Sunday Morning Bonus Pulp: Short Stories, December 10, 1943

This issue of SHORT STORIES is a bit of an oddity in that the cover by A.R. Tilburne doesn't feature a red sun, although there is a blob of red just above the muzzle of that nice-looking 1911. I like the cover quite a bit, even without a red sun. The line-up of authors inside this issue is really strong: H. Bedford-Jones, E. Hoffmann Price, Frank Richardson Pierce, James B. Hendryx, H.S.M. Kemp, and lesser-known Berton F. Cook and Harry Bridge. Hard to go wrong with any issue that includes HB-J, Price, Pierce, and Hendryx.

UPDATE: Yes, I suppose that could be the sun on the left, partially obscured by the foliage, but I didn't take that darker area to be a leaf. I think maybe Tilburne should have made that a little clearer. On the other hand, maybe if I was holding the actual pulp in my hands, it would be obvious. I don't mind admitting when I've missed something. I figured adding this mea culpa might be better than rewriting the whole post.
 

Sunday Morning Bonus Pulp: Spicy Detective Stories, November 1936

I don’t own this pulp, but I recently read a PDF of it downloaded from the Internet Archive. The cover is by Delos Palmer.

Evidently Alan Anderson was a real guy. There’s no indication in the Fictionmags Index that it’s a house-name. He’s the author of the first story in this issue, “The Woman in Yellow”, which is about an American spy trying to retrieve an envelope full of vital military plans from a beautiful brunette while they travel on the Orient Express from Paris to Istanbul. Our protagonist has a partner in this assignment, a beautiful blonde who’s a nightclub dancer in addition to being a spy. Naturally, seeing as this is a Spicy Pulp, both gals manage to lose some of their clothes during the course of the story. The plot is pretty interesting, with a semi-clever twist at the end, but the writing isn’t very good. It’s choppy and hard to follow in places. Not a bad effort, but not a particularly good one, either.

“Killer’s Price” is the first of three stories in this issue by my old buddy Edwin Truett Long. I refer to him as my buddy because I’m starting to feel a real kinship with the guy despite the fact that he died eight years before I was born. But he lived in the North Texas area for a good part of his life, including some time in Fort Worth. He wrote fast, in a variety of genres, and I can see myself having the same sort of career if I’d been born earlier. “Killer’s Price” is bylined Mort Lansing, one of Long’s regular pseudonyms, and it’s part of his series about private detective Mike Cockrell. As the story opens, Mike is on vacation in a coastal city pretty clearly modeled after Corpus Christi when he gets involved in the kidnapping of a millionaire’s daughter. There are a couple of other beautiful blondes mixed up in the deal, along with a villainous bartender and a gang boss. Mike is kept hopping as he tries to straighten out this mess. The story is plotted pretty loosely, but the action races along at breakneck speed and the banter is good. This one is a considerable step up from Anderson’s story.

Next up is a story by that stalwart of the Spicy Pulps, Robert Leslie Bellem, and it features his iconic private detective character Dan Turner. In “Murder for Metrovox”, a beautiful movie star takes a high dive from a high rise and winds up not so beautiful. Was her death suicide—or murder? At the same time, Dan is already mixed up in the case of a missing starlet, and there’s a beautiful stag movie actress involved as well. Naturally, Dan sorts everything out, but not before coming up with good excuses for the still-living babes to take their clothes off, and he manages to guzzle down a bottle of Vat 69 while he’s at it, too. Dan was one of the original multi-taskers. As usual with Bellem’s work, this is a well-plotted, if slightly predictable, yarn. The wackiness seems toned down a little, but it’s great fun to read anyway. I’ve never read a bad Dan Turner story.

“Traitor’s Gold” is by Hamlin Daly, which was a pseudonym for E. Hoffmann Price. Price wrote a lot for the Spicy Pulps under his own name, but Hamlin Daly shows up quite a bit, too. “Traitor’s Gold” is a nighttime romp through a spooky old mansion in the Hudson Valley that’s supposed to be haunted by the ghost of the murdered millionaire who owned it. He had a beautiful daughter, too, and our detective protagonist is in love with her and determined to trap the ghost who’s causing trouble. This isn’t top of the line work from Price, but it moves right along and has a decent plot. I liked it without being overly impressed by it.

The next story in this issue is another of Edwin Truett Long’s contributions, this time writing under the name Cary Moran. “Murder in Music” features sheriff’s department investigator Jarnegan, who only investigates murders. I read this one several years ago in a Black Dog Books chapbook that reprinted several of the Jarnegan stories, and here’s what I said about it then: “Murder in Music” finds Jarnegan investigating the death of a drummer from a jazz band visiting the city. It appears that the man was frightened to death by voodoo. But all is not as it appears, of course, and another band member soon turns up dead, giving Jarnegan two murders to solve.

Harley Tate and Diana Ware are partners in a private detective agency, and in “The Taveta Necklace”, they’re hired to keep a fabulously valuable necklace from being stolen during a high society party. Naturally, trouble ensues, including several murders, in this fast-paced, entertaining yarn that’s credited to George Sanders. In fact, it’s the only piece of fiction credited to Sanders in the Fictionmags Index, and there was one other Harley Tate/Diana Ware yarn published under the name Alan Anderson, so I think it’s pretty safe to say that this George Sanders was a pseudonym. Did Alan Anderson write this one, too? Now that I don’t know. I liked it considerably better and thought it was better written than Anderson’s “The Woman in Yellow”, elsewhere in this issue. This will probably have to go down as another unsolved mystery of the Spicy Pulps, though.

