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about
Written by Johanna Samuels
Rhodes and Vocals by Johanna Samuels
Guitar by Harrison Whitford
Bass by Garret Lang
Drums and Percussion by Sean Mullins
BGV by A.O. Gerber, Olivia Kaplan, Johanna Samuels
Produced and Mixed by Sam Griffin Owens
Recorded at Flying Cloud Studios in West Shokan, NY
Mastered by Heba Kadry
Photo by Ellyn Jameson
lyrics
There's drilling in the morning
There's dirt that drags across my doorway
It's been thirty days since you saw me
And I'm always longing for some company at this hour
Last night I saw that man on TV
His tears tasted like silver bullet and supremacy
But the woman wasn't screaming
She remembers the same night only differently
And I don't wanna talk to you
Even if you get time to
I just don't need more work to do
It's no help being sorry
Sister, I can see two of you
You see a little light in me, do you wanna keep me down?
And then to the ones above you
You hold up all your shiny things and you beg to stick around
And tomorrow’s hero comes to pass
You come around to kiss my ass but
I don't need more work to do
You don't even seem sorry
High tide for one isn't solid ground
So why would I want to keep her down?
High tide for one isn't solid ground
So why would I want to keep her?
There's drilling in the morning
There's dirt that drags across my doorway
supported by 13 fans who also own “High Tide for One”
When (in 2040 maybe) an indie rom-com set in 2024 uses this song for the moment when two rugged protagonists come back together in an uneasy but comfortable third act reunion, we will all nod our heads and say "Yes. This is what it was to be alive in 2024--we were so beautiful and so rugged and we loved this song." tmausy
Bedroom-indie intimacy meets robust folk rock on the Brooklyn quartet's sunny LP, suggested for fans of Wednesday and MJ Lenderman. Bandcamp New & Notable Nov 16, 2025
“Portraits” is a collection of expertly drawn narrative songs with sharply observed lyrics and rustic instrumentation. Bandcamp New & Notable Jun 25, 2022