Boston Blackie's Chinese Venture

... and let me say that I really miss George E. Stone as "The Runt" in this last Boston Blackie entry. Stone as The Runt was not that helpful in solving any of the crimes in the Boston Blackie series, but he had a naive charm and fierce loyalty to Blackie that made him a joy to have around. Sid Tomack's Runt is more like a gentleman's gentleman to Boston Blackie, an Alfred to his Batman. He's just not fun to watch.

The mystery is among the least compelling of the series too. The Chinese proprietor of laundry (eye roll) is found dead behind the counter at his business, and because Blackie is outside and has laundry at the establishment, Farraday accuses him? This seems a bit contrived versus where there were some entries where Blackie really DID look guilty. So Blackie sets out to solve the mystery as to who is the killer and what is the motive. The whole thing was rather dull involving jewel thieves hiding their wares in tea, and by the end of the film I needed some tea to stay awake.

Now the good. Chester Morris always satisfies as the suave cool reformed thief Boston Blackie. And there is a bit about a tour of "Chinatown" that does poke fun of the stereotypes people held at the time concerning Asian people. A tour guide promises to show a gullible tour group "the seamy side" of Chinatown. He shows them a "Chinese gambling den" (it is really just some Asian guys playing poker like anybody else might do) and "Chinese slave girls working their way to freedom" (again staged - as soon as the tour group leaves the women start talking about their college classes), and supposedly a "tong war" breaking out. Just one thing - didn't anybody in the group think of calling the police about the allegedly enslaved girls?

This one is really a take it or leave it proposition. Without Chester Morris in the lead, I would definitely have left it.

The final chapter in the Boston Blackie saga starts off briskly and without surprises: Blackie drops off his laundry just moments before the laundry proprietor is discovered murdered; Inspector Farraday arrives on the scene to investigate and quickly deduces that Blackie is involved; Blackie chuckles along with Farraday but realizes he is going to have to find the real killer to clear himself. –That's all in the first five minutes, of course. The rest of the action includes stolen jewels, phony Chinatown underworld tours, and a couple of large piles of tea. It's all quite enjoyable…not the best in the series, but an adequate if unspectacular finale.

Chester Morris is as steady as ever as Blackie--smart, smooth and snappy. Richard Lane's Inspector Farraday is still (Wile E. Coyote-like) confident in the face of all previous experience that he will sooner or later make something stick to Blackie. The only real sign that the series was ending was the absence of George E. Stone as the Runt; Sid Tomack is passable in the role but not really a replacement.

The film's most shocking moment comes when Frank Sully's Detective Matthews has perhaps his first bright idea in fourteen films—noting that the gunshots just heard from inside the movie theater could not have been part of the movie playing, because it's a movie about Robin Hood! (And here he points out the movie poster for The Prince of Thieves; also coming soon to that theater, I noticed, was The Mating of Millie—nice advertising for a couple of 1949 Columbia features that I suppose I will have to put on my long list….)

One great moment: The Chinese "gamblers" dropping their act and resuming their real game when the door closes on the peeking tourists—"All right, fellas," one says, "let's pick up the bridge game where we left off."

It would have been a huge surprise if Blackie and the Runt had not disguised themselves as Chinese in at least one scene….Overall, it's a fair mystery with a few unique moments: a solid finish to the series.

Well, finally the writers of the 'Boston Blackie' crime adventures that entertained the audience so fabulously for a whole decade DID seem to run out of new ideas; or maybe this kind of crime movie just wasn't 'fashionable' anymore? The VERY long-running 'Charlie Chan' movie series ended the same year...

Of course, there is some solid suspense and quite a few good jokes in this last case of Blackie's (like when Sergeant Matthews 'keeps an eye' on Blackie walking up and down in his apartment all night - while it's really a cardboard figure tied to a toy train moving around!), and we get a glimpse of New York's Chinatown, where some very shady business is being done - but mostly by white people! It's not one of the best entries in the series, it's REALLY a swan song - but it's still better than many other 'average' crime movies.

George E. Stone, who had played the 'Runt' in almost all of the movies, is already missing here - and now it's curtains for the series as a whole. One of the most entertaining, inventive and funny crime movie series of all times, with one of the BEST protagonists: Chester Morris, alias Boston Blackie...

Boston Blackie (Chester Morris) is seen leaving a Chinese laundry moments before the owner is discovered murdered inside. Shockingly, Inspector Farraday does NOT arrest him but lets him go due to lack of evidence. Blackie investigates the case himself before Farraday realizes this time he actually did have just cause to take Blackie in.

The last of the Boston Blackie series is far from the best but still enjoyable. Chester Morris and Richard Lane are good as always but this time George E. Stone is missing. His character, The Runt, is here alright but he's played by Sid Tomack. Charlie Chan fans might like to know that two of the actors who played his sons, Victor Sen Yung and Benson Fong, have bit parts here. The humor is the best part of this one, such as the funny one-liners or the phony tour of Chinatown's underbelly. At least they had the sense to end the Boston Blackie series before it became pathetic like some of them did. I'm looking at you, Monogram Charlie Chan.

"Boston Blackie's Chinese Venture" is the last in the Boston Blackie series, filmed in 1949. Thanks to Blackie, Chester Morris had to return to the theater, as he was quoted as saying, "After ... these films, a producer wouldn't put me in an 'A' movie even if I paid for the privilege."

Without the good-looking, amusing Morris as Blackie, the series would not have worked as well as it did. The stories were usually very formulaic, and you really had to love the Runt in order for him not to become annoying. (The Runt here is Sid Tomack and not George E. Stone.)

This story is actually kind of interesting - Blackie gets involved with a diamond smuggling ring in Chinatown after the owner of a laundry is found dead right after Blackie dropped off his laundry! Of course, as usual, he has to clear his name or be arrested by Inspector Farraday.

The fun part about this film is the underground Chinese tours for tourists showing gambling, dancing slave girls, etc. - all fake, with the performers dropping their acts as soon as the tour guide moves on.

Sorry to see Blackie go, but it became a TV show in the '50s starring Kent Taylor, a very different type from the amiable Morris.