“Death on the Half Shell” is the third Edwin Truett Long story in this issue. It’s part of the Johnny Harding series, which, haphazardly enough, was published under three different pseudonyms during its run: Cary Moran, Mort Lansing, and Carl Moore, the byline on this particular story. Johnny Harding is a feisty little gossip columnist who frequently stumbles over dead bodies. He’s the protagonist of Long’s novel KILLER’S CARESS, which was published under the Cary Moran name. In this story, he's digging for information about a lottery that appears to be a swindle, when a beautiful informant winds up dead after consuming a poisoned lobster. More murders take place as the story gallops through a night of action. I enjoyed KILLER’S CARESS, and I like this story a lot, too. They could have made a good B-movie series about Johnny Harding starring, say, Jimmy Cagney, although Cagney was too big a star by then. But he’d fit the character perfectly.

Robert A. Garron was really Howard Wandrei, so it’s not surprising that his story “The 15th Pocket” is one of the best-written stories in this issue. A police detective investigates the murder of a wealthy lingerie manufacturer whose body is found in the back seat of an empty cab stalled in traffic. The Spicy Pulps are probably the only place you’d find a character who’s a lingerie tycoon! This isn’t a particularly complicated yarn, but the plot holds together all right and it moves right along with smooth prose. Wandrei’s stories are always good.

With stories by Bellem, Price, Long, and Wandrei, you’d expect this issue of SPICY DETECTIVE STORIES to be a good one, and so it is. I really enjoyed it. Sure, the stories are a little formulaic, but so is most fiction, not just pulp. Space them out a little and they read just fine. If you’ve never read a Spicy Pulp, this wouldn’t be a bad place to start.

Review: Swords of the Crags - Fred Blosser

After reading Fred Blosser’s sword and sorcery novella SWORDS OF PLUNDER recently, I was in the mood to dive back into more of his work. I picked his collection SWORDS OF THE CRAGS.

This volume collects six stories that might have been the sort of thing Robert E. Howard wrote for the Spicy pulps in the mid-Thirties. The title story, “Swords of the Crags”, is set in Peshawar, India, and in the Khyber Hills. The protagonist is Pike Braxton, an American adventurer and former gunfighter from Texas who functions as a sort of unofficial secret agent for the British. When a beautiful young American heiress gets caught up in the schemes of a sinister Russian agent, Pike has to rescue her and recover some vital information. Seems fairly straightforward, if dangerous, but then Pike and the beautiful blonde find themselves confronting an otherworldly menace. This fast-moving tale is like placing Howard’s El Borak in a SPICY ADVENTURE STORIES plot, with a dash of Lovecraft thrown in. It’s well-written, works very well, and races along to a satisfactory conclusion. I really enjoyed it. (And it puts me in mind of Howard’s comments in a letter to Lovecraft where he suggested that Lovecraft should try to crack the Spicy market. He could use a pseudonym, Howard says, and just write up a fictionalization of one of his own “sex adventures”. Just the thought of Lovecraft’s reaction when he read that suggestion always makes me chuckle.)

In “Alleys of Terror”, the scene shifts to Shanghai and the protagonist is Ridge Braxton, Pike’s younger brother who’s just as fast with his guns and fists. The beautiful Eurasian pirate and smuggler Olga Zukor is framed for murder. The victim held the key to a deadly conspiracy Ridge is investigating, so he and Olga have to team up to untangle the mess even though they dislike and distrust each other at first.

Ridge Braxton returns to his West Texas stomping grounds in “Witch of Snakebit Creek”, a creepy contemporary Western that reminds me a bit of Howard’s “Old Garfield’s Heart” and “For the Love of Barbara Allen” although it turns out to be a very different kind of story. This is actually more of a mystery yarn with a nice late twist.

“The Girl From Hell’s Half Acre” finds another two-fisted, fast-shooting Texan adventurer, Esau Reynolds (a very Howardian name) turning detective as he tries to find a wealthy man’s missing daughter, who’s a beautiful blonde, of course. The trail leads Reynolds to the waterfront area of an unnamed city, where he clashes with—and beds—the beautiful queenpin of the area’s criminal underworld. This story, reminiscent of some of Howard’s Steve Harrison yarns, moves like the proverbial wind and is very entertaining.

“Sin’s Sanctuary” is another El Borak-like tale, with a heaping helping of Talbot Mundy influence, as an American adventurer infiltrates a hidden monastery in Tibet in search of a missing Englishman. He’s helped by a beautiful woman, of course, and they encounter unexpected danger inside the walls of the monastery. This is a really well-written and exciting story.

“Scarlet Lust” is a direct sequel to SWORDS OF PLUNDER and finds Cronn, the northern barbarian, out to steal a fabulous gem which he hopes will help him win the throne of one of the countries in his world. He gets some help, of course, from a beautiful woman. These are Conan pastiches, in a way, there’s no denying that, and they’re also better than most of the official Conan pastiches that have been published in the past few years. Like John C. Hocking, Scott Oden, and Chuck Dixon, Blosser understands the character and the setting. I don’t know if there are more of these Cronn stories, but if there are, I definitely want to read them. And if there aren’t, well, maybe Blosser will write some.

