Saturday Morning Western Pulp: Texas Rangers, December 1954

This is a pulp that I own and read recently. That’s my taped, trimmed, and tattered copy in the scan, but other than being beat up, it’s intact and fully readable. The cover art is by Sam Cherry, as usual during this era of TEXAS RANGERS. It’s not one of his better covers, in my opinion, but it’s certainly not bad. I don’t think Cherry was capable of painting a bad cover.

The Jim Hatfield novel in this issue, “El Diablo’s Treasure”, is by Roe Richmond. I’ve mentioned many times in the past that Richmond’s Hatfield novels aren’t really to my taste, but I read one now and then anyway because he was a pretty good writer otherwise. This one starts out very promising. Hatfield is in Del Rio, on the Texas-Mexico border, and is already in the middle of his current assignment. He’s supposed to accompany a famous archeologist, the man’s beautiful daughter, and a young mining engineer who’s engaged to the girl, as they search for a famous lost mine in the Sierra Madre of Mexico. Not only is there the potential for gold, but the mine also is supposed to be the hiding place for a fortune in gems left there a couple of hundred years earlier.

Unfortunately, the arrangement with Mexico calls for the party to be escorted by a troop of Rurales commanded by an officer who is actually little more than a bandit, and there’s a gang of actual bandits roaming the area where the search is to take place. Throw in the fact that the archeologist’s daughter is a beautiful hellcat with her eye on Hatfield, angering her fiancée, and there’s plenty going on to wind up with Hatfield getting plenty of trouble heaped on his head.

That’s exactly what happens, as Richmond provides plenty of gritty, well-written fistfights, shootouts, and even some epic battles. There’s quite a bit to like in this novel. However, Richmond makes a serious misstep by never providing any sort of interesting backstory for the fortune that’s supposed to be hidden in the mine. It’s just sort of there, with a couple of vague hints that maybe the Conquistadores left it. There’s also no mention of anyone known as El Diablo, let alone an explanation of why it’s his treasure. Was Richmond simply referring to the Devil? Who knows?

My main objection to Richmond’s Hatfield novels is the presence of the annoying sidekicks he introduced to the series. Hatfield is called the Lone Wolf for a reason! Thankfully, although those characters are mentioned once, they play no part in this novel.

Ultimately, “El Diablo’s Treasure” isn’t a bad yarn. But Richmond shares something with Joseph Chadwick: he just doesn’t have a feel for the Jim Hatfield character. Hatfield never really seems like the same person who’s in the novels by Leslie Scott, Tom Curry, Walker Tompkins, and Peter Germano. If this had been a stand-alone with a totally different Texas Ranger, it would have been a better story. As is, it’s worth reading but not a great example of the series.

“War Bonnets in Wyoming” is a cavalry yarn by Gordon D. Shirreffs, one of the best all-around Western writers who was especially good in the cavalry sub-genre. In this one, the captain who’s in charge of establishing a new fort saves the life of a young Shoshone brave who’s being pursued by hostile Arapahoes. Will this be enough to save the lives of the captain, an Indian agent’s beautiful daughter, and a troop of cavalry later on? I think we know the answer to that, but Shirreffs is such a good writer it doesn’t matter. This story doesn’t have a lot of action, but it’s very suspenseful and I enjoyed it.

Harry Harrison Kroll isn’t somebody I think of as a Western writer. He wrote non-fiction about folklore and Americana, and his fiction is usually of the backwoods, hillbilly variety. But he made a few appearances in Western pulps, including the story “Catchers is Keepers” in this issue. It’s not actually a Western, though. It’s about a riverman on the Mississippi who finds a valuable raft and tries to salvage it, only to end up with trouble and a beautiful girl (but I repeat myself). Out of place though it may be, this is a fairly entertaining story.

Frank Castle got his start in the business assisting and ghosting for Western author Tom W. Blackburn, then went on to write dozens of stories under his own name for the Western pulps in the late Forties through the mid-Fifties. After that he became one of the most reliable novelists in the business, turning out books by the score: Westerns, hardboiled crime, nurse novels, soft-core novels, movie novelizations, and a lot of juvenile TV tie-in novels for Whitman under the name Cole Fannin. I’ve always thought Cole Fannin would have been a great Western pseudonym, but Castle chose to use Steve Thurman instead for the Westerns he didn’t publish under his real name. He also wrote some of the Lassiter novels under the house-name Jack Slade. I really like his work, so I was glad to see that he has a novelette in this issue called “Wild Night in Dodge”.

And a wild night it is. Dodge City is past its hell-raising peak since the railhead has long since moved on westward, but plenty of trouble is lurking there anyway for Kelly Shannon, who brings in a herd from Colorado. Before you know it, he’s met a beautiful redhead who looks just like a long-dead lover of his from Texas, he’s been accused of cheating at cards, he’s been blackjacked and knocked out, and he’s had ten thousand dollars stolen from him. And that’s just the start of a night full of fights, shootouts, double-crosses, and nefarious plans.

This is a terrific story, a 1950s Gold Medal Western novel in miniature. It’s got a hardboiled hero, a beautiful girl, and despicable villains everywhere Kelly Shannon turns. Frank Castle developed a very distinctive style that makes his later novels easy to identify, but it’s just in the formative stages here. The story races along and comes to a satisfying conclusion, and it just makes me want to read more by Castle. 

“Bedlam on the Box X” is by Ben Frank, the author of the Doc Swap series and a writer whose work I’ve grown to heartily dislike. This isn’t a Doc Swap story, so I had a little hope for it, but it’s the same sort of cutesy, allegedly humorous story and I gave up on it after a few pages. Ben Frank just isn’t for me, and I think I’m going to stop trying to read his stories. (I felt the same way about Syl McDowell’s Swap and Whopper series and finally warmed up to it, but I don’t believe it’s going to happen with Ben Frank.)

I don’t know a thing about Garold Hartsock except that he published a couple of dozen stories, mostly Westerns and a few detective stories, in the pulps during the Forties and Fifties. His story “Feud” in this issue is a grim tale about feuding families in Oregon and includes a stereotypical Romeo-and-Juliet element. Hartsock’s writing is pretty good, though, and he kept me turning the pages to the end, which was a major letdown. So, not bad, but not particularly good, either.

And that’s a pretty accurate description of this issue of TEXAS RANGERS, too. The Frank Castle novelette is superb, and the Shirreffs cavalry yarn is very good and well worth reading, too. The Hatfield novel is okay if you’re not expecting too much but frustrating in that it could have been much better, although if you just want to sample one of Richmond’s novels, this would be a good pick because the sidekicks aren’t in it. Otherwise, I’d say that if you own this one, read Castle and Shirreffs and skip the rest.

