Storyline: We are in Pune, India, and Antara’s mother, Tara, who was always difficult, is becoming forgetful. As we delve into her past — her breakup with Antara’s father and going to live in an ashram with a small child in tow — we come to understand the effects of her neglectful parenting on Antara, and why Antara is powerless to exact revenge.
Author vital stats: Doshi, 38, lives in Dubai, grew up in New Jersey and has an MA from UCL in History of Art. This is her debut novel.
What to say: Doshi’s inspiration for the ashram scenes came from her own family members, of whom many were followers of cult guru, Osho Rajneesh.
What not so say: It’s hard to warm to any of the characters.
Any good? I loved the combination of spite and sensuality, and she really nails the love-hate, mother-daughter vibe.
Storyline: Bea has left the toxically polluted City with husband Glen and ailing daughter Agnes to live in the unspoilt Wilderness, so that Agnes can recover. Together with twenty other volunteers they must learn to survive without impacting on nature, but things fall apart, obviously.
Author vital stats: A debut novel from Brooklyn-based Cook, 44, who has won awards for her short story collection, Man V. Nature.
What to say: No surprise that it’s been snapped up by Warner Bros TV for a series.
What not to say: How come the women still have tampons after years of living in the wild?
Any good? Preposterous! It’s a Hunger Games-style saga masquerading as a worthy climate change novel, but strangely and compulsively readable.
Storyline: Little Shuggie grows up poor on a Glasgow estate in the Eighties, knowing he’s “different” from other boys. He has a charismatic but alcoholic mother and an abusive, philandering father, but must eventually learn that his mum will never “get better”, however hard he tries to help her.
Author vital stats: A largely autobiographical debut. Glasgow-born Stuart, 44, used to design menswear for Calvin Klein, and lives in New York.
What to say: The lows of alcoholism have rarely been better described.
What not to say: Stuart writes that his characters are “sat at” rather than “sitting at” which is commonplace, but still crass.
Storyline: An ambitious feminist take on the masculine war novel, opens with recently-orphaned Hirut going to work as a maid for Kidane and Aster and eventually joining an army of woman soldiers, led by the feisty Aster, to fight for an absent Haile Selassie against the Italians.
Author vital stats: A second novel. Mengiste, 46, was born in Addis Ababa, left aged four with her family, studied as a Fulbright Scholar in Italy and then creative writing at NYU.
What to say: It is fiction, but was inspired by Mengiste’s great-grandmother.
What not to say: All those windy, bloated sentences and use of the present tense are exhausting.
Any good? Disappointing. There’s a great story in there somewhere, but it was uphill work to uncover it.
Storyline: The conclusion to this semi-autobiographical trilogy, begun in 1988, is set in Harare at the end of the Nineties. Tambu is now middle-aged, living in a hostel and down on her luck, having quit her job as an advertising copywriter. We follow her attempting to improve her life, seizing on any opportunities that come her way.
Author’s vital stats: Zimbabwean Dangarembga, 61, is a playwright and film maker. She was arrested earlier this year for protesting in support of the Movement for Democratic Change.
What to say: English PEN and others are campaigning to have the charges against her dropped.
What not to say: Narrating in the second person present tense is annoying.
Any good? With its underwhelming storyline and difficult prose style, I’m afraid I struggled to finish it.
Storyline: Wallace is a black, gay biochemist from Alabama studying nematodes at a Midwestern university, where all his peers are white. His sense of displacement and insecurity is exacerbated by the fact his father died recently and he was abused as a child.
Author vital stats: An autobiographical debut. Alabama-born, former biochemist Taylor, 31, is a staff writer for Literary Hub, and attended the prestigious Iowa Writers’ Workshop.
What to say: Can you believe he wrote the book in only five weeks?
What not to say: How raw and visceral. Apparently Taylor hates his work being described thus.
Any good? I couldn’t get past the tone of resentment, which is both a strength, but also ultimately the book’s weakness.