Mighty Joe Young

RKO managed to put out a sweet movie, even with the cheesy backdrops (the African scenes) and special effects (they obviously used toy vehicles in one scene). You'll root for the good guys and laugh at the rougish character played by Robert Armstrong as he schemes to get Joe back home. Look for Irene Ryan (who later played "Granny" on the Beverly Hillbillies) in a quick scene in the nightclub.

When many people bring this film up, many of them want to compare it to its predecessor King Kong. However, if they would let this film stand on its own they would see that this is a good film about a young girl and her pet gorilla. Joe is almost childlike and is even lovable. Also, the human cast is fine especially Terry Moore and Robert Armstrong in what pretty much is a repeat of his role of impresario Carl Denham in the original Kong.

But, lets not forget the special effects. Willis O'Brien and his protégé, a young Ray Harryhausen do a remarkable job with Joe. The pretty much show him as being a more rounded character than Kong and you can see the aforementioned childlike qualities they bring to him. This is definitely a great film.

An African girl (Terry Moore) is best friends with a twelve-foot tall ape named Joe she grew up with. American promoter Max O'Hara (Robert Armstrong) persuades the girl to bring her ape to America to take part in his show. You can pretty much guess how this will go wrong even if you haven't seen King Kong.

First big role for Ben Johnson as a cowboy who falls for Moore. He's pretty wooden here but then again he was a fairly wooden actor throughout his career. He does his usual John Wayne, Jr. routine. Lots of "Yassir" and "Ah reckon" type stuff. Robert Armstrong plays a role very much like Carl Denham from King Kong, although a little more comedic. Terry Moore is more Helen Mack than Fay Wray. That is to say she's cute but not much screen presence.

Re-teaming of many of the King Kong team for a story that is very similar to that film, although different enough to keep this from being considered a remake. The story is mostly kid stuff and fluff but cute nonetheless. The Willis O'Brien/Ray Harryhausen special effects alone are worth checking this movie out.

Great film about an oversize gorilla (about 10-11 feet), its owner (Terry Moore) and what happens when an unscrupulous promoter Max O'Hara (Robert Armstrong) lures them from Africa to America to become a hit. Let's get the bad stuff out of the way--the story is nothing new; Terry Moore and Ben Johnson are among the worst actors I've ever seen and there's zero lack of characterization among the humans. But when Joe Young appears all is forgiven. He looks great, moves realistically and has incredible facial motions. You can tell exactly what he's thinking by his expressions! Also, the scenes where he's grappling with humans, horses, lions look extremely realistic--that's saying a lot for a film that's over 50 years old! A fun family film. Try to see restored prints--there's a final sequence involving a burning building in which the whole reel is tinted red--very nicely done.

MIGHTY JOE YOUNG is essentially a smaller, pared-down re-run of KING KONG, with everything taking place on a smaller scale and perhaps a slightly younger audience in mind. It's nevertheless an extremely watchable and at times powerful piece, one that's at its best when depicting the worst of human nature; namely Joe's transformation from king of the jungle to a side-show freak.

Such films are inevitably dated now, presenting a view of a world long forgotten. Despite this, MIGHTY JOE YOUNG is gripping and exhilarating in equal measure. The opening sequences are slightly twee, but once the action shifts to Hollywood it gets better and better, especially the extended "will they make it?" climax. The scene with the burning building is an incredibly complex set-piece and one which is executed beautifully.

KING KONG guru Willis O'Brien was the guy headlining this production, but by all accounts stop-motion king Ray Harryhausen did most of the work, and Joe is one of his best creations; not only is he a realistic monster, but like the best of the stop-motion beasties, he's a recognisable character too, and one you empathise with. The rest of the production is well-paced and well-made, with a level of finesse raising it above the level of the competition.