Saturday Morning Western Pulp: Texas Rangers, June 1954

This is a pulp that I own and read recently. That’s my copy in the scan. The cover artwork is by Sam Cherry, who did nearly all of the TEXAS RANGERS covers during the Fifties and always did a great job. This one illustrates, sort of, the opening scene of this issue’s novel.

As far as I’m concerned, there’s a Big Four of authors who wrote Jim Hatfield novels under the house-name Jackson Cole: A. Leslie Scott, the creator of the series; Tom Curry; Walker A. Tompkins; and Peter Germano, the author of this issue’s novel “The Outlaw Nobody Knew”. Germano, who also wrote a lot of very good novels under the name Barry Cord, was the most hardboiled of the bunch. His prose is terse and fast-moving, and there’s no “Yuh mangy polecat” dialect. While I love the standard Western pulp dialogue, I like this approach, too. (Roe Richmond actually wrote more Hatfields than Germano, but I don’t like his novels so I don’t count him as a major Hatfield author.)

Germano really packs a lot of plot and characters into “The Outlaw Nobody Knew”. The mysterious bandit boss of the title has kidnapped the governor’s son in an attempt to keep his brother from being hanged. Hatfield has only six days and the narrowest of leads to find the boy. His search takes him to a mining town in West Texas. At the same time, a young former carnival tightrope walker shows up in town on a quest of his own. Also on hand are a shady gambler/saloonkeeper, assorted gunmen, a hotel owner who quotes classic Greek literature, and an old desert rat prospector who thinks he’s actually a sea captain. There’s so much going on that it’s actually a little hard to keep track of at times, but Germano keeps the story racing along anyway until it arrives at a twist ending that isn’t really that much of a surprise but is very effective anyway.

There’s an oddity about this one in that Hatfield dresses differently than he usually does, sporting a long black frock coat, a string tie, and a flat-crowned black hat. That just happens to be what a character is wearing in an interior illustration which also features another character who looks like Wild Bill Hickok. And Germano specifically mentions that the local marshal resembles Wild Bill Hickok. My hunch is that this illustration existed before the story was written, and Germano made the descriptions match it. No way of knowing, of course, but I’m always suspicious about such things. What’s important, though, is that “The Outlaw Nobody Knew” is a good solid Hatfield novel, not one of the top rank but well worth reading.

Robert Virgil published only four stories, according to the Fictionmags Index. “Rancher’s Woman” in this issue is the first of those. And it’s a really good one, a well-written Western noir about a middle-aged rancher, his younger, beautiful, restless wife, and the world-weary hired hand who signs on. This is the stuff of countless Gold Medal novels, but Virgil distills it down to a few pages and then gives us a surprising, very effective ending. I know I have at least one of his other stories and may go ahead and read that issue soon.

Ben Frank was the pseudonym of a writer named Frank Bennett, who wrote mostly humorous Westerns for the pulps. He had a long series about an old-timer known as Doc Swap, and another about a deputy named Boo-Boo Bounce. I’m not a fan of either of those series. Frank’s story in this issue, “The Champ of Cottonwood County”, is a stand-alone, and while it’s a comedy, it’s not as silly as some of his that I’ve read. It’s a romantic comedy, at that, about a hapless rancher trying to woo the girl of his dreams while ignoring the fact that a female friend of his is prettier and more suitable in every way than the girl he pines after. There’s also a robbery, a fugitive outlaw, an overbearing rival rancher, and a little bit of action before things come to a predictable conclusion. It’s fairly well-written and mildly amusing, and for a Ben Frank yarn, I thought it was pretty good.

I’m a big fan of the cavalry novelettes Steuart Emery wrote for TEXAS RANGERS, and he did quite a few of them. The one featured in this issue is ”The Shooting Sawbones”. The protagonist, John Rawdon, is about to graduate from West Point when an accident leaves him with a permanent bum knee. He can’t serve as a combat officer, but he can become a medical officer, which he does. His first post is an isolated fort in Arizona Territory, and wouldn’t you know it, a series of unusual circumstances leaves Rawdon in command of the fort just as a horde of hostile Apaches show up to attack it. There’s also a girl—there’s always a girl—who, in this case, is the daughter of a bitter retired officer who hates army doctors. Sure, I knew most of what was going to happen in this one, but Emery can really write and his military stories have a definite air of authenticity. Plus his characters often don’t turn out exactly the way you think they will, and he can surprise me now and then with a plot twist. “The Shooting Sawbones” is a very entertaining story and I look forward to reading more of Emery’s work. He wrote hundreds of stories, going back to 1919, many of them aviation and air war yarns in the Twenties and Thirties. I need to sample some of those.

D.S. Halacy Jr. wrote dozens of stories for the pulps and the slicks in several different genres, including Westerns, mysteries, and sports stories. His contribution to this issue, a short-short titled “Family Affair” is about a U.S. Marshal corralling an outlaw, with a twist ending that’s pretty obvious. This is a minor but well-written story that doesn’t pack as much punch as it thinks it does.

Peter Fernandez is another author who published only a few stories, half a dozen according to the Fictionmags Index. “Apache Alibi” is about a shipment of gold on a stagecoach and the various would-be thieves plotting to get their hands on it. Like “Rancher’s Wife”, this is pure Western noir and is about as bleak as they come. It’s a good story, but it’ll leave you feeling a little grubby.

W.J. Reynolds wrote about 120 stories, most of them Westerns, in a career that covered the Forties, Fifties, Sixties, and a little way into the Seventies. “The Devil Walks Loudly” is about a braggart who tries to make himself into a fast gun, an effort that seems doomed to failure from the start. This story is hurt a little by the fact that there’s not a single likable character in it, but it moves along and works fairly well. Reynolds is worth reading, but this one isn’t one of his best stories.

There’s an installment of S. Omar Barker’s “Sagebrush Savvy” column, in which he answers questions from readers (supposedly; who know whether they’re legit or not) and I always enjoy these. Barker was an entertaining writer.

This is a good issue of TEXAS RANGERS. While some stories are better than others, they’re all worth reading and several of them are very good. The pulp era was starting to wind down by this point, but there was still plenty of good reading to be found among the ones that survived that long.

