IMDb RATING
6.3/10
2.8K
YOUR RATING
A willful woman concocts an elaborate scheme to trap a handsome pediatrician into marriage.A willful woman concocts an elaborate scheme to trap a handsome pediatrician into marriage.A willful woman concocts an elaborate scheme to trap a handsome pediatrician into marriage.
- Director
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
Eddie Albert
- Harry Proctor
- (uncredited)
- …
Jean Andren
- Customer
- (uncredited)
Chet Brandenburg
- Cafe Patron
- (uncredited)
Arnolda Brown
- Customer
- (uncredited)
Helen Brown
- Dignified Woman
- (uncredited)
Rosalie Coughenour
- Model
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Enjoyable, light and fun
As a Cary Grant fan, I enjoyed this movie tremendously. The humor was light hearted and the plot sweet, which can now be interpreted as sick, demented and freaky. A nice change from the ritzy movies of the 40s where everyone is wealthy in top hats and tails. This is a down to earth movie and should be taken with the girl meets boy girl gets boy idea in mind. As for the stalking, it seems to me she put a lot of work into getting her man so to speak in a nice way. Never once did I see it as "spook" movie or psycho thriller. However, if there was a remake in 2006, it most certainly would come out to be an R movie with a lot of gore and hype. Enjoy for the era.
Ha Ha this movie's great!
Ha ha this movie is great! I've never been a Cary Grant fan, but he won me over in this one. This movie is all around funny. Now of coarse the girl in the movie is kinda a stalker, but that's what makes it so great. Watch it, it's cute!
This is primarily a showcase for Betsy Drake
Lonely department store shopgirl Anabel Sims (Betsy Drake) gets hit by love-at-first-sight when she sees pediatrician Dr. Madison Brown (Cary Grant). The only problem is, he doesn't feel the same way, but she's determined to make it happen, even as she's pursued by the rich owner (Franchot Tone) of the store where she works.
This is primarily a showcase for Betsy Drake, so those who don't like her persona are likely to enjoy this less than I did. She and Grant were dating at the time, and they'd marry shortly after the film was released. Despite the seeming control one would assume Don Hartman had, seeing as he received three credits (writing, producing, directing), the truth seems to be that others were really calling the shots. Studio owner Howard Hughes monkeyed around with things so much that studio chief Dore Schary quit. Hughes allowed Grant to rewrite the script and have final say on all subsequent creative decisions, which Grant willing accepted since he wanted to highlight Drake. Things worked out in the end, as this ended up being RKO's most profitable film of the year. I thought that it was funny, and I found Drake charming. Grant doesn't get to shine as much, unfortunately.
This is primarily a showcase for Betsy Drake, so those who don't like her persona are likely to enjoy this less than I did. She and Grant were dating at the time, and they'd marry shortly after the film was released. Despite the seeming control one would assume Don Hartman had, seeing as he received three credits (writing, producing, directing), the truth seems to be that others were really calling the shots. Studio owner Howard Hughes monkeyed around with things so much that studio chief Dore Schary quit. Hughes allowed Grant to rewrite the script and have final say on all subsequent creative decisions, which Grant willing accepted since he wanted to highlight Drake. Things worked out in the end, as this ended up being RKO's most profitable film of the year. I thought that it was funny, and I found Drake charming. Grant doesn't get to shine as much, unfortunately.
Not as sparkling as it could have been, but still well worth watching.
Cary Grant, of course, is always worth watching (Father Goose notwithstanding). Betsy Drake has a great cadence to support her slightly ditsy intonation, and I did not tire of it, as some have said, any more than I do the affectations of July Holiday or Marilyn Monroe.
The plot is not trivial, nor is it totally predictable.
Where this film fails in comparison to others of its era and genre is in the writing. The comedy is amusing enough, and there are some good moments, but the lines do not propel the viewer with the rapid-fire bite that is expected with a setup like this one.