Blosser rounds out this collection with five articles about Howard’s efforts to crack the Spicy and Weird Menace markets, the spicier Conan yarns, and the influence of Harold Lamb and Talbot Mundy on Howard’s work. As always with Blosser’s work, these essays are informative, entertaining, and well worth a Howard fan’s time.

Overall, SWORDS OF THE CRAGS is an excellent volume and a lot of fun to read. While it’s true that the main influence on these stories is Robert E.Howard, I found them reminiscent of E. Hoffmann Price, Edgar Rice Burroughs, and Talbot Mundy, as well. Also, in Blosser’s stories the spicy bits are considerably spicier than what authors could get away with in the Thirties. They’re not overly graphic, but those scenes don’t fade out as quickly as the ones in the pulps did. So while they’re definitely Howardian, don’t mistake these tales for pale imitations. They stand on their own, and they’re well worth reading. SWORDS OF THE CRAGS is available on Amazon in a paperback edition, and an e-book edition containing the first three stories and the first two articles is available as well.

Sunday Morning Bonus Pulp: 10 Action Adventures, January 1939

10 ACTION ADVENTURES appeared for only one issue in 1939, despite this being listed as Volume 1, Number 3. The newsstands must have been just a little too crowded for it to find its audience, because it looks like a pretty good adventure pulp. The cover is by Norman Saunders, and inside are stories by E. Hoffmann Price (with his name misspelled on the cover), Arthur J. Burks, Carl Rathjen, Lurton Blassingame (Wyatt's brother and better remembered as a literary agent), William J. Langford, and house-names Paul Adams, Ralph Powers, Rexton Archer, Cliff Howe, and Clint Douglas. I have no idea who wrote the house-name stories, but Price is always a possibility. I wonder if Ace Magazines, the publisher, even intended for 10 ACTION ADVENTURES to continue past this one issue, or if it was some sort of clearing house to get rid of some inventory. Chances are we'll never know, but if anybody is aware of the circumstances, I'd love to hear about it.

Sunday Morning Bonus Pulp: Argosy, December 30, 1939

By the end of the Thirties, ARGOSY was wrapping up its run as one of the top pulps in the business. It would still publish plenty of excellent fiction for another decade, but it wasn't as strong overall as it was at its peak in the mid-Thirties. Despite that trend, this looks like a really strong issue with a good cover by Rudolph Belarski and stories by E. Hoffmann Price, Eustace L. Adams, Allan Vaughan Elston, Louis C. Goldsmith, Bennett Foster, Frank Richardson Pierce, and an installment of one of the occult detective novels by Jack Mann (E. Charles Vivian). Those are some fine writers. I need to read those Jack Mann novels. 

Saturday Morning Western Pulp: Fighting Western, October 1946

This is a pulp that I own and read recently. That’s my beat-up copy in the scan. You can’t see it, but the upper third or so of the rear cover is gone, having been ripped off in an obviously haphazard manner. But the contents are complete. The cover is by H.W. Scott, I think.

FIGHTING WESTERN was part of the same line as SPICY/SPEED WESTERN, but unlike the Spicies, there weren’t a lot of house-names used in it. The authors tend to use their real names or regular pseudonyms. This issue, in fact, starts out with a novella by a very well-known author (well-known to pulp fans, anyway), E. Hoffmann Price. “Six-Gun Survey” has as its protagonist a young cowboy-turned-surveyor who inadvertently becomes mixed up in an irrigation/land development swindle and tries to set things right, even though it means a lot of bullets coming his way and some bogus criminal charges that land him behind bars. This is an excellent yarn, fast-moving and very well-written, with a likable hero and a good supporting cast (including an Arab camel driver and camel left over from the army’s experiments with them in Arizona). I really enjoyed this one, which isn’t surprising considering how reliable a pulpster Price was.

The next story is a novelette by an author who wrote even more than Price, Victor Rousseau. He was a big name in early science fiction and then later on became a stalwart in the Spicy line, often under his pseudonym Lew Merrill and assorted other names. He’s writing under his own name in “Buffalo Trail”, which finds six mountain men in New Mexico giving up fur trapping to become cowboys. They run into plenty of trouble on a cattle drive to the railhead in Kansas. This is a pretty good story. Rousseau wasn’t as skilled a writer as Price, but he moves things along well and the action is very good. The only problems are that there are so many characters we don’t get to know them very well, and the “yuh mangy polecat” dialogue is really thick. Still, I enjoyed it, as I usually do with Rousseau’s work.

Laurence Donovan is another well-known pulp author. I’ve read quite a bit by him over the years and nearly always enjoyed the stories. His story in this issue, “Brand of a Thief”, is a convoluted tale in which a ranch foreman frames himself for a theft in order to save the girl he works for from the attentions of a lowdown skunk. Only things don’t work out that way at all. This one reads like it could have been intended for RANCH ROMANCES or one of the other Western romance pulps, but that’s not a bad thing. It’s an entertaining, well-written story.

John Jo Carpenter was the regular pseudonym of John Reese, which he used on dozens of stories in various Western pulps during the Forties and Fifties and on at least one Western novel that I know of. His story in this issue, “Gun-Wise and Trail-Shy”, is a hardboiled tale about a young outlaw’s fateful encounter with a slightly older but more experienced owlhoot. Reese was a fine writer, so it’s not surprising that this is a good story.