Saturday Morning Western Pulp: Texas Rangers, March 1948

This is a pulp that I own and read recently. That’s my copy in the scan, with another fantastic cover by Sam Cherry. He was really at his peak during this era. Earlier this year when I reviewed the April 1950 issue of TEXAS RANGERS, one of the members of the WesternPulps email group commented that the Jim Hatfield novel in it, “The Rimrock Raiders”, sounded similar to the Hatfield novel in the March 1948 issue, “The Black Gold Secret”. So I had to find my copy and read that one, too. Now I have.

“The Black Gold Secret” and “The Rimrock Raiders” are both by A. Leslie Scott writing under the Jackson Cole house-name, so it’s not surprising that they’re similar. The basic concept—clashes between cattlemen and oil drillers who have moved into what was previously a ranching area—are the same, and Scott used that plot foundation in other novels, as well. But the details in “The Black Gold Secret” are different and it’s an equally entertaining yarn. Early on in this one, Hatfield extinguishes a burning oil well, something that he also does in “The Rimrock Raiders”, but does so in a totally different manner—and it makes for a slam-bang, very exciting scene, too. Scott layers in some geology and behind-the-scenes stuff about the oil industry and also provides plenty of shootouts and fistfights along the way. The vivid descriptions that are a Scott trademark are there but rather limited, as he keeps this one really racing along. Of course, there’s more going on than is apparent at first, but you know Hatfield will untangle all the villainy by the end, and it’s a pretty spectacular climax, too, as the main bad guy meets his end in an unexpected way. I had a great time reading this novel, and I’m sure I’ll be reading another by Scott before too much longer.

Tom Parsons was a Thrilling Group house-name, so there’s no telling who wrote “Gun Trail”, a short-short about a Texas Ranger doggedly tracking down a horse thief and murderer, only to find that things aren’t exactly what he thought they were. There’s not a lot to this story, but it’s short and punchy and enjoyable.

I started out not liking Joseph Chadwick’s work very much, but he’s won me over and become one of my favorite Western writers. I think he’s one of the best of the more hardboiled Western authors who rose to prominence in the postwar years. His novelette in this issue, “The Blizzard and the Banker”, is excellent. It’s about a small town in Dakota Territory trying to survive a hard winter. The local banker is the hero of a Western story, for a nice change, but there are several other good characters including an outlaw who’s maybe not quite as bad as his reputation would have you believe, a beautiful female faro dealer, and assorted villains. Chadwick does a fine job with the interactions of these characters as well as his depictions of the harsh weather. Just a really, really good story all the way around.

Allan K. Echols was one of those workmanlike writers who filled up the pages of Western, detective, and aviation pulps with hundreds of stories during a 30-year career (mid-Twenties to mid-Fifties; he passed away in 1953 but still had new stories coming out a couple of years later). He also wrote more than a dozen Western novels. And yet I’ve never run across anybody who proclaims themselves a big Allan K. Echols fan. His story in this issue, “Brother’s Keeper”, is an unacknowledged reprint from the January 1938 issue of ROMANTIC WESTERN. It’s not romantic at all, though. Instead, it’s about an apparently dull-witted sheriff who’s trying to figure out which of two rancher brothers is responsible for the murder of one of their enemies. It’s a well-written, solidly plotted story, and I enjoyed it, but I doubt that it’ll stick with me. Which probably helps to explain why Echols is pretty much forgotten even among devoted Western readers.

There’s also a Doc Swap story by Ben Frank in this issue. I’m sorry, but I didn’t even try to read it. I used to say that the Swap and Whopper stories by Syl McDowell in THRILLING WESTERN were my least favorite Western pulp series, but I’ve surprised myself by kind of warming up to them recently. Not so Doc Swap, which by this time had taken over from Lee Bond’s Long Sam Littlejohn as the regular backup series in TEXAS RANGERS. I just don’t find these appealing at all.

However, I’d still say this is a good issue of TEXAS RANGERS. The Hatfield novel and Joseph Chadwick’s novelette are both excellent, and the stories by Echols and Parsons are entertaining. If you have a copy, it’s well worth reading, as far as I’m concerned. And hey, you may actually like Doc Swap, you never know.

Saturday Morning Western Pulp: .44 Western Magazine, February 1948

I don't own this issue, so the information about it and the cover scan come from the invaluable Fictionmags Index. .44 WESTERN MAGAZINE, like all the other Popular Publications Western pulps, had good covers and good authors filling its pages. Robert Stanley did the excellent art on this cover (thanks to Robert R. Barrett for the artist ID), and I think it's the first one I've come across where a pocket watch gets shot, instead of some hombre's hat. Inside this issue are stories by William Heuman, Harry F. Olmsted, Dan Cushman, Tom Roan, Lee E. Wells, Clee Woods, Ben Frank, James Shaffer, and Harrison Colt. I'm not a fan of Ben Frank's work and don't really know anything about Shaffer or Colt, but the others are all dependable Western pulpsters. 

Saturday Morning Western Pulp: Texas Rangers, October 1954

This is a pulp that I own and read recently. That’s my copy in the scan. The art is by Sam Cherry, as usual during this era of TEXAS RANGERS. What’s a little unusual is that it depicts a scene in the issue’s lead novel, which didn’t happen often on the covers of Western pulps. I don’t know if Cherry actually read this issue’s Jim Hatfield novel or the editor or art director told him about the scene, but either way, it’s quite effective.

That lead novel, “The Deepest Grave”, is a good one, too. Texas Ranger Jim Hatfield is sent to the Big Bend area of Texas to investigate the disappearance of a young Ranger assigned to uncover the thieves behind a high-grading scheme at a gold mine. The trail leads Hatfield to the mining boomtown of LaPlata, but only after he’s ambushed and suffers an arm wound, an injury that bothers him for the remainder of this novel, which is also an unusual touch. The story barrels along with almost non-stop action and features some suspenseful scenes in a mine shaft hundreds of feet under the ground. According to the Fictionmags Index, the author of this yarn is Walker A. Tompkins, and while it’s sometimes difficult to tell the difference between the Hatfield novels by Tompkins and the ones penned by Peter Germano, I agree that this one certainly reads like Tompkins’ work. It’s a really solid, enjoyable Jim Hatfield novel.

“Half a Solid Gold Mountain” isn’t exactly a comedy, but the first-person narration has a bit of a lighthearted touch about it that works pretty well. This tale of the dangerous encounter between a prospector and a gang of Mexican bandits along the border is by Frank Scott York. I don’t know anything about the author except that he wrote about three dozen Western and detective yarns for the pulps during the mid-Fifties. This one isn’t a lost gem, but it’s enjoyable.

