A yogi seemingly dies while simulating death and his evil second wife, and her daughter, try to force his daughter into insanity for control of his estate.A yogi seemingly dies while simulating death and his evil second wife, and her daughter, try to force his daughter into insanity for control of his estate.A yogi seemingly dies while simulating death and his evil second wife, and her daughter, try to force his daughter into insanity for control of his estate.
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David Keir
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Stealing From Radio was a Common Occurrence in the Movies and Television.
This Early Hammer Studios Rendition of a Popular BBC Radio Series is Very Well Done with Excellent Costumes, Make-Up, Acting, and Sets.
The Studio seems to be Firing on All Cylinders with this Effort.
It is a Harbinger of the Style and Success that Hammer would be come Known for After its Break-Through in the Mid 50's.
The Acting is Above Average for this Type of Thing.
And the Snappy Script Keeps Things Hopping and the Two Females that "Gaslight" are Creepy and Loathsome.
Sidney James has a Dual Role.
The Ending is a one of Surprise.
But some may Find it was Telegraphed in the First-Act.
One of the Better of its Type. Worth a Watch to See Early Hammer at Work and for the Overall Production that is Above Average.
This Early Hammer Studios Rendition of a Popular BBC Radio Series is Very Well Done with Excellent Costumes, Make-Up, Acting, and Sets.
The Studio seems to be Firing on All Cylinders with this Effort.
It is a Harbinger of the Style and Success that Hammer would be come Known for After its Break-Through in the Mid 50's.
The Acting is Above Average for this Type of Thing.
And the Snappy Script Keeps Things Hopping and the Two Females that "Gaslight" are Creepy and Loathsome.
Sidney James has a Dual Role.
The Ending is a one of Surprise.
But some may Find it was Telegraphed in the First-Act.
One of the Better of its Type. Worth a Watch to See Early Hammer at Work and for the Overall Production that is Above Average.
It's interesting to see Sid James play a straight (albeit brief) role for change in this simple little crime thriller. He is a wealthy chap with a rather venal second wife and step-daughter. His obsession with mysticism leads, one evening, to a risky experiment and it all goes wrong... We have no absence of potential culprits as his new family try to drive his daughter out of her mind so they can inherit his fortune. Betty Ann Davies is good as the scheming the wife, with Sheila Burrell likewise as her ghastly, grasping, daughter all manipulating poor old "Joan" (Hazel Penwarden) in a decently paced mystery. Sadly the ending is writ a bit large from fairly early on, and that makes it all sag a bit - maybe Francis Searle could have tightened it up by a quarter of an hour? It's still an enjoyable watch, though - with a slightly more sophisticated script (that may owe something to it's BBC radio heritage). It is rarely shown nowadays, but is worth seeing through if you encounter it.
The Man in Black is directed by Francis Searle and Searle co-writes the play with John Gilling. It stars Betty Ann Davies, Sheila Burell, Sid James, Anthony Forwood and Mollie Palmer. Music is by Frank Spencer and Rupert Grayson and cinematography by Cedric Williams.
Out of Hammer Films, this adaptation from a radio series is a tight little "Gaslight" suspenser. Story basically entails a young lady recently bequeathed her father's inheritance, who is at the mercy of scheming family members intent on ensuring she doesn't get what's rightfully hers.
The core of the plot is quickly revealed to us, so there is no pretention as to this being a supernatural dark house spooker - which is on the cards given the splendid shadowy and creaky setting of the Oakfield Towers mansion.
Story moves through a number of pleasant surprises, murder and intrigue prominent, motives straight and sketchy depending on certain characters' involvements, and thankfully the final run in has some weighty surprise value as well.
It's all very correct in dialogue and a little camp in places, but it's clever in its telling and nicely performed by the cast. 6.5/10
Out of Hammer Films, this adaptation from a radio series is a tight little "Gaslight" suspenser. Story basically entails a young lady recently bequeathed her father's inheritance, who is at the mercy of scheming family members intent on ensuring she doesn't get what's rightfully hers.
The core of the plot is quickly revealed to us, so there is no pretention as to this being a supernatural dark house spooker - which is on the cards given the splendid shadowy and creaky setting of the Oakfield Towers mansion.
Story moves through a number of pleasant surprises, murder and intrigue prominent, motives straight and sketchy depending on certain characters' involvements, and thankfully the final run in has some weighty surprise value as well.
It's all very correct in dialogue and a little camp in places, but it's clever in its telling and nicely performed by the cast. 6.5/10
Based on the extremely popular BBC radio series from the thirties and forties, The Man in Black played by famously spooky voiced Valentine Dyall introduces the story. Yogi follower Sid James dies in his country pile leaving his fortune to his daughter. His wife looks for ways of disinheriting her through having her committed or worse.
Whilst you can quite easily see roughly what is going on here right from the start and it is all a bit twin set and pearls, there is much to enjoy here and a number of twists and turns to keep you guessing. It's an early Hammer film and its radio origins do rather betray it, but it makes for a pleasant hour and a half and nice to Sid James in a straight role for once.
Whilst you can quite easily see roughly what is going on here right from the start and it is all a bit twin set and pearls, there is much to enjoy here and a number of twists and turns to keep you guessing. It's an early Hammer film and its radio origins do rather betray it, but it makes for a pleasant hour and a half and nice to Sid James in a straight role for once.
Although on IMDb this is tagged as a horror movie as well as a thriller - it is not a horror film. It's a thriller, very film noir(ish). The seance might be the only real impression this a horror film. Sure there is a man speaking in a "spooky voice" in the beginning of it, a man simulating his own death through yoga, a woman seemingly going insane, ugly step-mom and step-sister trying to drive her mad but the film is a thriller... maybe with some over/under tones of horror.
I will have to agree this movie is similar to Gaslight (1944) It's sorta a rehash of it but with the mystery removed. Gaslight the better film but this one isn't all that bad.
This film helped Hammer to pave it's way into the horror genre and is worth a watch but not a film to go out of your way to find.
5/10
I will have to agree this movie is similar to Gaslight (1944) It's sorta a rehash of it but with the mystery removed. Gaslight the better film but this one isn't all that bad.
This film helped Hammer to pave it's way into the horror genre and is worth a watch but not a film to go out of your way to find.
5/10
Did you know
- TriviaHazel Penwarden receives an "introducing" credit.
Details
- Runtime
- 1h 20m(80 min)
- Color
- Aspect ratio
- 1.37 : 1
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