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The Fuller Brush Man

  • 1948
  • Approved
  • 1h 33m
IMDb RATING
6.8/10
729
YOUR RATING
Janet Blair and Red Skelton in The Fuller Brush Man (1948)
ActionAdventureComedyCrimeMysteryRomance

Striving to be a whiz-bang salesman and screwing up at every turn, Red Skelton turns in a genius comic performance inevitably getting into big trouble, impossible situations and a wild chase... Read allStriving to be a whiz-bang salesman and screwing up at every turn, Red Skelton turns in a genius comic performance inevitably getting into big trouble, impossible situations and a wild chase involving dastardly crooks.Striving to be a whiz-bang salesman and screwing up at every turn, Red Skelton turns in a genius comic performance inevitably getting into big trouble, impossible situations and a wild chase involving dastardly crooks.

  • Director
    • S. Sylvan Simon
  • Writers
    • Frank Tashlin
    • Devery Freeman
    • Roy Huggins
  • Stars
    • Red Skelton
    • Janet Blair
    • Don McGuire
  • See production info at IMDbPro
  • IMDb RATING
    6.8/10
    729
    YOUR RATING
    • Director
      • S. Sylvan Simon
    • Writers
      • Frank Tashlin
      • Devery Freeman
      • Roy Huggins
    • Stars
      • Red Skelton
      • Janet Blair
      • Don McGuire
    • 18User reviews
    • 4Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos9

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    Top cast63

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    Red Skelton
    Red Skelton
    • Red Jones
    Janet Blair
    Janet Blair
    • Ann Elliot
    Don McGuire
    Don McGuire
    • Keenan Wallick
    Hillary Brooke
    Hillary Brooke
    • Mildred Trist
    Adele Jergens
    Adele Jergens
    • Miss Sharmley
    Ross Ford
    Ross Ford
    • Freddie Trist
    Trudy Marshall
    Trudy Marshall
    • Sara Franzen
    Nicholas Joy
    Nicholas Joy
    • Commissioner Gordon Trist
    Donald Curtis
    Donald Curtis
    • Gregory Cruckston
    Arthur Space
    Arthur Space
    • Police Lt. Quint
    Abigail Adams
    • Pretty Girl
    • (uncredited)
    Stanley Andrews
    Stanley Andrews
    • Det. Ferguson
    • (uncredited)
    Mary Bayless
    • Pretty Girl
    • (uncredited)
    Stephen Bennett
    • Secretary
    • (uncredited)
    Paul E. Burns
    Paul E. Burns
    • Gardener
    • (uncredited)
    Anne Burr
    • Pretty Girl
    • (uncredited)
    Cliff Clark
    • Cop in Park
    • (uncredited)
    Chick Collins
    • Blackie
    • (uncredited)
    • Director
      • S. Sylvan Simon
    • Writers
      • Frank Tashlin
      • Devery Freeman
      • Roy Huggins
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews18

    6.8729
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    Featured reviews

    8redryan64

    Post War Euphoria, Hollywood Style

    With the making of THE FULLER BRUSH MAN, Edward Small/Columbia Pictures,(1948) the period of the global hostilities of World War II is officially put to rest by Hollywood.The situations, the humor, the settings are all pointing to the theme of making a living and getting on with the newly won PEACE. There are no references to hostilities,rationing, the draft, nor any 'New Deal' Federal programs.The only connection to the previous wartime situation is the plot line involving the war surplus industry and the crooked individuals (in the story) fraudulently manipulating it.

    This was probably thought to be a 'Small' picture in more ways than one by MGM, the big studio that lent out young star under contract, Red Skelton, for the lead;perhaps much in the same way that they had lent Clark Gable to Columbia & Frank Capra for 1934's IT HAPPENED ONE NIGHT. While it's true that Red did not come back to his home studio with the Oscar as did Gable (Best Actor),Capra(Best Director),Claudette Colbert (Best Actress), Robert Riskin (Best Writing Adaptation) and the Movie(Best Picture) did, but he did give a comic performance that, in this writer's opinion topped his previous outings at MGM.

    Mr.Skelton had starred in the 3 comedies, WHISTLING IN THE DARK, WHISTLING IN DIXIE and WHISTLING IN BROOKLYN, all with the same Director (S.Sylvan Simon), but was never used better or was not funnier on the screen.

    The film, like the previously mentioned Skelton vehicles, has no pretensions about it.It's there to make us laugh. And it succeeds in a most thorough manner,bringing in post war elements such as having to wait for automobiles and home appliances to be made, but placing orders first.The coming on the scene of Television is included. The highlight of the film is a cartoon-like chase toward the end of the picture.(As silly as it may be, my wife and myself were in stitches over it!) Otherwise the story is bright, cheerful,hopeful and looks toward much happier, more prosperous days following the great World War II.
    10Enrique-Sanchez-56

    What a wonderful movie! RED's BEST!