I don’t know anything about H.G. Ashburn, either, except that he published about a dozen stories in various Western pulps during a short career in the mid-Fifties. His story “The Last Attack” in this issue is the first of those yarns. It’s a good story about a fast gun with a bad ticker and an unusual resolution to a gunfight. I liked it.

I’ve mentioned many times that I don’t care for the Jim Hatfield novels that Roe Richmond wrote under the Jackson Cole house-name. But in recent years, I’ve come to enjoy his stand-alone Western stories under his own name. His novelette in this issue, “Pretty Devil”, is really good. Two former Confederate officers, Sid Conister and Rip Razee, left homeless and broke by the war and Reconstruction, head west to Arizona Territory so Conister can claim part-ownership in a ranch, an interest he inherited from his late wife. When they get there, they find themselves immersed in troubles right out of a Southern Gothic: lurid secrets, hidden crimes, rampaging emotions. Richmond packs enough back-story and plot into this one that it could have been a full-length novel. And actually, it might have been better at that length with more room to develop the complicated story. As is, it’s still great fun to read, and I’ll definitely be on the lookout for more stories by Richmond.

“Fight or Drift” by Giles A. Lutz is a short story about a fiddle-playing drifter with a secret. Lutz was a consistently good writer and this excellent yarn manages to be both gritty and heartwarming.

I’ve also made a number of negative comments about the work of Ben Frank. I generally find his humorous Westerns, including his long-running Doc Swap series, rather unfunny. Even so, I always give his stories a try, and in “Not the Marrying Kind”, his contribution to this issue, he proves that he can write a lightweight but fairly straightforward Western yarn. It's the tale of a young rancher who has to contend not only with a pretty blonde who has her sights set on marrying him but also an escaped outlaw who blames our protagonist for him being captured and sent to prison in the first place. It’s cleverly plotted with Frank planting some stuff early in the story that pays off later and may well be the best thing I’ve read by Ben Frank.

Overall, this is an outstanding issue of TEXAS RANGERS with not a bad story in the bunch and a good Sam Cherry cover, to boot. If you have a copy on your shelves, it’s well worth reading.

Saturday Morning Western Pulp: Thrilling Western, July 1952

This is a pulp I own and read recently. That’s my copy in the scan. The cover is credited on the Fictionmag Index to Sam Cherry, and after looking at the faces, I do believe it’s Cherry’s work, but it’s also kind of an atypical cover for him.

It's also a little unusual that the lead novella in this issue, featured on the cover, is a story by an author who had never appeared in the pulps before. In fact, “Blood on the Lode” is one of only two stories credited to James D. Pinkham in the FMI. A novelette by him appeared in MAX BRAND’S WESTERN MAGAZINE in 1953. I wondered briefly if the name was a pseudonym for a better-known Western writer, but I decided that probably wasn’t the case. Pinkham’s style is distinct enough that I don’t recall encountering it under any other name.

And it’s a maddeningly frustrating style, too. The story is one that hasn’t been done to death in Western pulp fiction and is reasonably accurate historically, too. In 1853, a pair of California Rangers are sent to a mining boomtown to clean up the lawlessness there. The heroes, Luke Corbin and the Alamo Kid, are Texans who rode with the Rangers there while Texas was a republic, and they’ve followed their old commander, Captain Harry Love, to California. So far, so good. Corbin and the Kid are fine protagonists. In their new job, they’re up against a crooked judge and a gambler/saloon owner who’s the mastermind of a gang of claim jumpers. Or is he? His beautiful, redheaded partner in the saloon is known as the Flame and has some secrets of her own. This is good stuff, and it’s done well in stretches with some great action scenes.

But then everything lurches to a halt as Pinkham spends several columns of dense prose summing up his character’s activities. Corbin wanders around talking endlessly to various characters, and Pinkham doesn’t even give us interesting dialogue, just dry recaps of what’s being discussed. Then we’re off again on another well-done ambush or shootout, but the previous scene has robbed the story almost completely of any momentum. He keeps up this pattern all the way through the story.

Despite those flaws, there’s enough to like in “Blood on the Lode” that I wish Pinkham had written more. He could have been a promising author.

I’ve never cared for Ben Frank’s work, although the readers must have because his Doc Swap series of humorous stories ran for a long time in TEXAS RANGERS. His story in this issue of THRILLING WESTERN is a stand-alone, “The Lucky Horseshoe Case”, in which a couple of cowpokes try to become private detectives. I told myself to give it a fair chance, but it’s just awful and I only made it through a couple of pages.

The “Man’s Business” referred to in Gile A. Lutz’s story of the same name is a gunfight between two ranchers over a waterhole. However, things don’t turn out as you might expect. This is a pretty minor story, but Lutz was a solid pro and makes it readable and entertaining.

“There’s Trouble in Hardpan” is the third Swap and Whopper story by Syl McDowell that I’ve read recently. This is another humorous series that I never liked, but for some unfathomable reason, I’ve started enjoying them. Tastes change, I guess. This novelette finds the two drifting protagonists running across an orchard in the middle of the desert and clashing with a cantankerous veterinarian. As always, it’s lightweight stuff, but it moves right along and is mildly amusing.

Steuart Emery wrote a lot of excellent cavalry stories for various Western pulps, most of them appearing in TEXAS RANGERS. But there’s one in this issue of THRILLING WESTERN called “Phantom Sabers”, and it’s the usual top-notch job from Emery. It features a clash between a bookish young lieutenant and an overbearing captain and winds up with a very clever twist when a patrol is surrounded and on the verge of being wiped out by Apaches. As far as I know, Emery never wrote any Western novels, which is a shame.

This issue wraps up with “Chalk Butte Conflict”, a novelette by Ben T. Young in which a Texas cowboy wins a Wyoming ranch in a poker game. He’s too fiddle-footed to settle down, so when he arrives in Wyoming, he plans to sell the spread as quickly as he can and move on. The foreman who works for the local cattle baron rubs him the wrong way, though, and the cattle baron has a beautiful daughter (what cattle baron doesn’t?), so our protagonist decides to stick around for a spell and trouble inevitably erupts. I don’t recall if I’ve ever read anything else by Young, who wrote around a hundred stories, mostly Westerns, during the Forties and early Fifties, but this is a very good story, told in an appealing breezy style, with a likable protagonist and plenty of action. It ends this issue on a high note.

So this issue of THRILLING WESTERN is a mixed bag with no truly outstanding stories but a couple of very good ones, several that are entertaining, and only one clear miss, as far as I’m concerned. It’s about as middle-of-the-road as you can find for a Western pulp, but I enjoyed reading it.

