The Weaker Sex

A rather inconsequential drama that offers a post-war pat on the back to all the housewives that kept the home fires burning while their menfolk and daughters were off fighting Nazis. Ursula Jeans is the anchor of both the film and the family that faces the typical highs and lows of domestic wartime life. It's watchable enough, but feels awfully rushed and episodic the longer it goes on, and is probably the only film in which Cecil Parker plays the romantic lead...

This is what the war years British film industry excelled at. Ursula Jeans and Cecil Parker are a widow and friend of the late husband and her assorted adult children and relatives. The action of the film starts with Mrs. Dacre (Jeans) being given a fresh hen by a random soldier-which might be stolen. Parker is seen vacuuming the floor. War has switched their roles. Their growing friendship is nice to watch. Mrs. Dacre's sister is directly involved in the war so has the luxury of a free uniform, and they frequently clash. A son and daughter are in uniform too. The small issues set the restrained tone, not unlike Mrs. Miniver and Since You Went Away. But inevitably the war and DDay inflict a series of tragic events onto the people connected to Mrs. Dacre.

Now that the last of this generation is down to a few, films such as these will become more important as a cultural record.

If you have any interest in home front history, you'll enjoy this. I found it remarkably moving. The action sequences are terrific and the sets help to remind us how we live in relative luxury compared to life during wartime.

Definitely recommend.

Cheap-looking, studio-bound and obviously based on a play, but it looks good and is to be cherished as a very rare film lead for the charming Ursula Jeans.

This small scale English movie was beautifully crafted by talented hands behind & before the camera. Notably, cinematographer Erwin Hillier, (whose b & w night scenes were beautifully composed and lit here), and a familiar and likable cast headed by Ursula Jeans and Cecil Parker added to this ironically titled film. Set around the central event of D-Day preparations and the aftermath of all the concentrated activity on the war, it demonstrated the emotional ripples on such events throughout the lives of the characters, centering on the household of Jeans, her children, and the military service personnel who come in and out of their lives as boarders during the war.

While some might dismiss this as a trite movie about inconsequential people in a great turning point in history, the strength of this film is that detailed, largely domestic focus on the wartime anxieties, hard work and, of course, usually stoic British attitudes toward the war. This was heightened by the skilled filmmakers' ability to show the emotional ebbs and tides surging beneath the seemingly placid surface of the characters' lives. One illustration of this was the work of character lead Cecil Parker as a middle aged naval officer and widow Ursula Jeans as they quietly realized that their platonic friendship was deeper than either had fully realized.

The cast and crew were some of the best British movies had to offer. This moving tale of what it was like in England in and just after the war years. I really enjoyed Thora Herd as the ever reliable Char lady, chatting all the time with nothing to say she was perfect. Cecil Parker who was head over heels in love with delightful Ursula Jeans but did not have the nerve to tell her till 2/3rds through the film, very English. The trivia was exactly right. A real who's who in the British film industry. Roy Baker directing, Vetchinsky art direction and Hillier a master of black and white photography. Miur Mathieson, music Seeing this 1948 movie for the 1st time in 2004, I was prepared to be disappointed but was not.