Showing posts with label Kelli Brosnahan. Show all posts
Showing posts with label Kelli Brosnahan. Show all posts

Wednesday, November 26, 2014

Kelli Brosnahan / Final Project


Hand, 2010

FINAL PROJECT
by Kelli Brosnahan
May 3, 2010



I take pictures for two reasons. Personally, I take pictures of things that are meaningful to me. These images represent the events in my life that were important enough to document visually or that stood out as being particularly beautiful at that given moment. I have thousands of pictures from vacations, of my friends and family, and some pictures of days where I brought my camera along and snapped a few pictures.

Professionally/scholastically the pictures I take are more abstract and generally do not hold the same sentimental value to me as my personal photography, aside from the blood, sweat, and tears that go into producing the image. I want to make people look at things differently through my images than as they would see those objects with their own eyes. I want to make people notice things that they normally would not notice. Early in Susan Sontag’s first chapter, she said “Just about everything has been photographed…or so it seems.” This goes along with my style a bit, because although what I photograph has more than likely been photographed before, I try to capture it in a different way.

I have found myself mixing business with pleasure lately, and crossing over more of my successful personal photography into my scholastic work. I do find, however, that it is harder to determine if a sentimental picture is successful because it means something to me or if it is actually a good image.

Foot and Rock, 2010


Legs, 2010


Fetal Position, 2010


Figure, 2010


Balled, 2010


Over the Shoulder, 2010


Hands and Feet, 2010


Sunrise, Sunrise, 2010

Twisted, 2010


Bent, 2010


Shadow, 2010


Body on Sand, 2010


Rocks, 2010


Upper Body, 2010


Profile, 2010


Portrait, 2010


Tangle, 2010


Serious, 2010


Wrapped Up, 2010


Hair, 2010


Tuesday, November 25, 2014

Kelli Brosnahan / Landscapes


Landscapes
By Kelli Brosnahan
February 24, 2011



Bunker, 2011
Diagonal Tree, 2011
Leaning Rock, 2011
Reeds, 2011
Rocks, 2011
Driftwood, 2011
Purple Beach, 2011
Red Beach, 2011
View from Bridge, 2011
Long Shadows, 2011


Broke Tree, 2011
Many Trunks, 2011
Falling Trees, 2011
Swamp, 2011
Rock Horizon, 2011
Rock Point, 2011
Tree Bottoms, 2011
Water, 2011
Split Tree, 2011
Sunset, 2011




Kelli Brosnahan / Ralph Gibson and Edward Weston

Ralph Gibson

Ralph Gibson & Edward Weston
by Kelli Brosnahan
February 24, 2010

Edward Weston

Ralph Gibson

Imogen Cunningham

Edward Weston

Ralph Gibson

Edward Weston

From viewing the video, I found that both Gibson and Weston shoot similar photographs, especially in their composition of the nudes. What I found differs in their styles is their printing technique. The majority of Weston’s prints have a silvery feel to them, they have mostly midtones with only small areas of highlights and shadow. Gibson himself said that he enjoys printing on the contrasty-side. His prints have mostly stark whites and deep blacks with only areas of midtone.

I also included a photograph by Imogen Cunningham that is a similar image to Gibson’s, but with a different printing style. Gibson was born in 1939. Weston lived from 1886-1958, and Cunningham from 1883-1976. From this information alone, I assume that Gibson’s printing technique is more of a sign of the times. Where as his images are similar to Weston’s and Cunningham’s, they are a more dramatic due to their high contrast.