The issue wraps up with “Beast of Pueblo” by “Paul Hanna”, the only use of a house-name in this issue. I don’t know who wrote it, but it’s a good yarn about a young man who runs a Wells Fargo station. He’s big and brawny, good with his fists and a gun, but a crippling psychological fear keeps him from engaging in violence. It’s a fairly offbeat angle for a Western pulp story, even though we know from the start that before the story is over, our protagonist will have been forced to overcome his fear and burn some powder and throw some punches. That’s exactly what happens, but the author handles it very well and turns in an excellent yarn to end this issue on a high note.

Now, here’s an interesting (I hope) sidelight: this issue was edited by Kenneth Hutchinson and Wilton Matthews, the editors for Trojan Publications who got in trouble with the law for fraud by taking stories from old issues, slapping some phony author’s name on them, or using the name of a real author who had nothing to do with the story, then reprinting them as new and collecting the checks themselves. Which means it’s possible some of the stories in this issue were actually unacknowledged reprints that Hutchinson and Matthews used in their scheme. The Paul Hanna story seems to be the most likely candidate for that. For one thing, the story has an illustration with it that I really feel like I’ve seen somewhere else before. However, all this should be taken with the proverbial grain of salt. It’s certainly possible that all the stories in here are on the up-and-up.

What’s important for our purposes as readers is that every story is a good one. If you’d told me that the best Western pulp I’d read recently was an issue of FIGHTING WESTERN, I wouldn’t have believed it. But that’s the case. This is a really good one, and if you have a copy, it’s well worth reading.

Saturday Morning Western Pulp: Spicy Western Stories, September 1939

The cover of this issue of SPICY WESTERN STORIES is credited to Delos Palmer in the Fictionmags Index, and I don't doubt that's right, but Allan Anderson must have seen this cover at some point and been impressed by it. At first glance, I sure took it for Anderson's work. This issue includes stories by some Spicy stalwarts: E. Hoffmann Price, James P. Olsen (writing as James A. Lawson), Edwin Truett Long (writing as Luke Terry), and Laurence Donovan (twice, once as himself and once as Phil Strange). There's also a story by house-name Ken Cooper, and two by little-known authors Hart Williams (his only credit in the FMI) and Alf Foote (only two stories listed in the FMI). My hunch is that those last two were pseudonyms, but really, who knows? Not me, that's for sure. This issue doesn't appear to be on-line, so if you don't own a copy (I don't), you'll have to be content with looking at the cover. But at least it's a good cover.

UPDATE: I've discovered belatedly that I've posted this cover before, several years ago. I've been posting pulp covers on the weekends for well over a decade now, so I suppose it's inevitable that a rerun creeps in by accident now and then. As I said above, though, it's a good cover, so I'm going to leave it here. Anyway, this post has a little more information in it than the original one did.

Sunday Morning Bonus Pulp: Detective Novels Magazine, February 1939

That looks like a Richard Lyons cover to me, but I could certainly be wrong about that. This issue of DETECTIVE NOVELS MAGAZINE has stories by some fine authors in it. The lead novella is by the always entertaining E. Hoffmann Price, and there's also a novella by Norman A. Daniels, who's almost as dependable as Price. Three short stories round out the issue. The three authors responsible for those are Donald Bayne Hobart (with an entry from his long-running series about private eye Mugs Kelly); a pulpster I haven't heard of, Avin H. Johnston, who wrote more than two dozen detective, Western, and adventure yarns for various pulps; and John L. Benton, a Thrilling Group house-name who was probably Daniels in this case but might have been Hobart. I don't own a copy of this pulp, but it looks like it would be enjoyable reading if I did.

Sunday Morning Bonus Pulp: Spy Stories, August 1935

I associate A. Leslie Ross with Western pulp and paperback covers, of course, since he did so many great ones, but he did other sorts of covers, too, such as the one on this issue of the straight-forwardly named SPY STORIES. There are some fine authors inside this issue, too, including E. Hoffmann Price, Major George Fielding Eliot, Frederick C. Painton, Harold F. Cruickshank (not a fan of his work, personally, but he was both prolific and popular), Alexis Rossoff, and Dana R. Marsh, a name unfamiliar to me. SPY STORIES was published by A.A. Wyn, who put out five issues in 1929, took a six-year hiatus, and then published five more issues in 1935. This was the next to last issue. The scan and information are courtesy of the invaluable Fictionmags Index.

Sunday Morning Bonus Pulp: Argosy, May 11, 1940

This issue is a good example of why ARGOSY was a great magazine, even in the later years of its pulp run. Start with a good cover by Rudolph Belarski that promises action, and follow that inside with stories by E. Hoffmann Price, Theodore Roscoe, Murray Leinster, Robert Arthur, Charles Marquis Warren, Willliam Du Bois, and forgotten pulpster William Templeton. The only drawback, as usual, is that two of the stories are serial installments (Warren and Du Bois) and you're out of luck if you don't have the other parts. Well, in Warren's case you're not completely out of luck because his serial "Bugles Are For Soldiers" was reprinted as a novel, used copies of which are readily available. The title was changed, and I honestly don't remember which of Warren's Western novels it is, either ONLY THE VALIANT or VALLEY OF THE SHADOW. But I know it's one of them because at one point I had both the serial version and the novel version. And this will come as no surprise, I never got around to reading either of them. Warren is supposed to have been a pretty good writer. He wrote, produced, and/or directed a number of Western movies and TV shows, including GUNSMOKE and RAWHIDE.

