Brimstone

This Republic Pictures western is at least a real western, and not a cabaret, music hall, burlesque revue movie - called western because it took place in the late 1870's - for which Republic studios were the specialists of. It is an action packed movie, also offering Walter Brennan, as good and convincing as usual, and also Jim Davis, before he became notorious as one of the DALLAS series Ewing leader. Yes, I like this Joseph Kane's western he who was the main western provider for Republic Pictures. The Trucolor helps a lot to appreciate the film and the story holds you all long the story. So, for those among you who are used to the Republic westerns, this one is good, yes, but offers nothing special, with Rod Cameron and Forrest Tucker, as in a John Ford's western, Ward Bond and John Wayne.

Basically, this Republic western from the late 1940's is Walter Brennan all the way with admirable support from two of his sons in the film, Jim Davis and Jack Lambert. The so-called star of the show, Rod Cameron, is only so-so and the rest of the cast mainly plod through their lines without much inspiration; this includes the likes of Forrest Tucker, Jack Holt, and "Big Boy" Williams, three screen stalwarts who usually did much better in the acting department.

Walter Brennan as the title character, Brimstone, reprises his Old Man Clanton role from "My Darling Clementine," which he parodied twenty years later (still an old man) in the magnificent "Support Your Local Sheriff!" Jack Lambert as the dullard son, Luke (reprised by Bruce Dern in "Support Your Local Sheriff!"), has one of the best lines in the film. Pop Brimstone uses the expression, "...Just as sure as the world is round." Surprised by his dad's revelation, Luke blurts out, "Round?" Later, Luke is still puzzled and tries to convince his dad otherwise. "I've been thinking, Pop. The world can't be round...cause if it was, the people down in China would be standing on their heads." Luke comments while distorting his face and body to indicate the predicament of those living on the bottom of the earth. Why Jack Lambert never received his just deserts for his acting talents remains a mystery.

The story is a bit lopsided and in places seems made-up as the film progresses. Generally, it's about the Courteen family of ranchers led by the old man who refuses to accept the end of the open range. He continues to fight a war against homesteaders, nesters, squatters, and the like by robbing stagecoaches of loot being transported for the interlopers. Suddenly, a mysterious stranger appears on the scene to begin robbing the robbers. The mysterious stranger teams up with the local sheriff to ferret out the real thieves. In the process he becomes involved in a split within the Courteen family concerning the youngest son, Bud (James Brown), in love with a nester, Molly Bannister (Adrian Booth). Bud finds himself in trouble with the law and with his own father. Unraveling the twisted plot is not easy but by the end of the show a satisfactory resolution takes place with a few surprises along the way.

Keeping with its reputation for delivering plenty of action, Republic makes sure there are fisticuffs and chases. The studio would possibly have been better off shooting "Brimstone" in black and white. The color leaves much to be desired with a few tinted black and white inserts. This may have been a bigger budget film for Republic, but cost cutting is still obvious with rear projections and backdrops clearly visible in several "outdoor" scenes. "Brimstone" is still a pleasing shoot-'em-up for fans of the genre.

*Stagecoach* used to be my favorite Western, but *Brimstone* may supplant it. Brimstone has no intellectual pretensions, but it's a perfect distillation of all cowboy movies. Every line is a great cliche.

Pop "Brimstone" Courteen (Walter Brennan) and his sons, Nick, Luke and Bud, run a ranch outside the town of Gunsight, and are none too happy about the recent arrival of homesteaders in the area. Determined to cut off the interlopers' supplies, the Courteens rob incoming stagecoaches and even the local bank. But things change when a U. S. marshal (Rod Cameron) arrives in town to investigate, and Bud falls in love with one of the hated homesteaders.

Brimstone is a thoroughly engaging western with plenty of family conflicts, shoot-'em-up action, twist and turns, smart dialogue and betrayals. It's fast-paced, tightly-plotted with strong characterisation. Forest Tucker plays a crooked sheriff mixed up in the Courteens' misdeeds, Rod Cameron plays an undercover federal agent with a scheme of his own to bring down Pop and the boys, but it's Walter Brennan in an atypical role as Pop who steals the scene. He's a real horrid character and the embodiment of a dysfunctional father; he's quite abusive, verbally and physically. He puts them down and controls them with an iron fist. No wonder his sons are bad 'uns. Well one of them isn't so bad, he's in love with a homesteader and Brennan doesn't approve. When he learns the couple have eloped, his response is to go after Bud and kill him! What a loving father. Jack Lambert, who plays one of Pop's sons, lends some humour as a lard-headed thug who is surprised that the earth is round! Ends with an exciting Stagecoach chase.

This one would have gone over well with the under 12 crowd, many years ago. For you young folk, once upon a time movie theaters had matinees for kids every Saturday morning. Starting times varied - ours started at 10:00 am, and consisted of some cartoons, a serial, maybe a comedy short, and then a (fair-to-middling) western feature film. "Brimstone" would have filled the bill for one of these, and if I were 11 I would have rated it higher.

"Brimstone" is a typical two-dimensional western devoid of rational thought and motivation, the type produced by the carload by Poverty Row studios in the 40's. It has lots of action, with fistfights and shoot-outs and hombres talking tough. This one has stalwart Rod Cameron as a US Marshal trying to apprehend some stage robbers, in fact a family of them. The family is headed by Walter Brennan in iron-fisted fashion as a cantankerous old rancher, and he makes the most out of his chance to carry a movie. He is like Moe and his sons like the other Stooges, aided by some unintentionally funny dialogue and knockabout comedy, as the British would say. (Of course,this is supposed to be deadly serious stuff).

There are the usual plot dead ends and unresolved loose ends which I always find annoying, but at the age of 11, who would notice? There is enough action to fire up the young audience, and cause the matron to descend on us and order all concerned to be quiet, flashlight in hand.