Miranda

While out fishing, Dr. Paul Martin is himself caught by a mermaid by the name of Miranda. She brings him to her undersea cave, agreeing to release him only in exchange for a trip to London as his "patient". It is made clear early on that Miranda and men find each other irresistible, and she quickly adds the chauffeur and the fiancé of Paul's neighbor to her list of conquests. This causes more than a little consternation among their respective women, whose pity turns to jealous anger over their eagerness to carry and otherwise indulge the wheelchair-bound Miranda. Since Miranda sleeps in a tub of cold water at night, and her diet consists almost exclusively of raw fish, it's only a matter of time before her secret is revealed (one hilarious clue is that she treats the goldfish bowl as sort of a candy dish). Glynis Johns is utterly charming as Miranda, and Googie Withers is excellent as Paul's ultimately understanding wife. Despite the improbable premise, one can't help but be drawn into this very funny film. And don't miss the scene at the very end, which may leave more questions asked than answered.

I remember seeing this film as a very young boy, and I've never forgotten the mesmerizing magical effect that it had on me. I also saw "Mr. Peabody and the Mermaid", but I think "Miranda" was the better of the two films. Although a black and white production, the "special effects" used for the mermaid's tail are still eerily alive in my mind all these years later. Glynis Johns was really funny as the aquatic sea babe. I fully appreciated the more recent Ron Howard film "Splash", in it's own way. I am not at all sure if "Miranda" inspired this modern story, but it's not important, since both stand on their own humorous cinematic merits. I've been wishing, and praying, and hoping to find "Miranda" in the video classic section of my local film rental establishments for years to no avail. I'm not sure if it is available, but it would be a real kick to see it after all these years!

A smart, modest bauble from Britain's Gainsborough Pictures, with effervescent performances by its cast. Peter Blackmore adapted his play about a man-crazy mermaid off the coast of Cornwall who reels in a fisherman; he's a married doctor on 'bachelor's holiday' who is persuaded by the sumptuous siren to take her back to his home in London as his invalid guest. The intimacy of the stage material works well on-screen, with director Ken Annakin keeping the action moving briskly from room to room; there's also an outrageous outdoor sequence at the zoo which comes off very well. The picture looks sleek in shiny black-and-white, and Glynis Johns is just about perfect as the innocent temptress who has men fawning and women fuming (all except Googie Withers as the doctor's wife--she's too worldly to let another female get the best of her!). Johns put the tail back on for a 1954 sequel, "Mad About Men". **1/2 from ****

This is a one-of-a-kind fantasy movie that beautifully showcased such major talents as Glynis Johns and Margaret Rutherford. I can hardly wait til this movie is made available for sale (if the film is still in good shape, why hasn't it been available yet?). In my view, there simply isn't enough information, or good movies, on the subject of mermaids, and hopefully this could be rectified by an updated version of this movie..I haven't casted it in my mind yet, but there are a handful of worthies that come to mind for Miranda. However, it will be a more difficult task to find someone even close to our beloved Margaret Rutherford.

A charming fantasy in which a mermaid appears to a young husband who has got away from it all to go fishing: Glynis Johns shines in the lead as the playful miss with the fish's tail who starts to snare all the men she comes across. Griffith Jones is the man who starts to regret bringing his find back to his home and wife (Googie Withers), while David Tomlinson is appealing as the driver with big ears who Miranda seems particularly taken with.

Quite the best performance in this confection comes from the incomparable Margaret Rutherford, joyous as the ageing nurse who has always believed in the existence of magical creatures such as mermaids. With an amusing and intriguing ending (and a credit ‘ Tail by Dunlop'), ‘Miranda' is one of the highlights of 1940s British cinema. Johns and Tomlinson would appear together again memorably in 1964 as the parents in ‘Mary Poppins'. Jones was still acting on stage recently in his late eighties in small Shakespeare roles. And the mermaid story showed up in another guise with Daryl Hannah, Tom Hanks, and ‘Splash!' some 40 years after ‘Miranda'.