Saturday Morning Western Pulp: Fighting Western, June 1946

More proof, as if we needed it, of how dangerous it was to go to the barber shop in the Old West. I'm pretty sure this cover is by H.W. Scott, who did most of them for FIGHTING WESTERN during this era. Since this was a Trojan Publishing Corporation pulp, it's not surprising that a couple of the authors were also stalwart contributors to the Spicy/Speed pulps. E. Hoffmann Price is on hand with a Simon Bolivar Grimes story, and Victor Rousseau has two stories, one under his own name and one as by Lew Merrill. Prolific Western pulpster and genuine cowboy Chuck Martin is in these pages, too, and there's a Johnny Hardluck story by Branch Carter, apparently that author's real name. Who's Johnny Hardluck, you ask? I don't know since I've never read any of the stories about him, but Carter wrote nine Johnny Hardluck yarns, all of which appeared in 10 STORY WESTERN except this one, which happens to be the second in the series. I may have some of his 10 STORY WESTERN appearances; I'll have to check and see.

Saturday Morning Western Pulp: Dime Western, September 1948

This is a pulp that I own and read recently. That’s my somewhat tattered copy in the scan. I’m not sure of the cover artist. Might be Robert Stanley, who did a lot of Western pulp covers for Popular Publications during this time period. But it might not be.

DIME WESTERN, like the other Popular Publications Western pulps, always had good authors, but there’s a particularly strong lineup in this issue, leading off with a surprisingly good Walt Coburn novella, considering how late this story came in his career. “Shoot or Git Shot!” is a son-of-an-outlaw yarn, where a widowed rustler leaves his six-year-old son with the father of his late wife. The old-timer raises the boy to be a good man, rather than an owlhoot. But as usual in a Coburn story, there’s a lot of back-story and not everything is as it appears to be at first. There’s nothing in this one you won’t see coming, but it’s well-written and has a nice epic feel to it for a novella. Plus there’s a great, brutal fistfight and a spectacular shootout to wrap things up. Coburn was inconsistent by this point, but “Shoot or Git Shot!” is as good as most of his stories from ten or twenty years earlier.

Frank Bonham probably would be annoyed that one of the main things he's remembered for these days is his slightly embittered essay “Tarzana Nights” about his time spent ghostwriting Western pulp stories for Ed Earl Repp. But he was an excellent writer and that’s on display in “Good Squatters Are Dead Squatters”, his short story in this issue. It’s a big rancher vs. small rancher story, but it’s very well-written and does a fine job of capturing the Texas Panhandle country. The resolution is maybe a little hard to swallow, but this is still a good story from a consistently good writer.

Clifton Adams was one of the best of the hardboiled Western writers who broke into the pulps in the late Forties and then went on to write dozens of excellent novels during the Fifties and Sixties. His story in this issue is a novelette about a wounded outlaw on the run called “There’s Hell in His Holster!” It’s a good story in its own right, but it has some historical significance, too. I believe it’s the first appearance of Tall Cameron, who, a couple of years later, would be the protagonist of Adams’ iconic Gold Medal novels THE DESPERADO and A NOOSE FOR THE DESPERADO. Neither of the novels is an expansion of this story, which is sort of an alternate universe take on the character, but Adams took a lot of Tall Cameron’s history from this tale.

Wilbur S. Peacock was a pulp editor as well as a writer. He turned out scores of Western, detective, and science fiction yarns and appears in this issue of DIME WESTERN with a short-short called “Reward of Merit”, about an old sheriff who’s been pushed out of his job in favor of a younger man. It’s well-written but the ending falls flat as far as I’m concerned. I generally like Peacock’s work but think this one was a misfire.

I’ve read good things about George C. Appell’s stories but don’t recall if I’ve ever read anything by him before. His short story “The Search” relies on a gimmick: not revealing one character’s true identity until the very end of the story. That’s kind of interesting, and the search of the title, a hunt for hidden loot, has promise, but overall the plot is muddled enough that it’s hard to follow and I didn’t care much for this story, either.

Peter Dawson, actually Jonathan Glidden, brother of Frederick “Luke Short” Glidden, was always dependable, and he comes through in this issue with the novelette “It’s Your Town—Die in It!” The story concerns a new marshal who believes he’s been roped into a town-taming job under false pretenses. He wants to abandon the job and leave town, but a beautiful new seamstress just arrived in the settlement, so maybe she’ll provide a reason for him to stay and have a showdown with the local hardcases. There’s really not a lot to this story, but it’s well-written and entertaining.

This issue wraps up with a novella by an author I’ve read quite a bit by lately, E. Hoffmann Price (although he’s credited incorrectly as E. Hoffman Price on the cover, TOC, and the story itself). “The Cowman Who Damned His Brand” has a very intriguing twist: the protagonist, a prospector who enjoys hunting for gold, falls in love with a woman who wants him to buy a ranch and settle down. So he buys a spread and inserts himself into the middle of a range war, fully intending to be a failure so he can convince the girl he needs to go back to prospecting. Of course, things don’t work out as he planned. This offbeat plot and Price’s talent for storytelling combine to make this a very good yarn.

