really regretted not buying it, as I want to make some new cushions, and my husband is a bit anti-floral, but I thought this would be an interesting compromise. 

Luckily though someone on my printing course knew the name of the stallholder, and with a bit of searching on Instagram I found and contacted her. She brought the fabric back to the market for me next time she was there. Sometimes the web is really useful. The cushions aren't made yet, as I need to get zips and perhaps a different fabric for the back.

Morris Traveller Number Two

 

It seems a long time since I wrote about the morris traveller that I made my mother-in-law for Christmas. You can read about that one here.

I thought the pattern was almost ready to publish, and have taken a break from the granny squares to do another test knit. Thank goodness I decided to do this, as while knitting this second version I have had to make changes and additions. I somehow had lost my instructions for the wings, so had to work this out again. I have spent a lot of time looking at this little car with my husband, and discussing the curve of the bonnet, the depth of the windows, is the back boxy enough etc. etc.

I am fairly happy with the result, except that compared with the first car this one just seems a bit too wide, and the back view (which I am not going to show) doesn't seem right. So there is going to be a morris traveller number 3 (perhaps I am think blue, or maybe burgundy). Hopefully this next one will be perfect, and I can publish the pattern.

Bridesmaid Dress

I made this post a few weeks ago, and some how forgot to post it. We have all gone a bit wedding mad here in the UK, so it seems like the right time.

I read a very interesting post on Sum of Their Stoires, about sewing with vintage patterns. One of the patterns looked familiar to me, so I had a look through the old patterns I have in my sewing box. I was mistaken, as it was not quite the same pattern, but clearly from the same series. 

And since my sister and I have been sorting through the family photos, I thought you might like to see me in the bridesmaid dress. I was bridesmaid for my cousin. I also still have the dress hung up in a wardrobe, and my daughter wore it for a while when she was the right size. 

I think I might be giving away the fact that I am a bit of a hoarder!

Just a reminder that my Ginx Woolly Linx party for May is still running. Click on the photo above or at the top of the page to find the party. I would love to see what you have been working on this month.

Vintage Caravan

This week I made one of my vintage caravans for an Etsy customer. It is always a bit odd for me when I return to one of patterns that I wrote a while ago. Did I really do that? But it turned out the same as my original caravan, which is always reassuring.

You can find the Vintage Caravan Pattern here, which also explains how you can make a caravan keyring. I still have a few of these and other transport keyrings in my Etsy Shop.

London Routemaster Bus

Finally, my new pattern is done. This really has been a labour of love. I have spent so much time thinking about buses, looking at vintage routemaster buses, and writing up the pattern that I am probably going to do something fairly simple and from someoneelse's pattern for my next knit. 

I had the idea to knit a vintage London bus after my trip at the end of last summer to a Vintage Bus Rally, as well as a school visit to the London Transport Museum. But even more so than ever, the details had to be just right. The windows and doorways had to be as close to the original as I could get. These buses can still be seen in London, but have mostly been replaced by the modern version. It also had to have the little platform at the back, so you could naughtily stand holding on to the pole and jump on or off between stops.

You will see that I have knitted two buses. One was the my prototype, but then I always feel I must test my pattern out a few times. (I will probably knit another soon, but at the moment I am completely bused out.) The No 9 was my regular bus to work, when I lived in Hammersmith and worked near The Aldwych. I spent a lot of time on the No 9, reading a book or gazing dreamily at Hyde Park or the shops in Kensington High Street. So that one is for me, and the other was meant to remind my husband of his route to work when he first came to London, from Kensal Green to Aldwych on the No 6.
 

The pattern is available on ravelry, Craftsy and Etsy. I have to say this is not a knit for the faint-hearted. The pattern is eleven pages long. Only attempt it if you really like colourwork. There are charts for the side panels and back and front sections, which I think are fairly easy to follow. I have also written out fully the details for each row, though I think if you fairly experienced you could just work from the charts.

 
I have left the advertising panels at the sides blank. I was very tempted to embroider the words Ginx Craft, but these buses are chugging off to my Etsy shop with the offer that I will embroider on whatever the buyer wishes. So here for now are a few more photos of my London buses.
 