Saturday Morning Western Pulp: Texas Rangers, March 1946

This is a pulp that I own and read recently. That’s my battered, scribbled-on copy in the scan. When I see a math problem written on a cover or in a book, I can’t help but wonder about the person who wrote it and what they were trying to figure out. I like that vague connection with previous owners/readers of the book or pulp. At any rate, I think the cover art is by George Rozen. It sure looks like other Thrilling Group Western covers attributed to him.

The Jim Hatfield novel in this issue, “The Empire Trail”, is by A. Leslie Scott writing under the house name Jackson Cole. There’s no question this is Scott’s work, as the story revolves around plot elements he used over and over: smugglers bringing contraband over the border from Mexico in pack mule trains; owlhoots under the command of a mysterious mastermind trying to stop the railroad expanding into a new area; an underground stronghold from which Hatfield has to escape; Hatfield working undercover and not revealing that he’s a Ranger; and multiple suspects for the true identity of the outlaw boss.

So if you’ve read other Hatfield novels by Scott and liked them, you ought to like this one, because even though the plot is familiar, he’s really at the top of his game as far as the writing goes. I love Scott’s work because of the vivid (some might say florid) descriptive scenes and the over-the-top action scenes. “The Empire Trail” is full of both. The pace races along, and for once I was truly uncertain for a while who the villain would turn out to be. Usually, I can pick him out as soon as he appears. This is top-notch Scott and Hatfield, the kind of pulp Western yarn I’ve been reading and enjoying for close to 60 years, and I had a great time with it.

The Hatfield novel is long enough that there are only two short stories in this issue, “Doc Swap’s Fiddle Talk” by Ben Frank and “Things Happen in Threes” by Barry Scobee (the only pulp writer with a mountain named after him; you can look it up). I’m not a fan of the Doc Swap series, but I read this one, which features Doc Swap’s dangerous encounter with a bank robber, and it’s okay. The Scobee story is about a superstitious rancher and a drought, and it never engaged my interest at all. Reading these sure made me miss the days when Lee Bond’s Long Sam Littlejohn stories were the regular back-up series in TEXAS RANGERS.

So if you have this issue, you can safely skip the short stories, but you definitely should pull it down from the shelf and read “The Empire Trail”. It’s one of the best Jim Hatfield novels I’ve read in a while.

Saturday Morning Western Pulp: Texas Rangers, April 1954

This is a pulp I own and read recently. That’s my copy in the scan, with the usual excellent, evocative cover by Sam Cherry.

The Jim Hatfield novel in this issue is “The Seventh Bullet”, written by Walker A. Tompkins under the Jackson Cole house name. Tompkins was the third-most prolific author of Hatfield novels after Leslie Scott (who created the series) and Tom Curry, who between them wrote a little more than half the series’ entire run. Tompkins wrote a bunch of them, though, and the ones I’ve read have ranged from very good to excellent.

By the Fifties, the Hatfield stories were a little grittier and more realistic than the ones from the Thirties and Forties, and “The Seventh Bullet” is no exception. As it opens, Hatfield is in a West Texas cowtown to pick up a prisoner: a member of a counterfeiting/smuggling ring that has been flooding the country with fake ten-dollar gold pieces. The prisoner also murdered the local sheriff, leaving the lawman’s beautiful blond daughter to pin on the badge and take the varmint into custody.

Hatfield’s mission seems simple: deliver the prisoner to Austin. But of course, things don’t work out that way. The prisoner is rescued by a shadowy gunman wielding a six-shooter that somehow fires seven bullets instead of the usual six. Naturally, Hatfield’s not going to let a prisoner get away, and in the process of going after him, the Ranger sets out to bust up the counterfeiting ring and discover the mastermind behind it.

Tompkins keeps things moving along at a brisk pace with plenty of action, and as usual, he throws in some clever plot twists, too, such as the method the villains use to smuggle the phony coins into the country. “The Seventh Bullet” isn’t in the top rank of Tompkins’ Hatfield novels, but it’s a solid, very entertaining yarn.

Moving on to the backup stories, first up is a short story entitled “The Brass Ring”, by an author whose work I’m not very fond of, Ben Frank. This is a stand-alone, not part of Frank’s two series featuring Doc Swap and Deputy Booboo Bounce. It’s a mild little comedy, the sort of thing Frank specialized in, featuring a good-hearted rancher who’s too much of an easy touch for hard-luck stories and is always broke because of it. It’s really predictable but pleasant enough that I read the whole thing.

“Ride to Tucson” by W.J. Reynolds couldn’t be more of a contrast. This is a grim, violent, suspenseful yarn about a man and woman trying to escape from a band of marauding Apaches in Arizona Territory. I’ve read several stories by W.J. Reynolds and been impressed by them. This is another good one. I don’t know anything about Reynolds except that between the mid-Forties and the early Seventies, he wrote about 120 Western and crime stories for assorted pulps, digests, and men’s magazines. I’m always glad to see his name in a Table of Contents.

George Kilrain was a pseudonym used by one of my favorite Western writers, William Heuman, for approximately 30 stories in various Western and sports pulps in the decade between the mid-Forties and the mid-Fifties. The Kilrain novelette in this issue, “Too Tough”, is, in fact, the final story to be published under that name. And it features one of the most unusual protagonists I’ve come across in Western pulps: a two-fisted, fast-shootin’ ventriloquist. Sad Sam Bones is a vaudeville performer, a comedian and song-and-dance-man as well as a ventriloquist, who travels the West performing with different theatrical troupes and also righting wrongs. In this tale, he helps out a theater owner in a mining boomtown whose shows keep getting sabotaged. This results in a number of fistfights and shootouts in which Sad Sam’s enemies keep underestimating him because, going by his description, he looks a lot like Don Knotts. And how I would have loved to see Don play the part on TV! Anyway, the ending of this story really makes it seem like Heuman intended it to be the first of a series, but as far as I know, it’s Sad Sam’s only appearance. That’s a shame, because this is a great story and I really enjoyed it. (Heuman also used the Kilrain name on two novels, SOUTH TO SANTA FE and MAVERICK WITH A STAR, both published as halves of Ace Doubles.)

You know Gordon D. Shirreffs’ work is nearly always good. He rounds out this issue with the short story “The Hollow Hero”, about a deputy marshal’s clash with a notorious gunman recently released from a 20-year stretch in Yuma Prison. The man claims he wants to go straight and even opens a law office, but are his old killer instincts still there just waiting to be unleashed? This one has a decent plot, some nice action, and a clever resolution. It’s minor Shirreffs, but that’s still pretty darned good.

