IMDb RATING
7.9/10
2.6K
YOUR RATING
Wile E. Coyote makes 11 disastrous attempts to catch the Road Runner.Wile E. Coyote makes 11 disastrous attempts to catch the Road Runner.Wile E. Coyote makes 11 disastrous attempts to catch the Road Runner.
- Director
- Writer
- Stars
Mel Blanc
- Coyote Effects
- (voice)
Paul Julian
- Road Runner
- (voice)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
The first Roadrunner and Wile E. Coyote cartoon, and one of the best
Most of the Roadrunner and Wile E. Coyote cartoons are great fun to watch, although the series generally ran out of gas in the 60s. Fast and Furry-ous is their debut and to this day is still one of their best and funniest cartoons.
The animation is great, some of the best of the series in fact. The colours are beautiful and vibrant, the backgrounds are simple but still very detailed and attractive, the physical comedy is all tightly edited and the character designs, while more elaborate for Coyote here than with his later and more famous look, are very nicely done and smooth. Music is courtesy of the consistently brilliant Carl Stalling, it doesn't disappoint here and I prefer his livelier and more richly orchestrated scoring to that of Bill Lava's in the later cartoons.
Fast and Furry-ous is also incredibly funny, one of the funniest of the entire Roadrunner and Coyote cartoons and this is all with no dialogue at all. The physical comedy is impressively animated and is never less than amusing, at its best hilarious, while the sight gags are equally terrific, the highlight being the refrigerator gag, one of the most original, elaborate and ingenious gags of any of the Roadrunner and Coyote series. The painting-the-tunnel-on-the-stone-wall gag works well too, even if it was repeated numerous other times throughout the series, and the razor sharp pacing helps. Who can't help love the Oliver Hardy-esque looks into the camera too? The story avoids being too repetitive or formulaic and the fresh material, as well as that it's their first cartoon, helps give a sense of originality.
Both characters work great together. Roadrunner is one-dimensional, but amusing and never annoying, but it is Coyote who is the funnier and more interesting character. Cunning yet very easy to sympathise for and with priceless facial expressions, he's one of Chuck Jones' best creations. Overall, a wonderful cartoon in all regards, and one of the best of the Roadrunner and Wile E. Coyote cartoons. 10/10 Bethany Cox
The animation is great, some of the best of the series in fact. The colours are beautiful and vibrant, the backgrounds are simple but still very detailed and attractive, the physical comedy is all tightly edited and the character designs, while more elaborate for Coyote here than with his later and more famous look, are very nicely done and smooth. Music is courtesy of the consistently brilliant Carl Stalling, it doesn't disappoint here and I prefer his livelier and more richly orchestrated scoring to that of Bill Lava's in the later cartoons.
Fast and Furry-ous is also incredibly funny, one of the funniest of the entire Roadrunner and Coyote cartoons and this is all with no dialogue at all. The physical comedy is impressively animated and is never less than amusing, at its best hilarious, while the sight gags are equally terrific, the highlight being the refrigerator gag, one of the most original, elaborate and ingenious gags of any of the Roadrunner and Coyote series. The painting-the-tunnel-on-the-stone-wall gag works well too, even if it was repeated numerous other times throughout the series, and the razor sharp pacing helps. Who can't help love the Oliver Hardy-esque looks into the camera too? The story avoids being too repetitive or formulaic and the fresh material, as well as that it's their first cartoon, helps give a sense of originality.
Both characters work great together. Roadrunner is one-dimensional, but amusing and never annoying, but it is Coyote who is the funnier and more interesting character. Cunning yet very easy to sympathise for and with priceless facial expressions, he's one of Chuck Jones' best creations. Overall, a wonderful cartoon in all regards, and one of the best of the Roadrunner and Wile E. Coyote cartoons. 10/10 Bethany Cox
The first ground-breaking short in the series of Road Runner films.
The Road Runner films form one of the most famous theatrical cartoon series ever. They are also some of the most hilarious in terms of visual comedy, and never get old. Though there is just a simple formula that is exploited throughout, and it is repetitive, it never goes bland. This also means no cartoon stands out, nothing particularly memorable. But this cartoon does shine brighter, not only because of its greatness as entertainment but because it was the debut of both stars, and the makers were not short of ideas. The usual facial expressions and high-quality - though slightly outlandish due to the early date - animation is combined with fresh and new gags, which were at the time not dated and only the cream of the crop of ideas were used. Highly recommended.
first Coyote, Road Runner cartoon
Wile E. Coyote spots the Road Runner from high up. He chases after his dinner, but he is nowhere near fast enough. He sets out with various tricks. He uses a lid, a boomerang, a school crossing, a rocket, a giant rock, a painted tunnel, explosive, a flying costume, a refrigerator and skis, jet-propelled tennis shoes, and finally a short cut.
This is most notable for being the first Road Runner cartoon. It is a great start. These characters are off and running in a highly successful side franchise. In this one, the Road Runner road map gets drawn. A lot of these attempts would be reused in future shorts.
This is most notable for being the first Road Runner cartoon. It is a great start. These characters are off and running in a highly successful side franchise. In this one, the Road Runner road map gets drawn. A lot of these attempts would be reused in future shorts.
The Start of a Beautiful Friendship
The first of the Roadrunner cartoons sets things up nicely. We get to see some of the precious moments that will appear throughout their "careers." There are refrigerators, rockets, painted tunnels, and on and on. We also get to see the coyote stunned by the speed of the roadrunner when he sees him run for the first time.
10llltdesq
This is the first of the Wile E/Road Runner shorts
This short marks the first appearance by either Wile E. Coyote or The Road Runner on-screen. Wile E. is really the star here and a more interesting character, to be sure, but their relationship is really a symbiotic one. Without each other, neither would have had success in films. This short more or less sets the tone for the series: lots of sight gags and a probable increase in Wile E. insurance premiums, while his insurance agent lives on antacids and his agent checks on his remaining hit points with each accident. Most certainly a gem and worth watching. Recommended.
Did you know
- TriviaThere was a gap of nearly three years between this and the second Road Runner cartoon, Beep, Beep (1952). Chuck Jones only intended it to be a one-shot cartoon, but the reception given by the public made him change his mind. He was especially persuaded by a letter from a U.S. Navy pilot, who claimed that pilots were imitating the Road Runner's "beep beep" call while doing maneuvers.
- GoofsWhen Wile is tossing the boomerang up and down, his tail disappears for a few frames.
- Quotes
Road Runner: Beep, beep!
- Crazy creditsRoadrunner (Accelerati Incredibulis)
- Alternate versionsIn the ABC version, the scenes where Wile E. Coyote tries to explode the Roadrunner with dynamite and Wile E. being caught in the explosion were cut.
- ConnectionsEdited into The Bugs Bunny/Road-Runner Movie (1979)
- SoundtracksI'm Looking Over a Four-Leaf Clover
(uncredited)
Music by Harry M. Woods
[Heard when the two antagonists chase each other through a 3-loop highway clover leaf]
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Fetzig und hetzig
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $14,753
- Opening weekend US & Canada
- $12,285
- Feb 16, 1998
- Gross worldwide
- $14,753
- Runtime
- 7m
- Sound mix
- Aspect ratio
- 1.37 : 1
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