Mr. Soft Touch

Joe Miracle (Glenn Ford) is on the run from the law. He's a returning vet who finds his San Francisco nightclub under the control of the mob. His friend and partner Leo is presumed dead. He steals $100k from formerly his own club and tries to sail for Yokohama on Christmas Eve. He assumes a different identity to hide until his ship arrives. Sweet social worker Jenny Jones believes him to be a down-and-out musician named Victor Christopher.

This is mostly crime drama with a touch of Christmas inspired goodwill. I don't care that much about the crime drama. The feel-good scenes are really touching. I love the blanket scene. I really wish that this is more a Christmas movie rather and less a neo-noir crime drama.

I see from other reviews that some viewers are troubled by this film's failure to fall squarely into the comedy or noir genres. Maybe that's why I like it, for isn't life a mixture of comedy and tragedy? My interest didn't flag during the movie as I found it fresh and original and the plot twists unpredictable. I'm not a big Glenn Ford fan but he hits this nail squarely on the head. Even though his Joe Miracle is more accurately a victim than a baddie, he has been sucked into the world of crime and violence. Can the beautiful Jenny Jones redeem him, and can he even survive? It's lineball all the way. Evelyn Keyes is just lovely to look at, and there's lots of character actors doing their bit, some of them only children. I'm going off to do a bit of research on who wrote it and who directed it. They deserve kudos. Surprisingly good entertainment.

A war hero returns from the service and winds up stealing his own money back from the mob in "Mr. Soft Touch," a 1949 film starring Glenn Ford, Evelyn Keyes, John Ireland, and Ted de Corsa.

Ford plays Joe Miracle (shortened from his Polish name) who comes home before Christmas and finds out his partner in a club has been murdered by the mob, and the mob has taken his money. Joe retaliates by breaking into the club and stealing $100,000 from the safe. With everyone looking for him, Joe has a friend buy him a ticket to Japan, but the ticket is for a later date. So he takes off and enters a settlement house run by Jenny Jones (Evelyn Keyes). Jenny thinks Joe is a musician down on his luck. Meanwhile, a newspaper columnist who knows what happened wants Joe's story and is trying to track him down. In writing about Joe, the mob picks up his trail.

Given the cast, Mr. Soft Touch was obviously intended to be a noir but turns into kind of a Christmas romance with comic aspects. For some reason it failed to hold my interest, even though I love Glenn Ford. The acting was good all around, but I preferred the beginning noir and wish it had stayed on that route. The original director was replaced, possibly to change the direction of the movie.

Someone on this board mentioned that John Garfield would have been better in this role. He would have been very good as he always was, but he and Ford were different kinds of types and actors. Garfield looked and acted tough, and Glenn Ford was Everyman. I think his casting in this is the better choice. Joe is a likable, nice guy who was ripped off by the mob while he was off serving his country. Glenn Ford didn't have Garfield's range, but in the right role, he was very effective. And, I might add, easy on the eyes.

Joe Miracle (Glenn Ford) is a World War 2 veteran who returns back home only to find out that his nightclub has been taken over by gangsters. So Joe decides he has no choice but to rob his own casino then run for the hills to avoid the gangsters coming after him. Joe may have had a plan to take the money and run until a pretty advocate of the down-trodden named Jenny Jones (Evelyn Keyes) arranges to spring Joe out of jail on the condition he stay at her halfway house with the other unfortunate souls.

It is Christmas time and very quickly Joe realizes that the plight of the families and single men living in the shelter are worse off than he ever envisioned. As it is the Christmas season, and Joe is quickly attracted to the shelters Manager, Miss Jenny Jones, Joe's plans for a quick getaway by himself changes and his conscience gets the better of him which is why he has been nicknamed Joe Miracle.

The movie title does not provide the audience any inkling that this is a Christmas themed film, but make no mistake it is a FEEL GOOD Christmas themed film that is worth watching more than once.

I give the film a decent 7 out of 10 IMDb rating.

The ingredients are all there for a superb Christmas holiday classic, but Mr. Soft Touch somehow fails to measure up. It could be because two directors with two different visions if any, Gordon Douglas and Henry Levin got assigned to this film from Columbia.

The film starts out with the same premise as Angels With Dirty Faces. Glenn Ford is a former nightclub owner who while serving in World War II was done out of his share of the club by the mob. Unlike James Cagney who expected to move back into partnership with Humphrey Bogart and George Bancroft, Ford's a bit more realistic than that. He just robs the place and he's got both the law and Ted DeCorsia and assorted hoods looking for him.

Circumstances manage to place Ford in a settlement house in San Francisco where Evelyn Keyes takes an interest in him. He actually starts to help out around the place and spreads just a bit of that hundred grand he robbed from the mob. But Keyes who can't help falling for Glenn and her boss Beulah Bondi know he's trouble.

Mr. Soft Touch is not a bad film, but it could have been a holiday classic, it goes wide of the mark with some bad direction. Or maybe no direction, could happen with two directors. The most interesting character in the film is John Ireland who plays a sleazy tabloid columnist, but a man with an impeccable nose for news and trouble.

Glenn Ford's fans should like Mr. Soft Touch and Evelyn Keyes is absolutely radiant as the social worker. They teamed a few times as well for Columbia, but never got the acclaim that Ford did with Rita Hayworth in Gilda. Of course Mr. Soft Touch isn't Gilda.