Overall, this is an exceptional issue of TEXAS RANGERS with a good Jim Hatfield novel, a terrific story by William Heuman, and solid yarns by Gordon D. Shirreffs and W.J. Reynolds. Even the Ben Frank story is inoffensive and mildly entertaining. If you’re a TEXAS RANGERS fan and have this one on your shelves, it’s well worth reading.

Saturday Morning Western Pulp: Popular Western, January 1945

That's some mighty nifty gun-handlin' on this issue of POPULAR WESTERN, courtesy of artist Sam Cherry. I don't recall running across another behind-the-back shot on a Western pulp. POPULAR WESTERN ran quite a few series stories, and that's true in this issue. There's a Sheriff Blue Steele story by Syl McDowell writing as Tom Gunn, a Buffalo Billy Bates yarn by house-name Scott Carleton (possibly Chuck Martin, who has a story in this issue under his own name), and a Fiddlin' Danny tale by Ben Frank. I'll confess, I've never heard of Fiddlin' Danny and don't know a thing about him. One of my favorite authors, W.C. Tuttle, contributes a stand-alone story, as do Chuck Martin and house-names Jackson Cole and Tex Holt. There's plenty here to provide some good reading.

Saturday Morning Western Pulp: Exciting Western, May 1948

Another Old West poker game gone bad in this excellent cover by Sam Cherry! EXCITING WESTERN was a consistently good Western pulp with several different series running regularly in its pages. In this issue there's a Tombstone and Speedy yarn by the great W.C. Tuttle, plus a Navajo Tom Raine, Arizona Ranger story by house-name Jackson Cole. Also on hand are top-notch pulpsters Wayne D. Overholser, Lee Bond, Gladwell Richardson, Ben Frank, and another house-name, Reeve Walker. 

Saturday Morning Western Pulp: Thrilling Ranch Stories, Summer 1950

THRILLING RANCH STORIES was the Thrilling Group's second-string Western romance pulp, but you can't really tell that from the covers and authors, which seem to me just as good as those in RANCH ROMANCES. Take the Summer 1950 issue, for example, which sports an excellent Kirk Wilson cover and includes stories by Leslie Scott (as A. Leslie), Johnston McCulley, Chuck Martin, Frank P. Castle, Walt Sheldon, Ben Frank, and Eugene A. Clancy. Those are all solid, prolific Western pulpsters, and one of them (Scott) is a favorite of mine. Sounds like a good issue to me.

Saturday Morning Western Pulp: Popular Western, August 1948

I think that's the first time I've seen anybody use a shovel for cover during a gunfight. Doesn't seem to be like it would be all that effective, although it seems to be doing the job in this cover by Sam Cherry. This issue of POPULAR WESTERN has a strong group of authors inside, including William Hopson, Malcolm Wheeler-Nicholson, Louis L'Amour, Tom Gunn (probably Syl MacDowell), Ben Frank, Harold F. Cruickshank, Alfred L. Garry, and house-name Jackson Cole. I'm not that fond of some of those writers, but their work was popular and they sold plenty of it.

Saturday Morning Western Pulp: Giant Western, September 1949

This is another action-packed cover from Sam Cherry, one of my favorite Western pulp cover artists (and paperback cover artist, too, for that matter). Inside this issue of GIANT WESTERN are stories by Wilbur S. Peacock, Allan R. Bosworth, T.C. McClary, and Ben Frank, plus classic reprints by Charles Alden Seltzer and Frederick R. Bechdolt. The big guy in the red shirt looks a little like James Arness to me, but this is too early for Arness to have influenced the art, I think.

Saturday Morning Western Pulp: Texas Rangers, September 1952

Art by Sam Cherry

This is a pulp that I own and read recently. The scan is of my copy. TEXAS RANGERS is one of my favorite pulps, and this is a good issue.

It leads off, as all issues of TEXAS RANGERS do, with a full-length novel featuring Texas Ranger Jim Hatfield. “Ranger’s Ransom” finds Hatfield, also known as the Lone Wolf, arriving in a West Texas cowtown to investigate the murder of a rancher who’s an old friend of his, only to find that he’s already been there. Or rather, somebody pretending to be Hatfield has been, and he’s made off with a vital piece of evidence in the case. That doesn’t stop Hatfield from launching his own investigation, which winds up with him being captured by the villains and held for ransom (hence the title). Hatfield, of course, still has some tricks up his sleeve and doesn’t intend to let the bad guys win.

This novel has long been attributed to Walker A. Tompkins, writing under the house-name Jackson Cole. However, now that I’ve read it, I’m not 100% convinced that it’s Tompkins’ work. The writing just doesn’t sound quite like Tompkins to me. It’s definitely not by Peter Germano or Roe Richmond, the other two principal authors on the Hatfield series at this point. Joseph Chadwick also write a few Hatfield novels right around this time, and “Ranger’s Ransom” has a hardboiled tone to it that makes me wonder if Chadwick actually wrote it. It does have the double initials in the title that Tompkins was fond of using, so that’s one point in his favor. But I doubt if I’ll ever know for sure, one way or the other. Anyway, what’s most important is that this is a very entertaining yarn with some good action scenes, and Hatfield’s boss, Ranger Captain “Roaring Bill” McDowell, gets to play a part in the action, which almost never happens in this series.

Thomas Calvert McClary was a prolific pulpster, producing hundreds of stories, mostly Westerns and detective yarns, from the early Thirties on through the end of the pulp era. And after that he contributed numerous stories to the mystery digests in the Fifties and Sixties. His story in this issue, “Long Live the King”, under the name T.C. McClary, is about an outlaw gang on the run and their leader, Tom King, weary of the owlhoot life and wanting to leave it behind. That doesn’t set well with some of the others in the gang and leads to a showdown that also involves a young lawman. This story is predictable and even a little melodramatic, but McClary does a really good job with it, including the epic gun battle that wraps it up.

I’ve mentioned before that I don’t care much for Ben Frank’s long-running Doc Swap series of comedy Westerns, but I read the one in this issue, “Doc Swap’s Reversible Wrangle”, and actually enjoyed it. The series if very formulaic—"Doc Swap is an irascible old geezer who swaps for stuff he wants, and hijinks ensue” is the plot of every one I’ve read—but I guess if you space them out long enough in between, they can be kind of entertaining. Ben Frank, who also wrote under his real name, Frank Bennett, turned out some pretty smooth prose, I’ll give him that.

