The History of Mr. Polly

John Mills prefers to read and dream rather than learn the haberdasher's trade, so he's fired. His father up and dies, and leaves him a nice sum of money. He enjoys bicycling around, saying he is "looking for a busienss to invest in", but marriage with his cousin, Betty Ann Davies, forces him to be a shop. It soon turns into a dull routine and marginal business. He burns it down for the insurance, then takes off. Soon he has settled down at a waterside inn run by Meg Jenks, punting the ferry and doing odd jobs.

Anthony Pelissier did not have a tremendously productive career as a writer-director, but he turned out fine screen transitions of literary works. In his first movie, he tackles H. G. Wells novel about a man who just wants to get by and not meddle in affairs that are none of his business.... and as it turns out, he does meddle and demonstrates that, as ridiculous as he appears fighting off Miss Jenks' drunk and vindictive uncle Finlay Currie, time and chance are on his side. What we are to make of this, except that people are ridiculous, I don't really know. But it does demonstrate that. With Diana Churchill, Sally Ann Howe, Juliet Mills, Moore Marriott, and Irene Handl.

Ever found yourself caught up in a daydream when you should be doing something more important? But just can't help it and prefer to live there than in reality?

Ever wondered what your place in the world is and tried so hard to fit in and follow convention? even though deep down you're not really sure if a conventional life is the one you'd really Belong in?

If you Can relate to these sentiments this is the film for you. You will instantly recognise yourself in Mr Polly. Otherwise I concede you will not understand the appeal of this film. Mr Polly is not meant to be a hero he is just a man who finally finds the courage to follow the beat of his own drum. He starts the film a work shy oddball, one of life's failures who has fallen into a domestic situation with his cousin and contemplates Suicide. But he can't even do this right. Realising that at nearly 40 that if you don't like Your life you can change it instead of ending it, he sets off into the countryside and finds his place in the world.

It's an unusual topic for a film and therefore as time has marched on It's peculiarity has helped to turn it into a minor gem.

John Mills plays the part of Mr Polly wonderfully. This is also the first film he produced and shows he was keen to flex his acting abilities. Apparently the audiences at the time didn't like him playing a middle-aged odd ball, but Modern audiences will be free to see his characterisation without the preconceptions of John Mills being the definitive military hero. The rest of the cast are good too, even Juliet does a good turn as Uncle Jim's Niece.

The musical score is very good and really adds to the comedy/action scenes of the fight with Uncle Jim and the Suicide Attempt. Sometimes the films scores In old films can be a bit too much for my liking, but not in this case.

I was underwhelmed by the tale of a simple and weak character, Alfred Polly, played by the stalwart of the British cinema, John Mills, who has had enough of being henpecked, so leaves her and his shop to seek fresh pastures. It has several amusing scenes where Mills encounters the drunken, oafish Uncle Jim, played by the wonderful Finlay Curry, but overall the film is disappointing, for it seems to drift aimlessly from one scene to another without a clear and cohesive thread. I loved the music which gives the film a carefree and whimsical dimension but the real problem with the film is it's central character. It's very difficult to sustain interest in Mr Polly, a meek and mild character, who's simply wishing to see a quiet life.

HG Wells was one of the most successful novelists of the early 20th century, particularly famous for his science fiction. But earlier his tales of life among the ordinary people won him great success and eventually a wide reputation as a thinker and commentator as well as a writer. He wrote from personal experience - his mother was a domestic servant in a great house called Uppark, now one of the showplace of the National Trust. Mr Polly was a typical Wells characters - easy-going, unambitious, an innocent in a wicked world. John MIlls, one of the best-loved of British actors, captures perfectly the character of this harmless, well-meaning man, destined to be pushed hither and thither by a variety of females. But the film lack a strong story line and is often aimless and boring. THere are some hilarious scenes - the funeral of his father, which was more like a wedding party than a wake, with young women circling the newly rich innocent like sharks round a seal. Best of all was the scene where Mr Polly tries his hand at punting, struggling with his passenger and throwing them both in to the water. The music here was brilliantly written for the wind of the orchestra and played by a team of virtuosos with an outstanding clarinettist - who were they? The composer William Alwyn was probably the most prolific film composer of his or any generation. His work here saved the film from well-meant but earnest tedium. There should be a celebration of Alwyn's contribution to the art of film.

I echo all the good things said about this brilliant film. As for the contributor who claimed Mills did not receive enough credit in his career. . . the man was given a knighthood - how much credit does one need? As I write this comment, the film is being shown (yet again) on the Film 4 TV channel. It's one of those films (and there are many of them) which one can watch year after year and still find it entertaining, despite knowing each scene by heart. Since I discovered that a version of the film was planned and then abandoned in Hollywood with Charles Laughton in the title role, I can't help imagining Laughton speaking the lines as I watch the excellent John Mills.