Księżyc Warsaw, Poland
The spirit of Księżyc captures early and late medieval music with a sound rooted in the Slavic tradition combined with elements of minimalism and vocal experiments of the 20th Century.
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supported by 33 fans who also own “Walczyk III”
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Everywhere at the end of time
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supported by 20 fans who also own “Walczyk III”
This is my absolute favorite album of all time, words can not even begin to describe how much I love it. It nails the concept of dementia as an album perfectly 100/10. I don't know if I could find anything better than this.
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Cantus, Descant
by Sarah Davachi
supported by 17 fans who also own “Walczyk III”
Eerie, expansive, and breathtaking. This is ambient drone on an epic scale. The effect that some of these pieces have when they abruptly end is shattering -- these sounds become a part of your consciousness, and when they drop away, you're left in silence more intense than you've ever felt.
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The Streets Like Beds Still Warm
by Wilder Maker
Wilder Maker’s latest LP is a journey into a mystic, far-off land, one where jazz and Americana get refracted into new shapes.
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Songs from Behind a Mountain
by Nathan O'Flynn-Pruitt
Dazzling fingerpicked guitar from Nathan O'Flynn-Pruitt create a latticework of notes to settle down deep into.
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Sécheresse
by Sophia Djebel Rose
The new LP from Sophia Djebel Rose is haunting and imposing—shadowy songs that recall both Nico and Chelsea Wolfe.
go to albumsupported by 17 fans who also own “Walczyk III”
“Do you still dream in water?” she asks. He nods—“only when it rains inside.” Their words drift, slow like signal loss,, soft clicks between heartbeats. A drone hums overhead, its shadow stroking their faces. “Are we free now?” she whispers. He laughs, small, broken. “We’re just less afraid.” They share one headphone, listening to the city’s pulse— loops of breath, echoes of what could’ve been “Hold me,” she says. “I am,” he answers, “in the static.”
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