Luxury Liner

Jane Powell steps into a role that a decade earlier Deanna Durbin was playing over at Univeral Pictures and making great money at it. Little wholesome Miss Fixit who solves everyone's problems before the film is over and the audience gets a cadenza or two.

Luxury Liner has Jane an opera aspiring daughter of passenger liner captain George Brent. There's an opera festival in Rio and Jane just has to go and the captain says no. What to do, simply stow away, especially with the great tenor Lauritz Melchior on board.

In fact besides Jane and Melchior we also have the Pied Pipers late of the Tommy Dorsey orchestra and the ship's orchestra is that of Xavier Cugat which is perfect for a cruise south of the border. As you can see the musical guests run quite a gamut of musical taste.

Luxury Liner is a nice easy to take musical and quite frankly I miss the days when young teen stars had a great singing range like Deanna Durbin, Jane Powell, Susanna Foster, Gloria Jean. We haven't heard arias from teen mouths in decades.

On a windy, cold March afternoon I loved hearing Lauritz Melchoir, one of the great tenors, a formidable fore-runner to today's tenors. He was able to relate, even in film, his great joy in life and music - a skill that would well serve many of today's artists.

Ms. Powell is as refreshing in this role as the day she performed it. Todays youth can learn from the standards of that era. Her natural talent has always been remarkable both as a singer and actress in later years.

This motion picture joins many of the delightful films of both Ms. Powell and Mr.Melchoir as a part of a heritage and history in the industry we must cherish.

It is good to be reminded in these difficult days in our world that we can still find joy in the moment and seize these pleasant opportunities to reflect on happier times.

"Luxery Liner" was a showcase for young Jane Powell who had scored a box-office smash in her MGM debut film "Holiday in Mexico." It was pure Technicolor musical entertainment geared for the mass audience in the 1940's. "Pap" is a crude word and a choice for those trying to dismiss something they don't understand or want to enjoy. "Luxery Liner" wasn't meant to be Gone With the Wind, just the kind of entertainment audiences enjoyed. Jane Powell is charming and (at that young age) a very gifted singer. (Anyone remember another box-office bundle-of-talent named Deanna Durbin who Louis B. Mayer let slip through his fingers?). Like Miss Durbin, Jane Powell could handle a variety of selections (ballads, operettas, rhythm tunes). In "Luxery Liner" her rendition of "The Peanut Vendor", accompanied by Xavier Cugat's orchestra, is something to hear as she literally "glows with talent." Lauriz Melichor (who she refers to has "my Sinatra"), was discovered by movie audiences in "Thrill of a Romance" (more pap?) couldn't resist her either. At the film's conclusion he pick's her up, like a delicate flower, and glows as they sing and waltz till the end title appears. Some may consider "Luxery Liner" "pap" but, enjoyed for what it is, it's lovely pap. For the record both "Thrill of a Romance" and "Holiday in Mexico" are on Variety's list of all-time box-office rentals. All they did was make a pile of money for MGM and big stars of Esther Williams, Van Johnson and Jane Powell.

Polly Bradford (Jane Powell) is getting left behind as her father Jeremy Bradford (George Brent) captains his ship to Rio. She leaves school and sneaks onboard. He puts her to work in the galley. She befriends heartbroken passenger Laura Dene (Frances Gifford) and is obsessed with fellow passengers opera performers Olaf and Zita. Jane Powell is doing her flighty sassy teenager role. I can do without the opera. Otherwise, it's light fun and light romantic adventures. It's all very light like a Love Boat episode.

If you are a fan of Jane Powell, this is a must-watch. She shows off all of her talents from her lovely soprano voice, gorgeous looks, charm and acting ability. George Brent is very solid as her honorable captain father. The writers play up a common theme in Powell's early pictures at MGM, showing her as a teenager who chases after or pursues/flirts with older men. It is almost as if they made her grow up quicker. She got married the next year at the age of 20. Depending on when they filmed this movie, she was either 18 or 19. Powell was very talented in the way she could show innocence but also the steely resolve of somebody who was the breadwinner for her Oregon family which came from humble roots. I think a 6.5 would be a fair rating for this movie if one appreciates the talents of Powell, who was really a sensational talent who didn't really get a chance to show everything she may have been capable of on screen due to limited role choices.