This is a solid issue of DIME WESTERN with top-notch stories by Coburn, Bonham, Dawson, and Price, and the stories I didn’t much care for are readable and might be more to someone else’s taste. If you have a copy of it, it’s well worth pulling down from the shelf and reading.

The E. Hoffmann Price Spicy Adventure Megapack - E. Hoffmann Price

Thank goodness for the Spicy pulps! I don’t know of a better cure for the reading funks in which I sometimes find myself, when I don’t have the attention span to tackle a novel and none of them I have on hand appeal to me, anyway. But a Spicy pulp yarn that I can read in half an hour or less . . . yeah, now that I can handle.

For a while now I’ve been working my way through THE E. HOFFMANN PRICE SPICY ADVENTURE MEGAPACK, reading stories between other things. Price is a long-time favorite of mine, one of those writers who could tackle almost any genre and do a good job of it. The stories in this collection certainly provide a wide variety in their subject matter:

“Satan’s Daughter”, SPICY MYSTERY STORIES, January 1936 – Ancient evil in a Middle Eastern archeology dig

“Pit of Madness”, SPICY MYSTERY STORIES, April 1936 – Devil worshippers in Paris

“The Walking Dead”, SPICY MYSTERY STORIES, November 1935 – Zombies (what else?) in the Louisiana swamps

“Every Man a King”, SPEED ADVENTURE STORIES, November 1943 – Political intrigue and civil war in 14^th Century Samarkand

“Revolt of the Damned”, SPICY-ADVENTURE STORIES, March 1937 – Drug smuggling and gang war along the California-Mexico border.

“Crystal Clues”, SPICY DETECTIVE STORIES, August 1936 – Hardboiled detective yarn set at a hot springs resort featuring hotel dick Cliff Cragin (which I first read as Cliff Clavin, which would have been a totally different story . . . but not necessarily a bad one).

“Night in Manila”, SPICY-ADVENTURE STORIES, November 1935 – A two-fisted Yank soldier goes undercover to bust up a smuggling ring in the Philippines.

“Murder Salvage”, SPICY DETECTIVE STORIES, April 1941 – Private eye yarn featuring Price’s series character Honest John Carmody tangling with murder and a stolen car racket.

“Triangle With Variations”, SPICY DETECTIVE STORIES, August 1935 – A man is murdered, and the man who’s in love with his wife sets out to find the killer.

“Scourge of the Silver Dragon”, GOLD SEAL DETECTIVE, December 1935 – A G-Man goes undercover to bust up an opium smuggling ring in California and Arizona.

“Drink or Draw”, SPEED WESTERN STORIES, December 1943, and “She Herded Him Around”, SPICY WESTERN STORIES, February 1941 – These are entries in Price’s long-running series of humorous, tall-tale Western yarns about wandering gunfighter Simon Bolivar Grimes.

“You Can’t Fight a Woman”, SPICY WESTERN STORIES, January 1939 – Starts out as a Romeo-and-Juliet/cattlemen vs. nesters story, becomes a chase the bad guys to El Paso story before circling back to the original plot.

“Short-Cut to Hell”, THRILLING ADVENTURES, January 1939 – A wagon train yarn featuring drifting peddler/tinker Saul Epstein, who appeared in three other stories by Price. Epstein is a supporting character in this one and I suspect in the other stories with him, as well.
 
Of course, some of these stories are better than others. Here are some highlights.

Despite being a novelette, “Revolt of the Damned” is a hardboiled, large-cast mini-epic about the drug trade along the border with enough plot for a full-length novel. It rockets along from character to character at a breakneck pace in a yarn filled with double-crosses, revenge, brutal murders, and an apocalyptic climax. This is just a terrific story, one of the best things I’ve ever read by Price.

“Murder Salvage” is the first of Price’s Honest John Carmody stories I’ve read. A private detective who got his nickname because he was a cop who got kicked off the force for not going along with corruption, he’s a good character and I’d happily read more about him. This particular story has a nice, twisty plot and good supporting characters.

“Triangle With Variations” has a good twist with the protagonist who’s in love with a married woman setting out to find her husband’s murderer so that he can pursue her in good conscience. Note that Price’s first published story, which appeared in the June 1924 issue of DROLL STORIES, is also called “Triangle With Variations”, but it’s a totally different story.

“Scourge of the Silver Dragon” is a solid action tale with a confusing but interesting bit of business in it: the sinister criminal mastermind and the type of opium that he’s smuggling are both known as the Silver Dragon. Plenty of good shootouts and fistfights in this one.

I read all the Simon Bolivar Grimes stories years ago, including “Drink or Draw” and “She Herded Him Around”, and even wrote the introduction to a collection of some of them, so I’ll be honest with you, I didn’t reread them this time around. But the Grimes series is consistently entertaining and well worth reading. If you haven’t tried them, you should pick up NOMAD’S TRAIL from Black Dog Books, the collection I just mentioned.