H.A. DeRosso is another favorite of mine, the author of some of the bleakest Westerns you’ll find. His story in this issue, “For Love or Money”, isn’t as dark as some of his work that I’ve read, but it’s still a compelling yarn about a man whose former partner steals his woman, his ranch, and all his money. So naturally, he’s out for revenge. But not everything is as it seems, and while the twist isn’t very surprising, DeRosso handles it fairly well. This is minor DeRosso but worth reading.

Steuart Emery is another author whose career lasted a long time, all the way from 1919 to 1970. Early on, he wrote almost exclusively for the aviation and air war pulps but eventually came to specialize in Westerns about the U.S. Cavalry. His novelette in this issue, “Manhunt in the Sun”, is about a cavalryman serving in the army under a fake name because he’s wanted for murder. His past is about to catch up to him when he finds himself in the middle of a war with the Apaches and has to decide where his true loyalties lie. This is a superb story told in a gritty, fast-moving style, and it includes a scene most definitely inspired by one of my favorite films, GUNGA DIN. Everything I’ve read by Steuart Emery has been top-notch, and this continues that streak.

Giles A. Lutz was a productive, well-respected Western novelist for many years who started out writing for the pulps. His story here, “Best Man”, is about a romantic triangle, a windmill, and a blue norther. It’s slight but likable.

The same is true of “One Man’s Law”, by yet another veteran pulpster who wrote a lot for the aviation pulps, Robert Sidney Bowen. It concerns a lawman whose search for a murderer takes him back to his old hometown, which he left under less than ideal circumstances, so the protagonist has to face his past as well as corral a killer. Bowen was enough of an old pro to make it slick and entertaining.

This issue also includes several features, among them “Sagebrush Savvy”, a question-and-answer column written by S. Omar Barker, which was the only one that interested me. Barker is always worth reading.

Overall, this is a very solid issue of TEXAS RANGERS, with a good Jim Hatfield novel, Steuart Emery’s excellent novelette, and a variety of other stories that range from very good to okay. There’s not really a weak one in the bunch. If you’re a fan of this pulp and have a copy of this one you haven’t read yet, it’s well worth pulling down from the shelf.

Saturday Morning Western Pulp: Top Western Fiction Annual, 1953

This is a reprint pulp, but what a fine bunch of authors behind that Sam Cherry cover: Leslie Scott writing as A. Leslie, Louis L'Amour writing as Jim Mayo, William L. Hopson, Joseph Chadwick, Larry A. Harris, Gladwell Richardson, and Ben Frank. Even if I'd read some of the stories before, I would have picked up this one if I had a spare quarter in my pocket.

Saturday Morning Western Pulp: Thrilling Western, March 1945

Here's an issue of THRILLING WESTERN with an action-packed cover. I don't know the artist. But the table of contents is full of Thrilling Group stalwarts: Leslie Scott with a Walt Slade novella, Syl MacDowell with a Swap and Whopper yarn, Donald Bayne Hobart, Ben Frank, Cliff Walters, and Mel Pitzer, all familiar names if you read the Western pulps published by Standard Publications. I'm not that fond of some of 'em, mind you, but I've found Scott and Hobart to always be worth reading.

Saturday Morning Western Pulp: Action Stories, Fall 1946

ACTION STORIES didn't start out, strictly speaking, as a Western pulp, since it featured adventure yarns set in many different times and locales, but by this time in its existence it might as well have been a Western pulp since all the covers were Western-themed and nearly all of the stories were. Indeed, in this issue, all the story titles sound like Westerns (with maybe one Northern, a close cousin), and the authors are thought of primarily as Western writers: Les Savage Jr., Giff Cheshire, Joseph Chadwick, William Heuman, and Ben Frank, plus Tom O'Neill (sports stories and Northerns) and house-name John Starr. The cover features another example of a female character dressed anachronistically, which was common on the Fiction House pulps. I hope she didn't have to run on those high heels.

Saturday Morning Western Pulp: Six-Gun Western, August 1950

Another Old West poker game gone bad! SIX-GUN WESTERN being a Trojan Magazines, Inc. pulp, you'd expect a racy cover (check!) and a veritable plethora of house-names (not so much). In fact, Ralph Sedgewick Douglas is the only verified house-name in this issue, although two other authors listed in the Table of Contents, Tom Morant and Henry K. Dallett, are very little known today and published only a few stories, so who knows about them. Otherwise, though, it's a line-up of prolific pulpsters: E. Hoffmann Price, Clee Woods, Clark Gray, and Ben Frank (whose real name was Frank Bennett, a name under which he also published).

Forgotten Books: Hearts of the West - Jean Marie Stine, ed.

As I’ve mentioned here before, I recall seeing new issues of RANCH ROMANCES on the magazine racks in various drugstores during the late Sixties and early Seventies. It was the last true pulp, although by then it was slightly smaller than regular pulp size and had trimmed page edges. I never bought any of those issues, though, because it had “romance” right there in the title, and I didn’t read romances. That’s what my mother read, for gosh sake!

However, over the past fifteen years or so, I’ve read numerous issues of RANCH ROMANCES and have developed a real appreciation of the Western romance. Far from being sappy, many of them have their fair share of gritty action. Romance is a pretty primal emotion, after all, and a talented storyteller can spin a good yarn from it.

HEARTS OF THE WEST is a collection of Western romances gathered from a variety of pulps and a few slick magazines. None of them are from RANCH ROMANCES, and indeed, only one story is from a pulp recognized as a Western romance title, THRILLING RANCH STORIES. But that doesn’t make them any less well-written and entertaining.

The book opens with “Guardian Angel” by Gene Austin, originally published in THRILLING WESTERN, November 1952 as “The Beautiful Guardian”. When I started reading this one, I immediately realized it was familiar, and when I looked it up, I discovered that it appeared in an issue of THRILLING WESTERN I had read and blogged about fairly recently, so I’ll just repeat what I said about it there: “The Beautiful Guardian” by Gene Austin, an author who wrote several dozen stories for assorted Western pulps, none of which I recall reading until this one. It’s a pleasant enough yarn about a young cowboy, a trio of trouble-making brothers he’s feuding with, and two beautiful young women, one of whom he wants to marry and the other who wants to marry him. This seems like it should have appeared in RANCH ROMANCES in an earlier era, but it’s probably not hardboiled enough for the Fifties version of that magazine.

