Death & The Fool

by Hermitess

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1.
A Line in the sand Where the dark water rose Dividing the time Before and after In another page of the book It’s onion skin pressed close I’m there When you depart My hands on the strings The song of everything unsaid We’re too complicated To accept The simple reality Of death The line bends Revealing a circle Without ends We gazed at the side of the hill eroded Where each bright strip of time is layered as one And even the oldest trees in the forest Each dropped leaf feeds the roots of another one The line is a circle The tide breathes But we still break Our small breaths Until we return
2.
Three Bells 04:00
I understand the large hearts of heroes, The courage of present times and all times, How the skipper saw the crowded and rudderless wreck of the steam-ship, and Death chasing it up and down the storm, How he knuckled tight and gave not back an inch, and was faithful of days and faithful of nights, And chalk'd in large letters on a board, Be of good cheer, we will not desert you; How he followed with them and tack'd with them three days and would not give it up, How he saved the drifting company at last,
3.
Now the green blade rizeth from the buried grain, Wheat that in dark earth many days hath lain, Love lives again that in the dead has been Love is come again like wheat that springeth green In the grave they laid her, love whom men hath slain Thinking that never she would wake again Laid in the earth like grain that sleeps unseen Love is come again like wheat that springeth green When our hearts are wintry, weary or in pain It’s thy love that calls us back to live again Fields of our hearts, that in the dead have been Love is come again like wheat that springeth green
4.
5.
Middle English O Wynter wakeneth al my care, Nou this leves waxeth bare; Ofte I sike ant mourne sare When hit cometh in my thoght Of this worldes joie, hou hit goth al to noht. Nou hit is, and nou hit nys, Also hit ner nere, ywys; That moni mon seith, soth hit ys: Al goth bote Godes wille: Alle we shule deye, thah us like ylle. Al that gren me graueth grene, Nou hit faleweth al by dene: Jesu, help that hit be sene Ant shild us from helle! For y not whider y shal, ne hou longe her duelle. Translation O Winter awakens all my sorrow; Now these leaves grow barren. Often I sigh and sadly mourn When it enters into my thought Regarding this world’s joy: How it goes all to nought! Now it is, and now it isn’t, As if it had never been, indeed! What many a man says, true it is: All passes except God’s will; We all shall die, Though we dislike it. All that seed men bury unripe; Now it withers all at once. Jesus, help that this be known, And shield us from hell, For I know not whither I’ll go, Nor how long here dwell.
6.
Come Back 02:48
Pull the roots out, pull the roots out Shake some dirt off, shake some dirt off I’m transplanting you, and I hope you make it through Get the hacksaw out, get the hacksaw our Cut some branches down, cut some branches down I am pruning you, letting the sun shine through Some cuts are necessary, to grow Even though much later scars still show It’s never meant to hurt, you know Somehow it always does Come back green Waiting in the dark For a little spark I am planting you Knowing you’ll come back brand new
7.
Ariel's Song 00:52
Come unto these yellow sands, And then take hands: Curtsied when you have, and kiss'd The wild waves whist, Foot it featly here and there; And, sweet sprites, the burthen bear. Hark, hark! Bow-wow. The watch-dogs bark. Bow-wow. Hark, hark! I hear The strain of strutting chanticleer Cry, Cock-a-diddle-dow.
8.
9.
After your last breath I was breathing like the sea Waves were rolling endlessly out of you and into me After the last breath Of a body, that made me With all of its dangers, and difficulties Death makes the game of life inadequate It’s the farce we perform while we wait After your last breath I was wondering how to be? What is worth the time now If we’re all put out to sea? But I see you and I know you Though your spoons and cutlery I’m still making a mess of the time I have left And you’re set free Death makes the game of life inadequate It’s a farce we perform while we wait While we wait While we wait While we wait While we wait
10.
11.
Lyrics adapted from a poem written by my maternal grandmother Kathleen “K” Boyd about the death of her eldest son Martin, who was an avid birdwatcher. Melody - J Crighton Jennifer Crighton - Harp, Lead Vocals Chris Dadge - Drums Keith Rodger - Bass Richard Gallant - Hurdy-Gurdy Nathan M Godfrey - Guitar Taryn Craig - vocal harmonies For you, my beloved, there was nothing but springtime, the leaves never fell from the trees The birds never left, there was no desolation Just wonder, excitement, and awe The small woodland creatures, the wide open ocean The sunsets you saw in the north For you were creation, with no delusion You studied, and loved what you saw Time had no pressure when faced with this lesson It lived and spoke to your heart Though we looked and we’re grateful, but dumb to express it And prayed that you might understand The cage where you lived with your pain and restrictions Was peopled within and without You were closer to them than the widest of travellers You gave them your wisdom, yourself The old and the lonely, The wild and misguided And those whose morals were bad Never shrank from your presence or felt condemnation Or turned from a free cigarette You surrendered your ambition Your wealth and position, the choice was not yours, but you smiled As we looked and were grateful, but dumb to express it And prayed that you might understand Come my friend, my companion, and let us be going Nothing here is remaining undone You know, I know that we all will be going It’s time now, you’ve suffered enough.
12.
Swansong 02:30
13.
14.
Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes: Nothing of him that doth fade, But doth suffer a sea-change Into something rich and strange. Sea-nymphs hourly ring his knell: Ding-dong. Hark! now I hear them,—ding-dong, bell.