Vintage Caravan Magazine

I was delighted to get an email from Anne in Australia, who had seen my caravan keyrings in Vintage Caravan Magazine. (Facebook Page is Here) One of them now holds the keys to her lovely vintage caravan, which was exactly the sort of thing I was hoping for. She sent me some photos too. Isn't it cute. I love the coordinated inside, as well as the silver and wood on the outside.

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And here is my own retro girl reading the magazine! You might also notice her new dress, which I am going to write about on a separate post. I have also been scanning the pages of Vintage Caravan Magazine and daydreaming of having my own little home on wheels one day.

Vintage Caravans

I've been mulling over this idea for a while. A knitted vintage caravan. Henrietta my 2CV was a curvy car, and that led me to think if I could knit some other curvacious vehicles. Knitting doesn't really lend itself to being angular. What is more curvy that a vintage caravan?

I thought this caravan would make either a really cute toy or ornament, or perhaps be useful as a pincushion. But the pattern also contains instructions for a simpler version where you only knit one side and make it into a keyring for your caravan keys. These few will be for sale in my Etsy shop. I think they are so cute and would now quite like my own vintage caravan.

When I think of a new idea for a knit, I normally go through a similar process. I do a very quick look on the knitting websites to see if anyone has already had my idea. If there are lots of really good patterns, I usually stop then. What can I add to this? But with my vintage caravan I really couldn't find anyone who has knitted anything quite like this. (Apologies if I have missed someone's brilliant knit.) Then if there are a very few, or no patterns, I say hurrah!  Although this may mean that I am designing things that are so quirky very few people want to knit them. I would love to be able to come up with something that is both quirky, unique, and popular. But "chin up" I say. Caravans are one of the popular things I can think of, and who does not love a retro vintage caravan

The pattern designing process then usually involves me sitting and knitting with a notepad by side. I then type up a first version, and after that I amend, and amend and amend ... But I always feel a lot happier when I have that first typed draft, even if I know I am going to have to alter and change a lot. 

These caravans are knitted with doubleknit, and quite a fine needle 2.5mm. This was because I wanted all the pieces to be firm, so the overall caravan wouldn't bulge too much. Everything is knitted on two needles (even the wheels). The finished caravan is quite small (8cm long and 7.5 cm tall). I am thinking of knitting a little car that would be to scale and could go infront.

My Family Heirloom

I've been saving this post for a rainy day (i.e when I have nothing else to write about). I made this patchwork quilt a lot of years ago, and until recently it has been hidden in a chest. But finally my kids have passed the years when I have to worry about little accidents, so I thought it was time for it to come out of hiding.

I started making it when I was about 13 years old, and it took the good part of the next 8 years. Part of the reason it took so long was I kept running out of material. The original plan was, I think, to have no repeated fabrics, but if you look closely I do have two or three diamonds of some fabrics. I guess you would call most of the fabrics vintage, like me.

The section I like best is the middle. Partly it is because some of the stitching there is not very good. I got better as the years passed. A lot of the fabrics were from my mum's material bits and bobs box. 

It makes me realize how much sewing my mum did. I can remember most of the outfits that the fabrics came from, and it makes me nostalgic. Can you see the teddybear fabric from my sister's and my aprons? The purple flowers were from a little dress I made at school. Little turquoise flowers on white seersucker was a nightdress. I could go on for hours .... 

I have just remembered that my mum used to make us pretend bills, whenever she had finished a make. We would find the finished item of clothing on our bed, wrapped, and either with a bill from Anna's Dress Shop, or Nancy's Knitting Shop. She did this for years. I think she was trying to make a point ...

So there it is, my family heirloom. Every stitch was done by hand, even attaching the backing and edge ribbon. I slightly regretted using such a simple design, and have a hankering to make another quilt one day, perhaps with a more complicated pattern, and a colour theme. But this quilt was a labour of love for my children, and I'm sure I will not make anything handsewn on this scale again.