“You Can’t Fight a Woman” is interesting because, in addition to being a well-written, action-packed yarn, one of the characters mentions being from Cross Plains, Texas. I’m sure nearly all the readers of SPICY WESTERN STORIES read right past that, but it jumped out at me, of course, since Cross Plains was the home of Price’s friend Robert E. Howard, who had been gone five years at the time this story was written. A nice Easter egg in a good story. (Price, as you’ll recall, was the only person to meet REH, H.P. Lovecraft, and Clark Ashton Smith in person.)

“Short-Cut to Hell” has a small romance element, but it’s really not a spicy yarn, which isn’t a surprise considering that it appeared originally in THRILLING ADVENTURES. But this story of a wagon train journey and the dangers along the way has a nice epic feel, and the character of Saul Epstein is a good one, serving as sidekick and behind the scenes manipulator much the same way as John Solomon in that series by H. Bedford-Jones. This is an excellent story and shows that Price could write a serious, hardboiled Western when he wanted to.

Overall, THE E. HOFFMANN PRICE SPICY ADVENTURE MEGAPACK is a top-notch collection full of fast-paced, entertaining stories. Well worth the time to read, and it makes me glad that I have several other megapacks of Price’s work on my Kindle, ready for the next time I need one of them.

Sunday Morning Bonus Pulp: Spicy-Adventure Stories, February 1938

H.J. Ward provides another typically lurid cover on this issue of SPICY-ADVENTURE STORIES. Inside are some of the usual Spicy authors: Robert Leslie Bellem (as Jerome Severs Perry), E. Hoffmann Price, Hugh B. Cave (an Eel story as Justin Case), Edwin Truett Long (as Dale Boyd and Charles Daw), and two authors not known to be house-names, Ross Flynn and Wyreck Brent. However, both guys published only a few stories and only in various Spicy pulps, so I wouldn't put too much faith in those being their real names.

Sunday Morning Bonus Pulp: Private Detective Stories, June 1937

This is the first issue of PRIVATE DETECTIVE STORIES, from the same folks who brought us SPICY DETECTIVE, SPICY WESTERN, etc. It’s available in an e-book edition from Radio Archives, and I’ve been reading it recently, a story or two at a time between editing projects.

The headliner in this pulp, not surprisingly, is Robert Leslie Bellem’s legendary private eye character Dan Turner. The Turner yarn in this debut issue is a novelette called “Murder on the Sound Stage”, one of the longer Turner yarns I’ve read. Unfortunately, that uninspired title goes with the old plot about an actor being murdered on set when somebody fires a gun with a live round in it at the same time as a gun with a blank in it goes off. The victim had known that his life was in danger and had summoned Dan to the studio to protect him, but it was too late. The guy gets croaked right in front of Dan’s eyes . . . but not until Dan has encountered a beautiful blonde with murderous intentions of her own.

From there the action takes off hellity-blip and involves a beautiful brunette Russian babe (the dead gink’s wife) and a redhead who works as an extra in the galloping snapshots. All the ruckus takes place in the space of one night, and it’s a crowded night because Bellem crams in a lot. There are two more murders—or was it three?—and Turner gets bashed on the conk at least once before everything gets wrapped up in a fairly improbable manner.

As usual, there’s a considerable amount of enjoyment to be found in Bellem’s fast-paced prose. The guy could sling words, no doubt about that. And his plots were often complex and well-constructed. That’s not really the case here, and that’s what keeps this yarn from belonging in the top rank of Dan Turner stories. Worth reading, but a lot of them are better.

Next up is a true crime feature by C.A.M. Donne (Donald Cameron), “Vengeance of the Severed Hands”, about a husband who murders his wife and dismembers her to get rid of the body. I have no idea if it’s actually true or if Cameron, who wrote quite a bit for the Spicies, just made it all up. But it's written well enough that I didn’t skip it, which I often do with non-fiction features in pulp magazines.

“Pair of Tramps” is bylined Mort Lansing, but that’s a pseudonym for the very prolific Edwin Truett Long, who was one of Trojan Publishing’s stalwarts, writing under numerous pseudonyms and house-names. The protagonist in this one is a down-on-his-luck former private detective named Bane, who had to go on the run when he was framed for a crime by a local gambler. He’s come back to the city from which he fled to try to borrow some money from his former girlfriend, who happens to be the mistress of the gambler who framed him. That doesn’t work out, but Bane then meets a beautiful redhead, a former showgirl who happens to be up to her pretty neck in a murder case involving her husband, her rich father-in-law, and a knife in the neck.

I generally enjoy Long’s work, but “Pair of Tramps” is an excellent story, probably the best thing by him that I’ve read so far. The action never lets up, the plot is satisfyingly twisty, and the prose is top-notch, the sort of terse poetry that reminded me a great deal of Paul Cain’s work. Not as good as Cain, mind you, but almost as good as Cain is pretty darned good.

I’ve probably read some stories by Howard Wandrei writing as Robert A. Garron in various Spicy pulps, but as with Long’s story, Wandrei’s “Wrong Number” in this issue really impressed me. The tough, likable protagonist of this one, private detective Noel Athens, is hired to find the daughter of a newspaper tycoon. The girl has run off with a gangster. Yes, it’s a wandering daughter job, and the plot is pretty straightforward, but the writing is excellent, enough so that I’m going to keep my eyes open for more stories by Wandrei. (I have a couple of collections of his science fiction and fantasy stories under his own name and will get around to those eventually, I hope.)

