The History of Mr. Polly

Ever found yourself caught up in a daydream when you should be doing something more important? But just can't help it and prefer to live there than in reality?

Ever wondered what your place in the world is and tried so hard to fit in and follow convention? even though deep down you're not really sure if a conventional life is the one you'd really Belong in?

If you Can relate to these sentiments this is the film for you. You will instantly recognise yourself in Mr Polly. Otherwise I concede you will not understand the appeal of this film. Mr Polly is not meant to be a hero he is just a man who finally finds the courage to follow the beat of his own drum. He starts the film a work shy oddball, one of life's failures who has fallen into a domestic situation with his cousin and contemplates Suicide. But he can't even do this right. Realising that at nearly 40 that if you don't like Your life you can change it instead of ending it, he sets off into the countryside and finds his place in the world.

It's an unusual topic for a film and therefore as time has marched on It's peculiarity has helped to turn it into a minor gem.

John Mills plays the part of Mr Polly wonderfully. This is also the first film he produced and shows he was keen to flex his acting abilities. Apparently the audiences at the time didn't like him playing a middle-aged odd ball, but Modern audiences will be free to see his characterisation without the preconceptions of John Mills being the definitive military hero. The rest of the cast are good too, even Juliet does a good turn as Uncle Jim's Niece.

The musical score is very good and really adds to the comedy/action scenes of the fight with Uncle Jim and the Suicide Attempt. Sometimes the films scores In old films can be a bit too much for my liking, but not in this case.

... because in its entirety the film is very satisfying.

Mr. Polly (John Mills) is hard to root for. He is a lazy employee in a shop who gets fired for reading novels when he should be working. He spends months looking - not very hard - for another job when he gets news his father died. His father left him a small inheritance, and so he decides to open a shop himself, although he hated working in one. Then he decides he needs a wife. He falls for a schoolgirl ten years younger than himself, but it turns out she is just teasing him for the amusement of her friends, so he dispassionately marries a spinster cousin.

15 years later we are shown where Polly is - on the verge of bankruptcy, with his wife constantly nagging him about things that seem to be very true about himself. The shop is a failure, in part because it is chaotic - it does not seem to have a theme at all. So the unhappy Polly decides to commit suicide by burning his shop down with him in it while his wife is at church. Polly succeeds at burning the shop but not himself, and decides to hit the open road. And it is at this point he becomes a completely different kind of person than he has been for the first half of the film. In other words, he does become somewhat admirable - focused, not lazy. The odd thing is that Polly has no real basis for any of the actions he takes at any stage of his life. He certainly isn't doing anything because he wants to do so, and in some cases his actions make him unhappy, and in latter cases they lead to happiness.

The entire thing is very ironic as the first and second parts merge into a very ironic and short third act. It's definitely original, and John Mills always improves any film.

HG Wells was one of the most successful novelists of the early 20th century, particularly famous for his science fiction. But earlier his tales of life among the ordinary people won him great success and eventually a wide reputation as a thinker and commentator as well as a writer. He wrote from personal experience - his mother was a domestic servant in a great house called Uppark, now one of the showplace of the National Trust. Mr Polly was a typical Wells characters - easy-going, unambitious, an innocent in a wicked world. John MIlls, one of the best-loved of British actors, captures perfectly the character of this harmless, well-meaning man, destined to be pushed hither and thither by a variety of females. But the film lack a strong story line and is often aimless and boring. THere are some hilarious scenes - the funeral of his father, which was more like a wedding party than a wake, with young women circling the newly rich innocent like sharks round a seal. Best of all was the scene where Mr Polly tries his hand at punting, struggling with his passenger and throwing them both in to the water. The music here was brilliantly written for the wind of the orchestra and played by a team of virtuosos with an outstanding clarinettist - who were they? The composer William Alwyn was probably the most prolific film composer of his or any generation. His work here saved the film from well-meant but earnest tedium. There should be a celebration of Alwyn's contribution to the art of film.

Alfred Poly is a timid young man who reads and enjoys a life of leisure. His daydreaming losses him job after job and he finds his daydreams all he's left with. After the death of his father he marries a girl because it seems the right thing to do and they plan to open a shop together. 15 years later he is married to an abusive spiteful wife and feeling trapped in his little life. Plans to burn his shop down and kill himself led him to become a hero and decide to strike out to make a new life for himself.

Based on HG Wells story (which I have not read) this classic film is a reasonable little tale that maybe suffers from being too short. The plot spans something like 20 years (most of which is covered by a subtitle) and doesn't give us enough time to really get to know Poly well enough to get behind him. Instead the film tries to have a sort of light comedic feel to it. However for me this doesn't sit well with the subject of a man's life and the journey he eventually decides to make.

Some of it is amusing enough but really I needed to feel more for Poly. The fast track and the set pieces prevented me knowing enough about him to care beyond the fact that he wants a mediating quiet life - but this fact is painted thick without developing character. The actual moral of the tale is difficult to reach but appears to be about overcoming personal weakness to have the life you want, as seen in Poly's final journey.

Mills is good in the lead but does lay on the whole `I want a quiet life' thing a bit thick and doesn't blend it well with the comedic touches (although he does do these well). The support cast are fine but do tend to drift in and out of Poly's history. Although they do help to know Poly better as they reflect his changing life and they all have an impact on who he is.

Overall this is very light when it should have had better character development and the comedy doesn't sit well with the heavier tale of Poly's search for the life he wants.

I echo all the good things said about this brilliant film. As for the contributor who claimed Mills did not receive enough credit in his career. . . the man was given a knighthood - how much credit does one need? As I write this comment, the film is being shown (yet again) on the Film 4 TV channel. It's one of those films (and there are many of them) which one can watch year after year and still find it entertaining, despite knowing each scene by heart. Since I discovered that a version of the film was planned and then abandoned in Hollywood with Charles Laughton in the title role, I can't help imagining Laughton speaking the lines as I watch the excellent John Mills.