John Brownell
Started playing this to give it a quick listen before I got to work this morning and next thing I knew I had listened to the whole album. Sucked me in completely. Engrossing and beautiful.
Favorite track: Spillway.
This ephemeral, fleeting work came into form as a compositional experiment in piano, tape manipulation, stochastic improvisation, and field recording. In February 2021, a catastrophic winter system enveloped Texas and all but disabled the electrical grid and infrastructure for weeks, sparking the initial inspiration and leading Abney to record weather patterns across northern hill country. Silence and isolation are juxtaposed with the busy nature of human travel and gathering, as desolate gales fade in and out of the places and structures where people move. In “The Places They Gather And Speak” parts I and II, Abney recorded the atmosphere of the departure and arrival areas of the Austin International Airport, as well as a calm day at Barton Springs recreational area before a storm, as an ambient canvas for his soft-pedal piano, a manipulated music box, and steel guitar played by ZDAN. Processing incoming signals of stereo-recorded piano, Abney destroyed and degraded the waveforms in slowed loops of tape and manual speed controls of the tape machine motor. The coming and going of the modern person, intimately tied to the temperamental shifts of weather patterns, vice versa, are also captured by the field recordings of Rebecca Sarkar, spanning from the rain-inundated hills of Shropshire, England to the tropic coastal showers of Jamaica. Without voice, without lyric, the tracks held herein are temporary, shifting in nature, and a reason to rest and hold fast at the port until the storm and stress passes.
The album visuals were conceived and skillfully executed by environmental architect, musician, and painter Drew Carman in his Austin, TX studio.
credits
released February 3, 2023
Personnel:
John Calvin Abney - synthesizers, found sound, music box, piano, Rhodes, tape loops and manipulation, Tascam 424, acoustic guitar, SP404 SX
ZDAN - lap steel on “Where They Gather and Speak” (parts I and II)
Rebecca Sarkar - field recordings
Mixed and engineered by John Calvin Abney
“Country of Singing Hills” and “Juniper and Frost” engineered by John Moreland
Additional mixing on “Distance Becomes White River” by John Moreland
Additional mixing by Michael Trepagnier at Cardinal Song in Oklahoma City, OK
Recorded at:
Tin Canyon mobile studio in Austin, TX and Tulsa, OK
Beige Lamborghini in Tulsa, OK
supported by 9 fans who also own “Storm Variations”
I've only owned this album for a day, but I can't get enough of it already. It's just so quiet, stunning, raw and moving. Reminds me of Nick Drake and Ryan Adams mixed in one. It's just incredible. Thank you jane willow
supported by 8 fans who also own “Storm Variations”
Heard a few minutes of the NPR interview, and bought the album as soon as I got home. I have NOT been disappointed!
Waits / Prine style of lyrics (while still individual as writer and performer.) It all seems to come straight from the heart. foofaraw-chiquita