“Frontier Spirit” by Ann P. Hurt appeared in DOUBLE-ACTION WESTERN, February 1956, as “The Resourceful Week of Little Silly” by A.P. Hurt. It’s a wagon train story about the pampered daughter of a rich man who has to take care of herself and deal with the dangers of the frontier. The plot’s fairly predictable, but I thought it was handled well and I enjoyed the story.

John and Ward Hawkins were brothers from Canada who started writing for the pulps in the Thirties, mostly detective and adventure stories, but by the Forties they were writing serials for THE SATURDAY EVENING POST and COLLIER’S and eventually wound up in Hollywood where they wrote a lot of TV episodes for such series as VOYAGE TO THE BOTTOM OF THE SEA, BONANZA, and LITTLE HOUSE ON THE PRAIRIE. Their story “Pioneer Woman”, published in the August 31, 1940 issue of LIBERTY as “Pioneer Lady”, is another wagon train tale, although it’s set for the most part in St. Joseph, Missouri, as a wagon train is forming to head for Oregon. The protagonist is a young woman with two children whose abusive gambler husband has abandoned her, but he shows up to make her life miserable just as she’s trying to make a new start by joining the wagon train. Some nice twists, as well as a murder, give this story a fairly hard edge, and it works quite well.

Charles H. Snow, the author of “Blue Eyes and Blue Steel”, from the March 1934 issue of THRILLING RANCH STORIES, is best remembered for one thing these days: a novella called “One ‘Hopped-up’ Cowboy” which appeared in the July 1936 issue of WILD WEST STORIES AND COMPLETE NOVEL MAGAZINE. I’ve never read it, but I seem to recall reading that the hero of that one is known as The Marijuana Kid. Snow is an interesting author over and above that one story, though. A former miner, he was blinded in an accident in 1914 and decided to become a writer in an attempt to support his family. He dictated his stories to his daughter, who then typed and submitted them. He sold a good number of stories to the pulps in the Twenties and Thirties but found his best market in England, where he sold more than 400 novels under several different pseudonyms. He was also elected to the position of justice of the peace in Napa, California, during the Twenties and served as a mentor to Western writer L.P. Holmes, who always referred to him as Judge Snow. I had never read any of his work before “Blue Eyes and Blue Steel”, but I really enjoyed this tale about a rancher’s daughter pursuing a dangerous outlaw. I saw the big twist coming but thought the story was well-written enough to be very entertaining, anyway. Snow skimps a little on the action at the end, but I was still impressed enough that I want to read more by him.

Zachary Strong was a house-name, so there’s really no telling who wrote “Cup of Happiness”, which appeared in the April 1940 issue of COMPLETE NORTHWEST. It’s a Northern, as you’d expect from the magazine where it was published, and takes place in Canada. A schoolteacher who loses her job when the boomtown where she’s been teaching is abandoned for a new strike elsewhere decides to become a prospector herself. Things don’t go well. The resolution of this one seems really far-fetched to me, but I’m not a miner, so what do I know?

“The Marquis and Miss Sally”, EVERYBODY’S MAGAZINE, June 1903, under the name Oliver Henry, is set in a roundup camp on the Texas range and features the trademark twist ending of an O. Henry story. I didn’t see the twist coming until very late in the game. This is an excellent story. I put O. Henry in a book once as a supporting character, before he was a writer and was just a bank clerk named William Sydney Porter.

“End of the Trail” by editor Jean Marie Stine is the only tale original to this collection. It’s a “stranger rides into town and takes on the local bully” story with a couple of nice twists. Well-written and shows that Stine knows Westerns.

Frank Bennett, writing under the pseudonym Ben Frank, had stories in many issues of TEXAS RANGERS during the Fifties, most of them featuring his series character Doc Swap, and to be honest, I’m not a fan of them. His stand-alone story “The Bar-Girl, the Battle, and the Bar-D” (TEXAS RANGERS, July 1957, as “A Woman for the Bar-D”) is pretty good, though. A widowed rancher looking for someone to care for his young daughter hires a woman who’s new in town and winds up with more trouble than he bargained for. This one is a lot grittier than the author’s Doc Swap stories, which probably explains why I liked it quite a bit.

“Big Nose Kate’s Man”, by Marie Antoinette Parks, originally published in REAL WESTERN STORIES, June 1956, as “They Ain’t Going to Lynch My Man” by Will Watson, is a short, mostly historical piece about Doc Holliday and his lover Big Nose Kate set in Fort Griffin, Texas, when Doc is arrested for murder. It’s okay but there’s not much to it, making it the weakest story in the collection.

Overall, I found HEARTS OF THE WEST very entertaining, with several excellent stories (the ones by the Hawkins brothers, Charles H. Snow, and O. Henry were my favorites) and all of them quite readable. I’d love to see more such collections of Western romance stories from the pulps and think this one is well worth reading.

Forgotten Books: Pulpwood Days, Volume 2: Lives of the Pulp Writers - John Locke, ed.

I always like reading about authors, especially pulp authors, so PULPWOOD DAYS, VOLUME 2: LIVES OF THE PULP WRITERS is targeted right at me. Edited by John Locke and published by Off-Trail Publications in 2013, I’m just now catching up with it.

This is a collection of twenty articles by pulp authors published in various writer’s magazines such as WRITER’S DIGEST and THE AUTHOR AND JOURNALIST, from the Twenties to the Fifties. Included are articles by a number of Western pulpsters whose work I’m very familiar with: Chuck Martin, Hapsburg Liebe, Tom W. Blackburn, Frank H. Bennett (who wrote Westerns as Ben Frank), and Tom Curry, whose 12,000+ word memoir is the centerpiece of the volume as far as I’m concerned. There are other big names as well: Arthur J. Burks, Steve Fisher, Eustace L. Adams, Thomas Thursday, Harold Q. Masur, and Jean Francis Webb. Then there are the writers I know little or nothing at all about, such as Walter J. Norton, Ludwig S. Landmichl, and Paul E. Triem. All of them have interesting things to say, though.

I’m fascinated by how writers work and the stories behind the stories, so to speak, and there’s plenty of that here. As you’d expect since they’re all by yarnspinners, even articles like these are well-written and entertaining. I really enjoyed this book. There’s a companion volume, PULPWOOD DAYS, VOLUME 1: EDITORS YOU WANT TO KNOW, as well as an earlier collection of writer’s magazine articles by assorted pulpsters, PULP FICTIONEERS. I’ve already ordered copies of both of them. In the meantime, if you’re a fan of the pulps or writing in general, I give this one a high recommendation.