I wanted it to be good enough for a 7, but I will stick with my 6 which in my metrics is still "definitely worth watching".
To those PC reviewers who were "disturbed" by the "stalker" aspect, I say: loosen up, it is a COMEDY! We have all laughed at Lucy being sillier, more extreme and more persistent. Beside, the movie starts by laying out the very sensible premise that a woman should be able to pursue an attractive man in ways similar to a man going after a desirable woman.
eg., Rough paraphrase of girl talk: "What would you do on a date?" "Take him on a drive in the country."
"And run out of gas?" "If I wanted to".
. . . and everything follows from that premise -- logical, consistent and, for me, engaging.
Lastly, I note that the best user ratings, as of this date, are by women of the age of Betsy Drake's character, and not by nostalgic curmudgeons like me.
The plot is not trivial, nor is it totally predictable.
Where this film fails in comparison to others of its era and genre is in the writing. The comedy is amusing enough, and there are some good moments, but the lines do not propel the viewer with the rapid-fire bite that is expected with a setup like this one.
I wanted it to be good enough for a 7, but I will stick with my 6 which in my metrics is still "definitely worth watching".
To those PC reviewers who were "disturbed" by the "stalker" aspect, I say: loosen up, it is a COMEDY! We have all laughed at Lucy being sillier, more extreme and more persistent. Beside, the movie starts by laying out the very sensible premise that a woman should be able to pursue an attractive man in ways similar to a man going after a desirable woman.
eg., Rough paraphrase of girl talk: "What would you do on a date?" "Take him on a drive in the country."
"And run out of gas?" "If I wanted to".
. . . and everything follows from that premise -- logical, consistent and, for me, engaging.
Lastly, I note that the best user ratings, as of this date, are by women of the age of Betsy Drake's character, and not by nostalgic curmudgeons like me.
"It's just the difference between G.I. Joe and General Eisenhower."
Romantic comedy about a young woman (Betsy Drake) determined to snag a handsome doctor (Cary Grant) as her husband. Obviously its old-fashioned ideas will not sit will well with everybody today. Personally I didn't find anything offensive about it. Yes it's dated but I don't watch a movie from 1948 expecting it to appeal to modern sensibilities. Part of the enjoyment of watching older films, at least for me, is they are a window into the past.
Probably not something Cary Grant would have signed on to do were he not trying to help out Betsy Drake, who he was dating at the time. He helped her get an RKO contract and this was her first movie. The two would marry the following year. Cary seems to be on autopilot with the unchallenging material. But a Cary Grant only half-trying is better than most stars giving it their best. Drake is likable despite her character being a stalker. Franchot Tone plays another guy who gets roped into Drake's scheme. All in all, it's a light bit of pleasant but forgettable fluff.
Probably not something Cary Grant would have signed on to do were he not trying to help out Betsy Drake, who he was dating at the time. He helped her get an RKO contract and this was her first movie. The two would marry the following year. Cary seems to be on autopilot with the unchallenging material. But a Cary Grant only half-trying is better than most stars giving it their best. Drake is likable despite her character being a stalker. Franchot Tone plays another guy who gets roped into Drake's scheme. All in all, it's a light bit of pleasant but forgettable fluff.
Did you know
- TriviaThe only film in which Cary Grant and Betsy Drake appeared together before their marriage. They would make only one more film together: Room for One More (1952).
- GoofsWhen the insurance man shows the new car to Anabel on the street, the pole of the microphone is reflected against a window behind the actors.
- Quotes
Dr. Madison Brown: How in the world did Eve ever get Adam when she had no other woman to help her with the subtle little touches?
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsFeatured in The Screen Writer (1950)
- How long is Every Girl Should Be Married?Powered by Alexa
Details
- Release date
- Country of origin
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- Also known as
- Don Hartman's Production of Every Girl Should Be Married
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 25m(85 min)
- Color
- Aspect ratio
- 1.37 : 1
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