Synthetic cubism collage

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By 1912 Picasso and Braque were gluing real paper (papier collé) and other materials (collage) onto their canvases, taking a stage farther the Cubist conception of a work as a self-contained constructed object. That Synthetic phase (1912–14) saw the reintroduction of colour, while the actual materials often had an industrial reference (e.g., sand or printed wallpaper). Picasso Still Life, Picasso Collage, Synthetic Cubism, Cubist Artists, Appropriation Art, Cubist Movement, Cubist Paintings, Maurice Denis, Collage Techniques

By 1912 Picasso and Braque were gluing real paper (papier collé) and other materials (collage) onto their canvases, taking a stage farther the Cubist conception of a work as a self-contained constructed object. That Synthetic phase (1912–14) saw the reintroduction of colour, while the actual materials often had an industrial reference (e.g., sand or printed wallpaper).

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