Margaret neilson armstrong

The Met Collection API is where all makers, creators, researchers, and dreamers can now connect to the most up-to-date data and images for more than 470,000 artworks in The Met collection. As part of

Signature: "MA" [Margaret Armstrong] at the bottom right of the front cover.Inscription: on front flyleaf in black ink: "Pine Croft Studio-1954"; in blue ink: "Mary Stahl Gear - 1954"

The Met Collection API is where all makers, creators, researchers, and dreamers can now connect to the most up-to-date data and images for more than 470,000 artworks in The Met collection. As part of

The Myrtle Reed series (1899-1913) is most outstanding for Armstrong’s use of white and pink inks, gold and silver tooling and bright lavender cloth. The light color palette paired with Armstrong’s traditional design motifs make this collection unique and bold. The Spinster Book, 1901 Lavender and Old Lace, 1902

Margaret Neilson Armstrong | Pink-purple Orchid | The Met

Signature: In brown ink within image: "MA"Inscription: In brown ink below image: "Penstemon cyananthus"; lower right: "Kaysville. Utah. May 29. 1913"; partically cut off: "Penstemon cyanathus"; lower right: "328" and "22"; verso: "Armstrong"

Inscription: Lower left in brown ink: "Lake Louise. July 14. 1909."in graphite: "Lake Agnes–/ Canadian Rockies / Campanula"lower right in graphite: [large] "9" and [small] "12"

Dave Nalle on Instagram: “Illustrated poem quote by Margaret Armstrong from Elizabeth Barrett Browning’s Sonnets from the Portuguese. Published in 1902 by Putnam and…”

Field book of western wild flowers London,C. [sic] P. Putnam's Sons,1915. biodiversitylibrary.org/page/23988283