“Nailed With Silver”, a novelette by E. Hoffmann Price, introduces Jeff Dargan, a private eye who went on to star in several more yarns published in PRIVATE DETECTIVE STORIES. In this one, he’s in Saint Augustine, Florida, enjoying a break after wrapping up a jewel robbery case, when he suddenly finds himself up to his neck in more trouble involving a beautiful brunette who wants Dargan to help her get some evidence for her divorce case against her husband, a sugar tycoon who owns a company based in Cuba. Well, there’s a murder, of course, along with another beautiful woman, some crooked politicians, and shoot-outs and fistfights galore. Price was another stalwart of the Spicy pulps, along with his prodigious output elsewhere, and I’ve never read a story of his that wasn’t at least enjoyable. I wasn’t sure about “Nailed With Silver” at first. The plot seemed pretty muddled. But then darned if Price didn’t pull everything together so that it made sense. I would up liking this one quite a bit.

Allan K. Echols is best remembered for his Westerns, I think, but he wrote quite a few detective yarns, too. His story “Sweet and Hot” wraps up this issue. It concerns a fixed horse race that turns out not to be fixed, a $20,000 bet, and a private detective framed for murder. While it’s not a particularly memorable story, it’s well-written and moves right along.

So, all of this plus a brutally effective cover by H.J. Ward makes this a pretty good first issue of PRIVATE DETECTIVE STORIES, setting it up for a nice long run. The stories by Long, Wandrei, and Price are really good, and the Bellem yarn is entertaining if not top of the line. I had a great time reading the ebook version of this memorable pulp debut.

Sunday Morning Bonus Pulp: The Magic Carpet Magazine, July 1933

This pulp also contains a Robert E. Howard story, his historical novelette "The Lion of Tiberias". But also behind that J. Allen St. John cover, you'll find a superb novella by H. Bedford-Jones, "Pearls From Macao" (which Tom Roberts reprinted as an early entry in his Black Dog Books line, many years ago, the edition I read and remember fondly), as well as stories by E. Hoffmann Price, Seabury Quinn, Clark Ashton Smith, Warren Hastings Miller, and Geoffrey Vace, who was actually Hugh B. Cave's brother Geoffrey. This is just a spectacular issue of THE MAGIC CARPET MAGAZINE, a great example of why the pulps were so wonderful, and if you want to read it for yourself, Adventure House has reprinted the whole thing. High recommended.

Sunday Morning Bonus Pulp: Spicy-Adventure Stories, November 1938

Looks like the Skipper traded Gilligan for a different little buddy. I'm talking about the monkey, of course. This is another good cover by H.J. Ward on one of the Spicy pulps. The stories inside this issue of SPICY-ADVENTURE STORIES are all by stalwarts of the Spicy line: Robert Leslie Bellem, E. Hoffmann Price, Victor Rousseau (as Hugh Speer), Edwin Truett Long (as Jose Vaca), Laurence Donovan (as Larry Dunn), and Wyatt Blassingame (as William B. Rainey).

Sunday Morning Bonus Pulp: Thrilling Adventures, July 1939

THRILLING ADVENTURES may have set the record for the most covers with pith helmets on them. Somebody with more time than I have should look into that. I don't know the artist on this cover, but I like it. Inside is a pretty good lineup of authors led by E. Hoffmann Price with two stories, one under his name and one as by Hamlin Daly. Also on hand are Charles S. Strong (one of the editors at Standard Magazines, as well as a writer), Louis C. Goldsmith, Edward Parrish Ware, little-remembered Crawford Sullivan, and house-name Capt. Kerry McRoberts. I think this issue probably would be worth reading just for the Price stories. He was great at exotic adventure yarns.

Sunday Morning Bonus Pulp: Strange Detective Stories, January 1934

Clifford Benton's cover for this issue of STRANGE DETECTIVE STORIES is pretty exciting. I don't think I'd heard of Benton before. Looks like he did only a few pulp covers, all of them either for this magazine or its predecessor, NICKEL DETECTIVE. There's a strong group of writers in this issue, too: Norvell W. Page, E. Hoffmann Price, Arthur J. Burks, Frederick C. Painton, Ralph Perry, Harold Ward, Samuel Taylor, and a couple less familiar to me, Jack Smalley and Les Tillray. This is Tillray's only entry in the FMI. Might have been a pseudonym, might've just been his only sale. I don't know much about STRANGE DETECTIVE STORIES, but based on this issue, it appears to have been a pulp worth reading.

UPDATE: I've learned from Lynn Munroe that the Les Tillray story in this issue, "Terror Trail", was actually written by none other than Erle Stanley Gardner, and that its original title was "Death Trail". Many thanks to Lynn for this great bit of literary detective work!

Sunday Morning Bonus Pulp: Detective Short Stories, April 1941

Are there people who collect covers with hook hands on them? Seems like there must be. I think this cover might be by J.W. Scott, but I'm not really familiar enough with his style to be sure. I'm sure there's a good bunch of authors in this issue of DETECTIVE SHORT STORIES, though: E. Hoffmann Price, Roger Torrey, W.T. Ballard, Edward S. Aarons (under his pseudonym Edward S. Ronns), J. Lane Linklater, Eric Howard, Dale Clark, Cyril Plunkett, and even legendary BLACK MASK editor Joseph T. Shaw under the pseudonym Mark Harper. Hard to go wrong with writers like that.