about

I’ve intended this album as a kind of family tree or memento mori, it collects memories and words and historical details and emotional impressions from various points in my life. Those slightly more culturally and personally anchored moments are contrasted with moments of pure improvisation. The two different forms of musical storytelling represent the dual faces of Death & The Fool.

Dedicated to those who have passed, and specifically in Memoriam for Tim Crighton and Charlene Vescarelli.

Thank you: To all my ancestors present and past for your stories and memories, Tim Crighton, Monica Boyd, Luigi & Charlene Vescarelli, Jennifer Haffenden for her costume mentorship and inspiration, all my wonderful mummer dancers and costume helpers, Kaytlyn for her guidance and leadership with our incredible video, Caitlind for those sells, Heather Saitz For shooting the incredible cover image, Paul, The Grand Theatre’s residency programming staff, the ever inspiring community of my fellow musicians here in Calgary, and always, Danny Vescarell for your continued patience love and support.

credits

released May 1, 2025

Produced by Chis Dadge & Jennifer Crighton

Recorded at Child Stone Studio in Calgary, Alberta
Engineered & mixed by Chris Dadge
Mastered by Elisa Pangsaeng at CPS Mastering

Lead vocals produced & engineered by Elisa Pangsaeng at Vertical Studios in Vancouver, British Columbia

Additional production, recording & mixing by Danny Vescarelli at Highcliffe Sound in Calgary, Alberta

Hermitess Band:
Jennifer Crighton - Harp & Vocals
Chris Dadge - Drums
Keith Rodger - Bass
Richard Gallant - Hurdy-Gurdy & Dulcimer

Additional players:
Aimee Jo Benoit (2, 9); Rebecca Bruton (2, 9, 12 ); Taryn Craig (2, 9, 11); Jeremy Gignoux (2 ); Nathan Godfrey(1,9,11); David Lavoie (8, 10); Matt Swann (2 ); Joleen Toner (2, 4, 7, 9, 14); Danny Vescarelli (1, 2, 3, 8, 9 ); Foon Yap (2 )

Fool Costume by Jennifer Crighton
Front cover image photographed by Heather Saitz

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Hermitess Calgary, Alberta

Hermitess is the project of an aging and slightly reclusive witch, dreaming simultaneously in music and images. Sonically, layered orchestral textures, harmonic voices, and pedal driven magic, all conjuring a fleeting fever dream.

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