Nobody's Fault

by Lotte Sarembe

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1.
Better luck next time I know we'll be fine One day or another Though I do sometimes wonder Would we have had a longer run Had I always told you From day one Told you Everything Truly Everything On my mind... I dreamt that you called me Sounding like another man And the words you were saying I could finally understand A veil had been lifted A crack had been repaired A mindset had shifted To finally set you free Finally You told me everything Truly Everything On your mind Tell me what's on your mind Better luck next time Better luck next time I know we'll be fine One way or another One way or another
2.
Shine 05:54
Shine your light (Hmmm in the right) Shine your light (Hmmm in the right) Shine your light (Hmmm in the right) In the right corner Corner... Shine your light (Hmmm in the right) Shine your light (Hmmm in the right) Shine your light (Hmmm in the right) In the right corner Corner... That I call That I call That I call That I call Loving somebody Loving somebody Loving somebody Loving somebody
3.
Canon 01:46
So much on my mind I don't know what is mine anymore Anymore, anymore So much on my mind I don't know what is mine anymore Anymore So much on the news I don't know what is new anymore Anymore As I can feel it slipping through my Slipping through my, slipping through my Fingers
4.
I wouldn't mind some sympathy That's what you always say to me Whenever I try to make you see The ways that you are treating me Whatever I may say to change your ways You only rearrange the phrase Whatever I might find to change your mind You only rearrange the line until it's fine it's really No... Nobody's fault Nobody's fault Nobody's fault I wouldn't mind some sympathy These words seem to be haunting me However I try to make you see You just point your finger at me Whatever I may say to change your ways You only rearrange the phrase Whatever I might do to change your view You only use it to confuse me 'till you lose me and it's No... Nobody's fault Nobody's fault Nobody's fault coda: Nobody's fault <repeats>
5.
Welcome to Station Atlantis Your next train won't be leaving anytime soon Welcome to Station Atlantis Jellyfish hang from the ceiling in the waiting room Sit back and enjoy our excellent service Here we don't serve you the same old lies Fifty kilometres under the surface You had to sink just to open your eyes Welcome to Station Atlantis That nobody will believe in anytime soon We'd rather take our chances Finding out if there's a life to live on the moon Than to face the facts that the oceans are rising And it is getting above our head The plea of science apparently needs compromising The stories' revised and the truth is unread Welcome to Station Atlantis Where you can't sink any deeper than you already are Take it as an advantage You've already been forced to lower the bar So order and just sit back and enjoy our excellent service Where we don't serve you the same old lie The final destination was always this station However many stops along the way
6.
Summers' End 02:30
She finds herself in the roses The roses, alone Oh, but their arms, they sting when they hold her No one told her How cold the earth is At summers' end At summers' end Summers end She finds herself in the clouds again Oh, it's cloudy again What a view she'd have up here If she could see clear If she could see At summers' end At summers' end Summers' end

about

Nobody's Fault is the six-song debut EP that marks Lotte Sarembes first steps as a recording artist. Combining the unique sound of wine glasses as a musical instrument and her angelic vocals, Nobody's Fault is a debut unlike any other. Applying her minimalistic, nuanced songwriting style and poetic sense of atmosphere, Sarembe carves out a listening experience that finds the balance between challenge and comfort.

credits

released December 9, 2022

Music, lyrics, vocals, guitar, glasses: Lotte Sarembe
Sound engineering, mixing and mastering: Udo Pannekeet

Recording Studio: Wedgeview Studio's
Funding by Amarte Fonds

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about

Lotte Sarembe Amsterdam, Netherlands

Growing up in a musical household, Lotte Sarembe opened her heart to musical styles from all over the world. At fifteen she discovered wine glasses as a musical instrument and started writing songs. Her music is often perceived a evoking an inner stillness. Inspired by material that is see-through, there is a quality of clearness in it that invites the listener along.

picture by Zara Nor
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