    I saw this on TV in the 60s when Red's weekly show brought us such wonderful laughs and memories. For me, there was only one other TV funny man besides him (the great one-Jackie Gleason). So TV comedies made an impact on me and my sensibilities.

    But the one Skeleton MOVIE which I have always remembered was this movie and the remarkably fun-filled finale in the war surplus warehouse! I finally watched it again on TV again after soooo many years. And by golly, the memory of all of the gags all came back to me and I enjoyed it even more this time. I am sure that the endless gags and funny sequences were copied by scores of comedies.

    These are the types of movies, with their innocent fun and optimism which helped to form my personality and character for the rest of my life.

    Oh woe to the current generation who never had these movies in their consciousness. I consider myself extremely fortunate to be a product of these wholesome movies.

    Thank you, Red, wherever you are. You were very special to me, indeed.
    9JRobert

    Great action and slap-stick film for Skelton, a dandy 4O's classic-comedy..

    Red Skelton could entertain you just with his funny faces, clown like slap-stick pratfalls and knock=about comedy. He was at his best in this fast-action b/w feature that also had in a role as a henchman, great little stunt man, Dave Sharpe. (Watch the wonderful knocks and tumbles during the chase and fight scenes at the end..)And who indeed is the killer of this murder-mystery plot woven into the gags and bang-up routines? Many of the younger movie fans today will understand why Red was a favorite of so many back in the 4O's movies and then later on radio and then on TV,after viewing this one...
    7planktonrules

    A very good Skelton effort

    I've seen most of Red Skelton's films, so I can safely say that this is one of his better films. It's not his best, mostly because his character was goofy but not as sweet as likable as he was in some of his other pictures...plus the end seem to go on a bit long. Still, it's enjoyable and you could do a lot worse!

    When the film begins, Red (Red Skelton) is a total loser who wants to marry his sweetie (Janet Blair). However, she is a realist and knows that Red can't hold a job...and their marriage would be doomed. When he fired from yet another job, he decides he wants to become a Fuller Brush man...selling brushes door to door. Oddly, about a third of the way into the movie, the plot changes dramatically---and Red is pulled into a murder mystery. And, to make it worse, the cops think he's the most likely suspect. Can he, with the help of his girl, manage to find out what really happened and prove his innocence?

    This film is pleasant and fun. As I mentioned above, the ending was a bit of a disappointment as Red's fight with the baddies took very long--too long. It was full of stunts and folks getting bonked on the head. I would have preferred one or two less bonks! Still, it is a lot better than many of his films with MGM where the studio insisted on placing this comic in musicals--which wasted his many talents.
    9denscul

    Red Skeleton's Best Movie

    Even if your not a fan of slap stick or Skeleton's trademark corn this movie captures the best of Skelton in a great comedy. This movie launched his entry into TV and his series still ranks as one of the longest lived. Critics of the show would pan Skelton's unabashed corn, but the Fuller Brush Man was a classic comedy, done as well as your average Marx Brother's work. If you had to pick one Skeleton movie as his best, this is the one.

    The movie begins with Red's complete failures in life and love. Unlike many of his movies and later TV roles, this movie show Skeleton as an actor who could show the pathos of his character. As a fuller brush salesman (a common fixture in the 40's and 50's), the occupation fits perfectly with Red's character as the proverbial pesty door to door salesman. Well on his way to another failure in life, Red gets involved in a murder that seems funnier and more convincing than his previous roles as a slap stick detective. The scenes in the WWII surplus wharehouse are both funny and extraordinarily well done. No computer generated action scenes, just excellent stunt work. If you like happy and funny endings, this movie will not disappoint.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The Fuller Brush Co. approved this picture after it was made clear that Jones was an independent dealer and not an employee of the firm.
    • Quotes

      Red Jones: [kisses Ann, then blows out smoke] What a kiss.

      Ann Elliot: [blows out smoke] What a Fuller Brush Man.

    • Connections
      Featured in Hollywood: The Gift of Laughter (1982)

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    • What does Red mean by "Philo Jones"?

    Details

    Edit
    • Release date
      • June 1948 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • El loco pelirrojo
    • Filming locations
      • Columbia/Warner Bros. Ranch - 411 North Hollywood Way, Burbank, California, USA(park and city scenes)
    • Production company
      • Columbia Pictures
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 33m(93 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.33 : 1

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