Rimfire

If I was writing the script of Rimfire I might have taken this story in an entirely different direction. I think the film had a lot of potential. When first looking at it I was thinking it might be a harbinger of what Clint Eastwood did in High Plains Drifter. If you remember Clint is an other world figure who exacts a terrible vengeance on everyone in his film.

Here Reed Hadley is a luckless gambler the Abilene Kid who gets himself nicely framed for a gold robbery and murder after first being falsely accused of card cheating. After that a whole lot of people start dying and their left with playing cards near the body. The spade suit is used and it goes right into the picture cards.

James Millican who is normally a good character actor is the lead here along with Hadley and he never believed Hadley was guilty. He's an army captain on detached duty for the Secret Service and sheriff Victor Killian makes him a deputy.

The ending is rather strange and disjointed as well. I will say a good red herring is given as the leader of the gang, but the final showdown left a lot to be desired.

Rimfire is interesting and certainly has its supporters, but I think it fails in the execution.

Rimfire is directed by B. Reeves Eason and jointly written by Ron Ormond, Arthur St. Claire and Frank Wisbar. It stars James Millican, Reed Hadley, Mary Beth Hughes, Henry Hull, Fuzzy Knight and Victor Killian. Music is by Walter Greene and cinematography by Ernest Miller.

Captain Tom Harvey (Millican) is an undercover army officer working in a small Texas town investigating the theft of army gold shipments. Taking on the role of a deputy, he suddenly finds the town gripped by terror as they believe the ghost of a gambler who was wrongly convicted and hanged has come back from the grave to enact revenge.

"Gold and greed, it seems, go together. And so do. So do gold and death"

Clocking in at just over an hour, Rimfire is compact and unfussily directed for maximum impact. There's a slight irk that once the central hanging and conviction enters the story, the film barely has time to unfold the mystery element, in fact so much is crammed into the final twenty minutes you really can't afford to look away. But why would you look away when the film is so interesting in narrative and so visually arresting? The biggest character in the piece is Ernest Miller's black and white photography, low-key lighting with prominent shadows, there's a pessimistic ambiance given the production, a sense that humanity is rotten. Which when coupled with the unusual aspects of the story make this very much a unique Western of the 40s.

Well performed with the likes of Hadley, Hull and Millican turning in professional shows, and with super work from photographer Miller, this rounds out as very much a Western noir worth checking out. 8/10

Ignored even when it was released this B western is akin to Audie Murphy's "No Name on the Bullet" as it is a different kind of western, actually a suspense/mystery in a western setting, not a horse opera at all. The cast is an ensemble of reliable character actors doing what they do.

This one is probably lost for ever, but it is an example of what can be accomplished on a starvation budget when a little creativity is applied.

IT'S THE WRITING, STUPID!

There's quite a lot to enjoy in this quickly paced little spooky western. It all starts with an attempt to hijack the stagecoach, one that is luckily thwarted by "Harvey" (James Millican). One of those he rescues happens to be the neice of the local sheriff, and soon he finds himself deputised. "The Abilene Kid" (Reed Hadley), meantime, gets himself into a bit of bother with some marked cards, and after a cursory court hearing under the jurisdiction of the no-nonsense "Judge Gardner" (George Cleveland) is sentenced to hang. Now the film gets interesting. He was found guilty by public acclamation (i.e. A vote of those in the courtroom, rather than by a formal jury) - 11 to 6. Shortly after his execution, some of the eleven start to go the way of the dodo - and the townsfolk start to suspect a ghost! Could it be the "Kid" back for vengeance on this who wronged him? There's a decent sub-plot about some missing gold, too - just to keep it interesting, and a little romance with "Polly" (Mary Beth Hughes). The ending is a bit rushed, but hough the production is pretty basic and the acting really unremarkable, the whole is better than the sum of the parts and we are presented with an entertaining film for an hour.

After a rattlesnake bites his horse, a cowboy named "Tom Harvey" (James Millican) has to walk alone along a dusty trail in a remote part of New Mexico, where he sees a stagecoach being held up by bandits. Skilled with a gun, he surprises the outlaws and, with some help from a stagecoach passenger called "The Abilene Kid" (Reed Hadley), manages to chase them away. Grateful for his help, the stagecoach driver offers him a ride to the nearest town. Once there, he is offered a job as a deputy sheriff, which he performs exceptionally well. Sadly, a short while later, his colleague, the Abilene Kid, is falsely accused of cheating at cards and is tried and sentenced to death. But things don't end there as, not long after he's hanged, a series of murders occur, and the townspeople start to believe that the ghost of the gambler, seeking revenge for his death, is behind them--with Tom Harvey becoming one of his main targets. Now, rather than reveal any more, I will simply say that this was an odd, grade-B Western that managed to hold my attention, mainly due to the mystery surrounding the murders. On a more critical note, although the acting was mostly solid, I didn't particularly like Fuzzy Knight's comedic performance as "Porky Hodges." He just wasn't that funny. However, this film was made during a different era, and comedy of this type was quite typical at the time. So, I guess it's to be expected. Be that as it may, although it's not a great Western, I suppose this film was decent enough to pass the time, and I have rated it accordingly.